Current Exhibition
“THE COLOUR RED-AN EXPLOSION”
“The Colour Red-An Explosion”
Glass Artists were invited to submit an image of a piece that exploried the colour red within their work.
47 were selected by our committee, from all the entries submitted.
The result was a feisty explosion of colour to end off a year of fabulous CGS shows!
This online exhibition was launched on 31st Dec 2018.
For any questions, please email Nicola Schellander at info@cgs.org.uk
For any questions relating to membership and taking part in these shows, please email Pam Reekie at admin@cgs.org.uk
Launched on:31st December 2018
Artist:Eva Edery
Email:Eva Edery
Description: Artist: Eva Edery
Tree of Life with Autumn Leaves
Photographer: Eva Edery
Details: Float glass, 90 x 75 cm
The Tree of Life glass collection inspires growth for individuals, families and communities. Each creation has a unique touch by using diverse glass materials, metal inclusions or paints. Various designs and colours provide a movement to the piece that seems to be coming to life.
Contact: eva@evaedery.com
Tree of Life with Autumn Leaves
Photographer: Eva Edery
Details: Float glass, 90 x 75 cm
The Tree of Life glass collection inspires growth for individuals, families and communities. Each creation has a unique touch by using diverse glass materials, metal inclusions or paints. Various designs and colours provide a movement to the piece that seems to be coming to life.
Contact: eva@evaedery.com
Contact: eva@evaedery.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Paul Mellor
Email:Stuart Mellor
Description: Artist: Paul Mellor
Aldeburgh
Photographer: Stuart Mellor
Details: Bullseye striker and Vanilla glass 12.5cm x 12.5cm x 6 cm
This was inspired by a striking pattern on a minute piece of fractured flint found on Aldeburgh beach
in September 2018
Contact: p.r.mellor@btinternet.com
Aldeburgh
Photographer: Stuart Mellor
Details: Bullseye striker and Vanilla glass 12.5cm x 12.5cm x 6 cm
This was inspired by a striking pattern on a minute piece of fractured flint found on Aldeburgh beach
in September 2018
Contact: p.r.mellor@btinternet.com
Contact: p.r.mellor@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lois Parker
Email:Lois Parker
Description: Artist: Lois Parker
Glass Cloth
Photographer: Lois Parker
Details: powder print frit wafer, slumped. 3d piece using Bullseye fine frit and powder.
9x30x26cm. Component piece for work exploring issues around laundry.
Contact: loismayparker@gmail.com
Glass Cloth
Photographer: Lois Parker
Details: powder print frit wafer, slumped. 3d piece using Bullseye fine frit and powder.
9x30x26cm. Component piece for work exploring issues around laundry.
Contact: loismayparker@gmail.com
Contact: loismayparker@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Hannah Gibson Glass
Email:Photography Beytan Erkmen
Description: Artist: Hannah Gibson Glass
Sweet Nothing. Wrapped in red.
Photographer: Photography Beytan Erkmen
Details: Cast Glass Sweet Nothing
Sweet Nothing. Wrapped in red.
This Sweet Nothing stands at 27cm tall.
Capturing the nostalgic imagery of childhood, exposing hidden narratives through cast sculptural glass stands at the
core of my work.
Contact: Hannah@HannahGibsonGlass.co.uk
Sweet Nothing. Wrapped in red.
Photographer: Photography Beytan Erkmen
Details: Cast Glass Sweet Nothing
Sweet Nothing. Wrapped in red.
This Sweet Nothing stands at 27cm tall.
Capturing the nostalgic imagery of childhood, exposing hidden narratives through cast sculptural glass stands at the
core of my work.
Contact: Hannah@HannahGibsonGlass.co.uk
Contact: Hannah@HannahGibsonGlass.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Ruth Shelley
Email:Ruth Shelley
Description: Artist: Ruth Shelley
Duo Reds
Photographer: Ruth Shelley
Details: Gravity Dropped vessels
Dimensions 22 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 6 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 16 cms wide, 15cms high, Sandblasted and coldworked. Bullseye glass
Contact: Ruth Shelley
TAKE PART IN NEXT EXHIBITION HEREDuo Reds
Photographer: Ruth Shelley
Details: Gravity Dropped vessels
Dimensions 22 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 6 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 16 cms wide, 15cms high, Sandblasted and coldworked. Bullseye glass
Contact: Ruth Shelley
Artist:Beth Tierney
Email:Shaun Tierney
Description: Artist: Beth Tierney, See through sand
Fire in the Sky: fused glass reflective light shade
Photographer: Photo by Shaun Tierney, See through sand
Details: Bullseye glass construction, 55 cm sq. flat panel slumped.
Lightshade constructed using various transparent red glasses. Light reflects back through the shade onto the ceiling above to represent a fiery sunset sky.
Contact: contact@seethroughsand.uk
Fire in the Sky: fused glass reflective light shade
Photographer: Photo by Shaun Tierney, See through sand
Details: Bullseye glass construction, 55 cm sq. flat panel slumped.
Lightshade constructed using various transparent red glasses. Light reflects back through the shade onto the ceiling above to represent a fiery sunset sky.
Contact: contact@seethroughsand.uk
Contact: contact@seethroughsand.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Kira Phoenix K\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'inan
Email:Sylvain Deleu
Description: Artist: Kira Phoenix K'inan
Blown Glass Drawing In Red
Photographer: Photo : Sylvain Deleu
Details: Blown Glass
Over the past five years I have developed several glass drawing techniques that stemmed from transferring the language of a two dimensional line drawing on paper into three-dimensional sculptures. The Blown Glass Drawings are created in the Hot Shop. Each drawing is created in the moment, allowing feeling to be expressed through gesture and form to emerge from the material.
