Member Directory: P

London-based glass artist Yorgos Papadopoulos’ unique treatment of glass is innovative and highly experimental. Papadopoulos’ successful commissions range from medium size to large scale works for venues such as corporate headquarters, hotel lobbies, private residences, luxury cruise liners and garden landscapes. Pioneer of a technique he developed at the Royal College of Art, Papadopoulos breaks, colours and textures sheets of industrial glass and then re-laminates them to make architectural scale artworks which appear fragile but are extremely durable.

Grant Parker

I combine my Fused Glass Art with my technical electronics experience as a Chartered Professional Engineer and have developed Smart Light Frames (SLF) for Glass Artists see www.frame-illumination.com . My father was also an exhibiting UK artist.

Richard Paton

We are a small company designing and making decorative glass for architectural, domestic and ecclesiastic spaces.

Reclining figure
Jacque Pavlosky

Born in America, lived in England for over 30 years. A lifetime in the arts, visual arts in particular, lover of culture and travel. Tutor - kiln formed glass at Bucks New University 2007-present. Studio assitant - Colin Reid's Glass 2006-present. BA first class Hons in Glass, Buck. and Chilterns Univ. College 2006. Higher Dip in art/design, Amersham College 1992. BA Art/art educ./Humanities, Alma College USA 1974. Art History, Academia de Belle Artes, Perugia, Italy 1973

- Photograph by Alexander Brattell

Colour and light modulation are key aspects in my work, and are explored in multi-layered glass compositions.

I have been working with glass for seven years, concentrating on garden sculptures. My training has been at Stanton Guildhouse, Glostershire. I am now retired and have set up my own studio with kiln in Somerset. Other intrests are printing ,and I would like to combine the two activities in my future works.

Sheila Pearce

The need to make things has always been with me, like a shadow, always present but not always apparent. I now use glass in its many different forms as the main material to express my personal creative vision; the resultant pieces exist somewhere along a fluid boundary between fine art and craft.

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