Find a Glass Artist

Welcome to our complete Members Directory where you can find details of all our current members. Joining as a member automatically entitles you to a listing in this Directory, where you can provide a biography, upload photos of your work, list exhibition information and provide details of how people can get in touch.

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AC Cooper
Simon Bruntnell, 2013

I am an applied artist working mostly in glass as I love its transparency and versatility. I am a material process led maker and I love to experiment and learn new processes. I am currently focussed on kiln casting.
Music and the human form are key elements in my work which has developed through dance, movement, silhouettes and street art. 'Journeys' is a theme I am now focussed on which combines these elements.

Contemporary artist and jeweller, with a fascination for tools and their inherent links to narratives of creation, craft and use. I graduated with a first class honours in Decorative Arts (BA) from Nottingham Trent University in the UK, and since then have been exploring aspects of luxury, purpose, function and craftsmanship heritage. I live and work in Nottingham, UK.

Having worked with Stained Glass for many years,I have recently moved into casting and slumping glass. These processes enable me to develop ideas in a more physical way and take me back to my Fine Art roots.

I live in the Lake District fusing glass inspired by the landscape but with an Art Deco twist. The Bloomsbury Group of Artists & the Canadian Group of 7 also influence me.

Rivers are my recent fascination using iridescent colours, aspiring to replicate their fluidity of movement & the reflection of light on water.

My variety of work includes a trophy for the Irish Ballooning Club, glassware for the award winning Old Stamp House Restaurant & other works being both decorative & functional.

Having studied Architectural Satined Glass at Swansea I have also been experimenting with kiln formed glass and love to combine the two disciplines

I love the challenge of designing for different buildings, interiors and people, whether a large architectural piece or an intensely personal small piece


Midlands MA graduate, with specialisms in glass and ceramics.

Jill Rundle

Working with kiln-fired glass is both rewarding and challenging. The process is quite physical in that it involves measuring, cutting, grinding and firing and this, coupled with the unpredictability of the final outcome, is what makes it such an appealing and absorbing activity.