Contact: kpkinan@gmail.com
Blown Glass Drawing In Red
Photographer: Photo : Sylvain Deleu
Details: Blown Glass
Over the past five years I have developed several glass drawing techniques that stemmed from transferring the language of a two dimensional line drawing on paper into three-dimensional sculptures. The Blown Glass Drawings are created in the Hot Shop. Each drawing is created in the moment, allowing feeling to be expressed through gesture and form to emerge from the material.
Contact: kpkinan@gmail.com
Contact: kpkinan@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Teresa Chlapowski
Email:Ester Segarra
Description: Artist: Teresa Chlapowski
Fugitives
Photographer: Ester Segarra
Details: Layers of fused glass on slate, 48 x 24 x 6 cm
Glorious Red! Inspired by volcanoes, caverns and exploring but also running away from danger, famine and fear.
Contact: aquarelledesign@chlapowski.plus.com
Fugitives
Photographer: Ester Segarra
Details: Layers of fused glass on slate, 48 x 24 x 6 cm
Glorious Red! Inspired by volcanoes, caverns and exploring but also running away from danger, famine and fear.
Contact: aquarelledesign@chlapowski.plus.com
Contact: aquarelledesign@chlapowski.plus.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Nicholas Rutherford
Description: Artist: Nicholas Rutherford
rutherfordn@aol.com
Contact: rutherfordn@aol.com
rutherfordn@aol.com
Contact: rutherfordn@aol.com
Contact: rutherfordn@aol.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Crispian Heath
Email:Own
Description: Artist: Crispian Heath
Red Cliff
Photographer: Own
Details: Cast glass wedge form, 14 X 16 X 5cm
Orange Red & Yellow/Amber, Gaffer Glass.
Contact: mail@crispianheath.com
Red Cliff
Photographer: Own
Details: Cast glass wedge form, 14 X 16 X 5cm
Orange Red & Yellow/Amber, Gaffer Glass.
Contact: mail@crispianheath.com
Contact: mail@crispianheath.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Email:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Description: Artist: Jan O'Highway
ZING
Photographer: Jan O'Highway
Details: Fused glass dish (Bullseye), approx 12"" long x 2" deep
I love the WOW factor of strong reds with other colours, especially blues.
This slumped dish was made as a gift, to cheer up a grey British Midwinter.
Contact: information@janohighway.com
ZING
Photographer: Jan O'Highway
Details: Fused glass dish (Bullseye), approx 12"" long x 2" deep
I love the WOW factor of strong reds with other colours, especially blues.
This slumped dish was made as a gift, to cheer up a grey British Midwinter.
Contact: information@janohighway.com
Contact: information@janohighway.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Catherine Mahe
Email:Catherine Mahe
Description: Artist: Catherine Mahe
Red drop-out bowl
Photographer: Catherine Mahe
Details: Fused glass gravity vessel
This vessel was made of various shades of red in a check design. It measures 12 cm high by 17cm wide.
Contact: cmglassdesigns@gmail.com
Red drop-out bowl
Photographer: Catherine Mahe
Details: Fused glass gravity vessel
This vessel was made of various shades of red in a check design. It measures 12 cm high by 17cm wide.
Contact: cmglassdesigns@gmail.com
Contact: cmglassdesigns@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Gillian Wing
Description: Artist: Gillian Wing
A Burst of Red
Details: A copper foiled stained glass piece
Approx 14 inch diameter.
Contact: gillian@strawberryglass.co.uk
A Burst of Red
Details: A copper foiled stained glass piece
Approx 14 inch diameter.
Contact: gillian@strawberryglass.co.uk
Contact: gillian@strawberryglass.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Geraldine McLoughlin
Email:Jon Amos
Description: Artist: Geraldine McLoughlin
Tundra - aerial view
Photographer: Photography Jon Amos
Details: 53 x 30 cms
Bullesye glass with frits and paints showing the
different colours of the terrain with the
red arctic flowers starting to bloom
Contact: Geraldine McLoughlin 01747 870390
TAKE PART IN NEXT EXHIBITION HERETundra - aerial view
Photographer: Photography Jon Amos
Details: 53 x 30 cms
Bullesye glass with frits and paints showing the
different colours of the terrain with the
red arctic flowers starting to bloom
Contact: Geraldine McLoughlin 01747 870390
Artist:Dawn Turner
Email:Dawn Turner
Description: Artist: Dawn Turner
Barcode
Photographer: Artist' Own Photography
Details: 25cm square slumped form.
Bullseye Garnet Red iridised glass, kiln carved.
Contact: dawn@dawnturnerdesigns.co.uk
Barcode
Photographer: Artist' Own Photography
Details: 25cm square slumped form.
Bullseye Garnet Red iridised glass, kiln carved.
Contact: dawn@dawnturnerdesigns.co.uk
Contact: dawn@dawnturnerdesigns.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Frances
Email:Ester Segarra
Description: Artist: Frances
Red Border
Photographer: Ester Segarra
Details: A stylised border of red flowers
30cm x 30cm fused and slumped platter in transparent and opalesent Bullseye glass.
Contact: glass@francesarkle.co.uk
Red Border
Photographer: Ester Segarra
Details: A stylised border of red flowers
30cm x 30cm fused and slumped platter in transparent and opalesent Bullseye glass.
Contact: glass@francesarkle.co.uk
Contact: glass@francesarkle.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:JACQUELINE H-BOTQUELEN
Email:Frank Schwarzbach, Zürich
Description: Artist: JACQUELINE H-BOTQUELEN
TRIBAL ICONICS
Photographer: Frank Schwarzbach, Zürich
Details: Pâte de verre, 2 pieces totem, bronze, copper, size cm 83 x 45 X 5
Archaism of our days, 2 pieces totem representing the global phenomenom of the iconics items our societies all around the world desire,
wear, use home, play with, same labels to display...we are at the age of the Global Tribe.
Contact: JACQUELINE H-BOTQUELEN -botquelen@icloud.com - www.jacquelinehbotquelen.com
TRIBAL ICONICS
Photographer: Frank Schwarzbach, Zürich
Details: Pâte de verre, 2 pieces totem, bronze, copper, size cm 83 x 45 X 5
Archaism of our days, 2 pieces totem representing the global phenomenom of the iconics items our societies all around the world desire,
wear, use home, play with, same labels to display...we are at the age of the Global Tribe.
Contact: JACQUELINE H-BOTQUELEN -botquelen@icloud.com - www.jacquelinehbotquelen.com
Contact: botquelen@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Susan Sinclair
Email:Susan Sinclair
Description: Artist: Susan Sinclair
Bryne II -
Photographer: Susan Sinclair
Details: Kiln-formed shallow vessel, 28.5cm x 6.5cm; glass powders and sheet
"Bryne" is the Saxon word for "fire" or "flame"
Contact: churchhouseart@icloud.com
Bryne II -
Photographer: Susan Sinclair
Details: Kiln-formed shallow vessel, 28.5cm x 6.5cm; glass powders and sheet
"Bryne" is the Saxon word for "fire" or "flame"
Contact: churchhouseart@icloud.com
Contact: churchhouseart@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Estelle Dean
Email:Estelle Dean
Description: Artist: Estelle Dean
Wild Fire
Photographer: Estelle Dean
Details: h40x w55x d20cm, Frit De Verre, fused and freeformed
TAKE PART IN NEXT EXHIBITION HEREWild Fire
Photographer: Estelle Dean
Details: h40x w55x d20cm, Frit De Verre, fused and freeformed
Artist:Jerre Davidson
Email:Sylvia Galbraith
Description: Artist: Jerre Davidson
Red Sky
Photographer: Sylvia Galbraith
Details: 7" x 7" x 8"
kiln-cast and cold-worked glass
Contact: jerredavidson@gmail.com
Red Sky
Photographer: Sylvia Galbraith
Details: 7" x 7" x 8"
kiln-cast and cold-worked glass
Contact: jerredavidson@gmail.com
Contact: jerredavidson@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Anne Notebaert
Email:Anne Notebaert
Description: Artist: Anne Notebaert
Rood
Photographer: Anne Notebaert
Details: L 28 BR 20 H 16 cm Lampworking, fusing, slumping
Red Sea perfume has grown from the fascination and sensory experience with the sea.
Contact: annenotebaert@outlook.com
Rood
Photographer: Anne Notebaert
Details: L 28 BR 20 H 16 cm Lampworking, fusing, slumping
Red Sea perfume has grown from the fascination and sensory experience with the sea.
Contact: annenotebaert@outlook.com
Contact: annenotebaert@outlook.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Alberto Corte
Email:Alberto Corte
Description: Artist: Alberto Corte
Destructurated dragon goblet
Photographer: Alberto Corte
Details: 2017 work Dimensions?H?height?cm?14 Dimensions?W?width?cm?24 Dimensions?D?depth?cm?8
In this work the stylistic and traditional representation of dragon supporting the weight of goblet bowl on its neck is destructurated: the dragon gets down the goblet foot and is crystallized in the act of melting off its manneristic representation and his bowl at the same time .
Goblet and dragon were made using Effetre soft glass and a nortel torch. Heat assembled.
Contact: info@cortestudioglass.com
Destructurated dragon goblet
Photographer: Alberto Corte
Details: 2017 work Dimensions?H?height?cm?14 Dimensions?W?width?cm?24 Dimensions?D?depth?cm?8
In this work the stylistic and traditional representation of dragon supporting the weight of goblet bowl on its neck is destructurated: the dragon gets down the goblet foot and is crystallized in the act of melting off its manneristic representation and his bowl at the same time .
Goblet and dragon were made using Effetre soft glass and a nortel torch. Heat assembled.
Contact: info@cortestudioglass.com
Contact: info@cortestudioglass.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Judith Menges
Description: Artist: Judith Menges
Fire Element - The Big Bang
Fire Element - The Big Bang
430 x 430 mm
The four elements of western culture are: EARTH, AIR, FIRE, and WATER. These four elements were believed to be essential to life.
Contact: nickandjudi@sky.com
Fire Element - The Big Bang
Fire Element - The Big Bang
430 x 430 mm
The four elements of western culture are: EARTH, AIR, FIRE, and WATER. These four elements were believed to be essential to life.
Contact: nickandjudi@sky.com
Contact: nickandjudi@sky.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tingting Zhao
Description: Artist: Tingting Zhao
Don't Cry For Me
Photographer: Associate Professor;Artist;Tutor
Details: 45x23x56cm,Cast Glass,Photo by Hongkong Gallery
Great sorrow when God saw his son Jesus Christ was crucified on the cross,
his hear full of blood and tears,
for saving his deepest lovest human being,
he sacrifieced..
Contact: zhaotingting1995@163.com
Don't Cry For Me
Photographer: Associate Professor;Artist;Tutor
Details: 45x23x56cm,Cast Glass,Photo by Hongkong Gallery
Great sorrow when God saw his son Jesus Christ was crucified on the cross,
his hear full of blood and tears,
for saving his deepest lovest human being,
he sacrifieced..
Contact: zhaotingting1995@163.com
Contact: zhaotingting1995@163.com
TAKE PART IN NEXT EXHIBITION HEREArtist:JanHein van Stiphout
Email:JanHein van Stiphout
Description: Artist: JanHein van Stiphout
La Grande Guerre
Photographer: JanHein van Stiphout
Details: Installation: 1568 Poppies made entirely of glass; soil; iron; barbed wire; soundtrack. 12m²
‘La Grande Guerre’ is an installation to memorialize the end of the 1st World War:
1,568 poppies, one for every day of the war, in a bomb crater of black soil
with the soft chirping of meadow birds in the background to accentuate the silence.
Contradiction is a recurring theme in my work and this installation is no exception.
After the deafening violence of war comes silence.
After the blood of the soldiers come the poppies that color the fields red.
After the destruction and misery come peace and rebuilding.
After 100 years, the horrors of this war still bring tears to our eyes.
Nature, on the other hand, seized the opportunity right away to roll
out a beautiful carpet of flowers within a year.
A huge contradiction.
Contact: stipglas@stipglas.com
La Grande Guerre
Photographer: JanHein van Stiphout
Details: Installation: 1568 Poppies made entirely of glass; soil; iron; barbed wire; soundtrack. 12m²
‘La Grande Guerre’ is an installation to memorialize the end of the 1st World War:
1,568 poppies, one for every day of the war, in a bomb crater of black soil
with the soft chirping of meadow birds in the background to accentuate the silence.
Contradiction is a recurring theme in my work and this installation is no exception.
After the deafening violence of war comes silence.
After the blood of the soldiers come the poppies that color the fields red.
After the destruction and misery come peace and rebuilding.
After 100 years, the horrors of this war still bring tears to our eyes.
Nature, on the other hand, seized the opportunity right away to roll
out a beautiful carpet of flowers within a year.
A huge contradiction.
Contact: stipglas@stipglas.com
Contact: stipglas@stipglas.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Richard Roberts
Email:Richard Roberts
Description: Artist: Richard Roberts
Glass blown piece.
Photographer: Richard Roberts
Details: H16cm / W12cm / D7.5cm
A glass blown piece with a white trail, red chips, inner blue stringers & metallic silver surface
stringers.
Contact: www.richardrobertsglass.co.uk
TAKE PART IN NEXT EXHIBITION HEREGlass blown piece.
Photographer: Richard Roberts
Details: H16cm / W12cm / D7.5cm
A glass blown piece with a white trail, red chips, inner blue stringers & metallic silver surface
stringers.
Contact: www.richardrobertsglass.co.uk
Artist:Cathryn Shilling
Email:Ester Segarra
Description: Artist: Cathryn Shilling
Diorama - Born of Fire
Photographer: Ester Segarra
Details: Kiln formed glass with dichroic
Traditional dioramas sought to imitate nature and thereby instil the viewer with a reverence to its beauty and grandeur by offering a glimpse into the vastness and spectacular nature of the world. They were also used to illustrate an environment before changes were made to it due to the impact of human involvement.
Contact: glass@cathrynshilling.co.uk
Diorama - Born of Fire
Photographer: Ester Segarra
Details: Kiln formed glass with dichroic
Traditional dioramas sought to imitate nature and thereby instil the viewer with a reverence to its beauty and grandeur by offering a glimpse into the vastness and spectacular nature of the world. They were also used to illustrate an environment before changes were made to it due to the impact of human involvement.
Contact: glass@cathrynshilling.co.uk
Contact: glass@cathrynshilling.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Rita Neumann
Email:Sebastian Gringauz
Description: Artist: Rita Neumann
Red roses
Photographer: Photo by Sebastian Gringauz
Details: 15in x 6in x 9 in
Casting with System 96 Glass.
Contact: rineumann@hotmail.com
TAKE PART IN NEXT EXHIBITION HERERed roses
Photographer: Photo by Sebastian Gringauz
Details: 15in x 6in x 9 in
Casting with System 96 Glass.
Contact: rineumann@hotmail.com
Artist:SilPhi Glass
Email:SilPhi Glass
Description: Artist: SilPhi Glass
Red
Photographer: SilPhi Glass
Details: Hand blown flamework in transparent and opaque reds
The piece comprises five hand blown tubes created with a Nortel Minor torch and a blowpipe which was made by Roberto Dona (Murano). We blew the tubes in our workshop in the Forge in Docklands, London. The glass is a combination of transparent and opaque reds from the Effetre pallete. The tubes are mounted in copper and placed into a solid mahogany base. The base is 15x15x4cm and the height of the piece is approx. 50cm.
Contact: info@silphi.co.uk
Red
Photographer: SilPhi Glass
Details: Hand blown flamework in transparent and opaque reds
The piece comprises five hand blown tubes created with a Nortel Minor torch and a blowpipe which was made by Roberto Dona (Murano). We blew the tubes in our workshop in the Forge in Docklands, London. The glass is a combination of transparent and opaque reds from the Effetre pallete. The tubes are mounted in copper and placed into a solid mahogany base. The base is 15x15x4cm and the height of the piece is approx. 50cm.
Contact: info@silphi.co.uk
Contact: info@silphi.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Michèle Riley
Email:Michèle Riley
Description: Artist: Michèle Riley
Tide Out (Red)
Photographer: Michèle Riley
Details: H 10 cm x W 13-16 cm x D 16 cm
Lost wax cast glass (Bullseye)
Contact: mgr.riley@gmail.com
Tide Out (Red)
Photographer: Michèle Riley
Details: H 10 cm x W 13-16 cm x D 16 cm
Lost wax cast glass (Bullseye)
Contact: mgr.riley@gmail.com
Contact: mgr.riley@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Karen Lilley
Email:Karen Lilley
Description: Artist: Karen Lilley
Geodesic Plate
Photographer: Karen Lilley
Details: The plate is 30cm diameter, kiln formed sheet and powdered Bullseye glass.
Inspired in equal parts by geodesic domes used as green houses (such as those of the Eden Project) and by the comb made by the bees we keep.
Contact: mail: lilleyglassdesigns@gmail.com mobile: 07835 260569
TAKE PART IN NEXT EXHIBITION HEREGeodesic Plate
Photographer: Karen Lilley
Details: The plate is 30cm diameter, kiln formed sheet and powdered Bullseye glass.
Inspired in equal parts by geodesic domes used as green houses (such as those of the Eden Project) and by the comb made by the bees we keep.
Contact: mail: lilleyglassdesigns@gmail.com mobile: 07835 260569
Artist:David Frazer
Description: Artist: David Frazer
Fragile Fire
Details: 25 x 5 cm system 96 bowl
I'm experimenting with fragility & impermanence in found art.
Like fire it should be kept away from children, animals & dishwashers
TAKE PART IN NEXT EXHIBITION HEREFragile Fire
Details: 25 x 5 cm system 96 bowl
I'm experimenting with fragility & impermanence in found art.
Like fire it should be kept away from children, animals & dishwashers
Artist:Jenny Walsh
Email:Ester Segarra
Description: Artist: Jenny Walsh
Haemostasis
Photographer: Photograph by Ester Segarra
Details: Glass and copper, 2016
"The arrest of blood flow."
Contact: jennywalsh65@gmail.com
Haemostasis
Photographer: Photograph by Ester Segarra
Details: Glass and copper, 2016
"The arrest of blood flow."
Contact: jennywalsh65@gmail.com
Contact: jennywalsh65@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ana Laura Quintana
Email:Luciano Garetto
Description: Artist: Ana Laura Quintana
Red Flower Vessel
Photographer: Luciano Garetto
Details: Size: 11 x 9 (H) cm
I made this red vessel experimenting with the pâte de verre technique. I do not use a mold, I model the paste of glass. In a second fire I gave it the details with liquid gold. Nature always inspires me with its round forms and in this case, with an extraordinary colour.
Contact: Email: analauraquintana@icloud.com instagram: analauraglass website: www.analauraquintana.com
TAKE PART IN NEXT EXHIBITION HERERed Flower Vessel
Photographer: Luciano Garetto
Details: Size: 11 x 9 (H) cm
I made this red vessel experimenting with the pâte de verre technique. I do not use a mold, I model the paste of glass. In a second fire I gave it the details with liquid gold. Nature always inspires me with its round forms and in this case, with an extraordinary colour.
Contact: Email: analauraquintana@icloud.com instagram: analauraglass website: www.analauraquintana.com
Artist:MAJA ZAPLOTNIK
Description: Artist: MAJA ZAPLOTNIK
Light and Shadow
Details: Float glass, fused and slumped, 30 cm x 40 cm x 12 cm
Our world consist of light and shadow, which are in a dependent relationship and do not
exist one without each other. Red colour has a very similar features in a symbolic way.
It is colour of love, of strong passion, but at the same time it represents also blood and
death.
Contact: maja.zaplotnik@tele-cable.net
Light and Shadow
Details: Float glass, fused and slumped, 30 cm x 40 cm x 12 cm
Our world consist of light and shadow, which are in a dependent relationship and do not
exist one without each other. Red colour has a very similar features in a symbolic way.
It is colour of love, of strong passion, but at the same time it represents also blood and
death.
Contact: maja.zaplotnik@tele-cable.net
Contact: maja.zaplotnik@tele-cable.net
TAKE PART IN NEXT EXHIBITION HEREArtist:Beverley Bunn
Email:Beverley Bunn
Description: Artist: Beverley Bunn
Mars - The red planet
Photographer: Beverley Bunn
Details: 25x25cm fused glass panel, framed
A wall panel made with Bullseye powder on tekta, showing Mars, the red planet. Made as part of a series on planets and the universe.
Contact: bevbunn@yahoo.co.uk 07966461572
TAKE PART IN NEXT EXHIBITION HEREMars - The red planet
Photographer: Beverley Bunn
Details: 25x25cm fused glass panel, framed
A wall panel made with Bullseye powder on tekta, showing Mars, the red planet. Made as part of a series on planets and the universe.
Contact: bevbunn@yahoo.co.uk 07966461572
Artist:Lynda Addison
Email:Johnny Korkman
Description: Artist: Lynda Addison, Unique Glass Art, Helsinki, Finland.
Night Visions: Infrared Rowan
Photographer: Johnny Korkman
Details: Mixed Media, Fused Glass over negative mono-print of Rowan leaves. 37 x 28 cms
I wanted to create an imaginary “night vision” of leaves illuminated by pulsing infrared light. To capture the strobe effect I made use of refraction and magnification occurring at the curved edges and deep centre of layers of red glasses.
Contact: lyndaaddison@hotmail.com , www.studioe.fi
Night Visions: Infrared Rowan
Photographer: Johnny Korkman
Details: Mixed Media, Fused Glass over negative mono-print of Rowan leaves. 37 x 28 cms
I wanted to create an imaginary “night vision” of leaves illuminated by pulsing infrared light. To capture the strobe effect I made use of refraction and magnification occurring at the curved edges and deep centre of layers of red glasses.
Contact: lyndaaddison@hotmail.com , www.studioe.fi
Contact: lyndaaddison@hotmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pippa Beveridge
Email:Pippa Beveridge
Description: Artist: Pippa Beveridge
Human Shield II
Photographer: Pippa Beveridge
One of a series of breast plates using kiln-formed float glass with copper stain and decals, acid-etched and cold worked.
Contact: www.philippabeveridge.com
TAKE PART IN NEXT EXHIBITION HEREHuman Shield II
Photographer: Pippa Beveridge
One of a series of breast plates using kiln-formed float glass with copper stain and decals, acid-etched and cold worked.
Contact: www.philippabeveridge.com
Artist:Chris Huang
Description: Artist: Chris Huang
Rightoursness
Details: length:350mm; height:380mm
The image is an awesome general who is brave and justice. He is stroking his beard with one hand and the other holding a long broadsword being ready to fight for righteous as the occasion demands. Meanwhile he is gazing into the distance steadily, full of power and grandred.
Contact: 2054741713@qq.com
Rightoursness
Details: length:350mm; height:380mm
The image is an awesome general who is brave and justice. He is stroking his beard with one hand and the other holding a long broadsword being ready to fight for righteous as the occasion demands. Meanwhile he is gazing into the distance steadily, full of power and grandred.
Contact: 2054741713@qq.com
Contact: 2054741713@qq.com
TAKE PART IN NEXT EXHIBITION HEREArtist:David Reekie
Description: Artist: David Reekie
Casual Bystanders V
Details: NFS
The use of mixed media has been part of my work for many years and while glass is my main working media I like bringing it together with other materials to give the work a sculptural depth. I have also found that using a combination of materials strengthens the narrative in my work.
The staffs are there to give these pieces a sense of surreal theatre. I am using the title Casual Bystanders in an ironic and somewhat sarcastic way. By having the figures standing passively with blank expressions I suggest that there are elements within our society and political elite who are blind to the growing problems in society and stand casually by as these problems grow.
Contact: david.reekie@virgin.net
Casual Bystanders V
Details: NFS
The use of mixed media has been part of my work for many years and while glass is my main working media I like bringing it together with other materials to give the work a sculptural depth. I have also found that using a combination of materials strengthens the narrative in my work.
The staffs are there to give these pieces a sense of surreal theatre. I am using the title Casual Bystanders in an ironic and somewhat sarcastic way. By having the figures standing passively with blank expressions I suggest that there are elements within our society and political elite who are blind to the growing problems in society and stand casually by as these problems grow.
Contact: david.reekie@virgin.net
Contact: david.reekie@virgin.net
TAKE PART IN NEXT EXHIBITION HEREArtist:Linda Norris
Email:Linda Norris
Description: Artist: Linda Norris
Hergest Bowl
Photographer: Linda Norris
Details: Mouth-blown flashed glass, sand-etched, fire-poilished and kiln formed.
The design for this bowl is based on text from The Red Book of Hergest which lays out the stories of the Mabinogion.
I am drawn to manuscript for the personal link it gives us with stories and accounts from the past, how the hand of the (anonymous) scribe is present at all times, and has a poetic beauty and elegance of its own.
Contact: linda@linda-norris.com
Hergest Bowl
Photographer: Linda Norris
Details: Mouth-blown flashed glass, sand-etched, fire-poilished and kiln formed.
The design for this bowl is based on text from The Red Book of Hergest which lays out the stories of the Mabinogion.
I am drawn to manuscript for the personal link it gives us with stories and accounts from the past, how the hand of the (anonymous) scribe is present at all times, and has a poetic beauty and elegance of its own.
Contact: linda@linda-norris.com
Contact: linda@linda-norris.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Emma White
Email:Irregular Glass
Description: Artist: Emma White
Geode of fire
Photographer: Irregular Glass
Details: Sand casted glass work. 3.5 inches length, 3.5 inches width, 2 inches depth. Red glass with metal inclusions.
"Geode of fire" is my first completely red piece. Made in November 2018. The colour came out a lovely deep red. Whenever I use metal on the outside of my work. I think it looks very similar to natural geode's. I have also used metal inclusions in this piece to enhance the depth and to gain desired reactions.
Contact: Irregularglass@gmail.com 07305074017
Geode of fire
Photographer: Irregular Glass
Details: Sand casted glass work. 3.5 inches length, 3.5 inches width, 2 inches depth. Red glass with metal inclusions.
"Geode of fire" is my first completely red piece. Made in November 2018. The colour came out a lovely deep red. Whenever I use metal on the outside of my work. I think it looks very similar to natural geode's. I have also used metal inclusions in this piece to enhance the depth and to gain desired reactions.
Contact: Irregularglass@gmail.com 07305074017
Contact: Irregularglass@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Emma Butler-Cole Aiken
Email:Melanie Ehsan
Description: Artist: Emma Butler-Cole Aiken
Tree of Jesse - The Blood Line of Jesus
Photographer: Melanie Ehsan
Details: Stained glass window, Glasgow Cathedral 2018
The Tree growing from the stump (Jesse) is the Israelite nation and includes the green shoot or ‘rod’, the line of Christ. The tree grows up and across, filling the window with lush growth. Red represents the redeeming sacrifice of Christ. It represents God reaching down to mankind and making a way for us to know Him, whoever we are and wherever we come from. This makes it possible for other ‘trees’, which are not descended from Israel, to reach up and become grafted into the whole.
Contact: Emma Butler-Cole Aiken
TAKE PART IN NEXT EXHIBITION HERETree of Jesse - The Blood Line of Jesus
Photographer: Melanie Ehsan
Details: Stained glass window, Glasgow Cathedral 2018
The Tree growing from the stump (Jesse) is the Israelite nation and includes the green shoot or ‘rod’, the line of Christ. The tree grows up and across, filling the window with lush growth. Red represents the redeeming sacrifice of Christ. It represents God reaching down to mankind and making a way for us to know Him, whoever we are and wherever we come from. This makes it possible for other ‘trees’, which are not descended from Israel, to reach up and become grafted into the whole.
Contact: Emma Butler-Cole Aiken
Artist:Noreen Todd
Email:Noreen Todd
Description: Artist: Noreen Todd
An ancient Chinese show in Red depicting a broken bound foot inside
Photographer: Noreen Todd
Details: H: 120mm. W: 40mm D: 100mm
This shoe is inspired by the ancient Chinese Shoes and shows the image of a broken bound foot of a women in the interior. The smaller the feet the more likely that the woman would make a good marriage.
Contact: 01326574693
TAKE PART IN NEXT EXHIBITION HEREAn ancient Chinese show in Red depicting a broken bound foot inside
Photographer: Noreen Todd
Details: H: 120mm. W: 40mm D: 100mm
This shoe is inspired by the ancient Chinese Shoes and shows the image of a broken bound foot of a women in the interior. The smaller the feet the more likely that the woman would make a good marriage.
Contact: 01326574693
Artist:Pam Fyvie
Email:Simon Bruntnell
Description: Artist: Pam Fyvie
Winter Fire
Photographer: Photo Simon Bruntnell
Details: 300 x 225 x 140mm
Fused glass bowl with crystal edge
Contact: pam.fyvie@gmail.com
Winter Fire
Photographer: Photo Simon Bruntnell
Details: 300 x 225 x 140mm
Fused glass bowl with crystal edge
Contact: pam.fyvie@gmail.com
Contact: pam.fyvie@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Janine Altman
Description: Artist: Janine Altman
Spring Garden II
Details: Flameworking and Fused glass, bullseye glass and recycled glass. Dimensions: 20 x 20 x 10 cm. Year: 2018
This garden, full of shapes and colours, forms an extraordinary world of magic and fantasy.
It creates an environment that lets our imagination fly, a safe place to be ourselves.
Contact: www.janinealtman.com / janine.altman@gmail.com Country of residence: Uruguay
Spring Garden II
Details: Flameworking and Fused glass, bullseye glass and recycled glass. Dimensions: 20 x 20 x 10 cm. Year: 2018
This garden, full of shapes and colours, forms an extraordinary world of magic and fantasy.
It creates an environment that lets our imagination fly, a safe place to be ourselves.
Contact: www.janinealtman.com / janine.altman@gmail.com Country of residence: Uruguay
Contact: janine.altman@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Teddy Devereux
Email:Teddy Devereux
Description: Artist: Teddy Devereux
Mad Dog Graffiti
Photographer: Teddy Devereux
Details: Fused Glass on Aluminum, 16 in x 20 in x 1 in
This piece was made with Bullseye Cascadia glass, glass powder and other glass elements.
Contact: Teddy Devereux
TAKE PART IN NEXT EXHIBITION HEREMad Dog Graffiti
Photographer: Teddy Devereux
Details: Fused Glass on Aluminum, 16 in x 20 in x 1 in
This piece was made with Bullseye Cascadia glass, glass powder and other glass elements.
Contact: Teddy Devereux
.jpg)
Artist:Eva Edery
Email:Eva Edery
Description: Artist: Eva Edery
Tree of Life with Autumn Leaves
Photographer: Eva Edery
Details: Float glass, 90 x 75 cm
The Tree of Life glass collection inspires growth for individuals, families and communities. Each creation has a unique touch by using diverse glass materials, metal inclusions or paints. Various designs and colours provide a movement to the piece that seems to be coming to life.
Contact: eva@evaedery.com
Tree of Life with Autumn Leaves
Photographer: Eva Edery
Details: Float glass, 90 x 75 cm
The Tree of Life glass collection inspires growth for individuals, families and communities. Each creation has a unique touch by using diverse glass materials, metal inclusions or paints. Various designs and colours provide a movement to the piece that seems to be coming to life.
Contact: eva@evaedery.com
Contact: eva@evaedery.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Paul Mellor
Email:Stuart Mellor
Description: Artist: Paul Mellor
Aldeburgh
Photographer: Stuart Mellor
Details: Bullseye striker and Vanilla glass 12.5cm x 12.5cm x 6 cm
This was inspired by a striking pattern on a minute piece of fractured flint found on Aldeburgh beach
in September 2018
Contact: p.r.mellor@btinternet.com
Aldeburgh
Photographer: Stuart Mellor
Details: Bullseye striker and Vanilla glass 12.5cm x 12.5cm x 6 cm
This was inspired by a striking pattern on a minute piece of fractured flint found on Aldeburgh beach
in September 2018
Contact: p.r.mellor@btinternet.com
Contact: p.r.mellor@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lois Parker
Email:Lois Parker
Description: Artist: Lois Parker
Glass Cloth
Photographer: Lois Parker
Details: powder print frit wafer, slumped. 3d piece using Bullseye fine frit and powder.
9x30x26cm. Component piece for work exploring issues around laundry.
Contact: loismayparker@gmail.com
Glass Cloth
Photographer: Lois Parker
Details: powder print frit wafer, slumped. 3d piece using Bullseye fine frit and powder.
9x30x26cm. Component piece for work exploring issues around laundry.
Contact: loismayparker@gmail.com
Contact: loismayparker@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Hannah Gibson Glass
Email:Photography Beytan Erkmen
Description: Artist: Hannah Gibson Glass
Sweet Nothing. Wrapped in red.
Photographer: Photography Beytan Erkmen
Details: Cast Glass Sweet Nothing
Sweet Nothing. Wrapped in red.
This Sweet Nothing stands at 27cm tall.
Capturing the nostalgic imagery of childhood, exposing hidden narratives through cast sculptural glass stands at the
core of my work.
Contact: Hannah@HannahGibsonGlass.co.uk
Sweet Nothing. Wrapped in red.
Photographer: Photography Beytan Erkmen
Details: Cast Glass Sweet Nothing
Sweet Nothing. Wrapped in red.
This Sweet Nothing stands at 27cm tall.
Capturing the nostalgic imagery of childhood, exposing hidden narratives through cast sculptural glass stands at the
core of my work.
Contact: Hannah@HannahGibsonGlass.co.uk
Contact: Hannah@HannahGibsonGlass.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Ruth Shelley
Email:Ruth Shelley
Description: Artist: Ruth Shelley
Duo Reds
Photographer: Ruth Shelley
Details: Gravity Dropped vessels
Dimensions 22 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 6 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 16 cms wide, 15cms high, Sandblasted and coldworked. Bullseye glass
Contact: Ruth Shelley
TAKE PART IN NEXT EXHIBITION HEREDuo Reds
Photographer: Ruth Shelley
Details: Gravity Dropped vessels
Dimensions 22 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 6 cms wide, 23cms high, Sandblasted and coldworked. Bullseye glass
Dimensions 16 cms wide, 15cms high, Sandblasted and coldworked. Bullseye glass
Contact: Ruth Shelley
Artist:Beth Tierney
Email:Shaun Tierney
Description: Artist: Beth Tierney, See through sand
Fire in the Sky: fused glass reflective light shade
Photographer: Photo by Shaun Tierney, See through sand
Details: Bullseye glass construction, 55 cm sq. flat panel slumped.
Lightshade constructed using various transparent red glasses. Light reflects back through the shade onto the ceiling above to represent a fiery sunset sky.
Contact: contact@seethroughsand.uk
Fire in the Sky: fused glass reflective light shade
Photographer: Photo by Shaun Tierney, See through sand
Details: Bullseye glass construction, 55 cm sq. flat panel slumped.
Lightshade constructed using various transparent red glasses. Light reflects back through the shade onto the ceiling above to represent a fiery sunset sky.
Contact: contact@seethroughsand.uk
Contact: contact@seethroughsand.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Kira Phoenix K\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'inan
Email:Sylvain Deleu
Description: Artist: Kira Phoenix K'inan
Blown Glass Drawing In Red
Photographer: Photo : Sylvain Deleu
Details: Blown Glass
Over the past five years I have developed several glass drawing techniques that stemmed from transferring the language of a two dimensional line drawing on paper into three-dimensional sculptures. The Blown Glass Drawings are created in the Hot Shop. Each drawing is created in the moment, allowing feeling to be expressed through gesture and form to emerge from the material.
Contact: kpkinan@gmail.com
Blown Glass Drawing In Red
Photographer: Photo : Sylvain Deleu
Details: Blown Glass
Over the past five years I have developed several glass drawing techniques that stemmed from transferring the language of a two dimensional line drawing on paper into three-dimensional sculptures. The Blown Glass Drawings are created in the Hot Shop. Each drawing is created in the moment, allowing feeling to be expressed through gesture and form to emerge from the material.
Contact: kpkinan@gmail.com
Contact: kpkinan@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Teresa Chlapowski
Email:Ester Segarra
Description: Artist: Teresa Chlapowski
Fugitives
Photographer: Ester Segarra
Details: Layers of fused glass on slate, 48 x 24 x 6 cm
Glorious Red! Inspired by volcanoes, caverns and exploring but also running away from danger, famine and fear.
Contact: aquarelledesign@chlapowski.plus.com
Fugitives
Photographer: Ester Segarra
Details: Layers of fused glass on slate, 48 x 24 x 6 cm
Glorious Red! Inspired by volcanoes, caverns and exploring but also running away from danger, famine and fear.
Contact: aquarelledesign@chlapowski.plus.com
Contact: aquarelledesign@chlapowski.plus.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Nicholas Rutherford
Description: Artist: Nicholas Rutherford
rutherfordn@aol.com
Contact: rutherfordn@aol.com
rutherfordn@aol.com
Contact: rutherfordn@aol.com
Contact: rutherfordn@aol.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Crispian Heath
Email:Own
Description: Artist: Crispian Heath
Red Cliff
Photographer: Own
Details: Cast glass wedge form, 14 X 16 X 5cm
Orange Red & Yellow/Amber, Gaffer Glass.
Contact: mail@crispianheath.com
Red Cliff
Photographer: Own
Details: Cast glass wedge form, 14 X 16 X 5cm
Orange Red & Yellow/Amber, Gaffer Glass.
Contact: mail@crispianheath.com
Contact: mail@crispianheath.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Email:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Description: Artist: Jan O'Highway
ZING
Photographer: Jan O'Highway
Details: Fused glass dish (Bullseye), approx 12"" long x 2" deep
I love the WOW factor of strong reds with other colours, especially blues.
This slumped dish was made as a gift, to cheer up a grey British Midwinter.
Contact: information@janohighway.com
ZING
Photographer: Jan O'Highway
Details: Fused glass dish (Bullseye), approx 12"" long x 2" deep
I love the WOW factor of strong reds with other colours, especially blues.
This slumped dish was made as a gift, to cheer up a grey British Midwinter.
Contact: information@janohighway.com
Contact: information@janohighway.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Catherine Mahe
Email:Catherine Mahe
Description: Artist: Catherine Mahe
Red drop-out bowl
Photographer: Catherine Mahe
Details: Fused glass gravity vessel
This vessel was made of various shades of red in a check design. It measures 12 cm high by 17cm wide.
Contact: cmglassdesigns@gmail.com
Red drop-out bowl
Photographer: Catherine Mahe
Details: Fused glass gravity vessel
This vessel was made of various shades of red in a check design. It measures 12 cm high by 17cm wide.
Contact: cmglassdesigns@gmail.com
Contact: cmglassdesigns@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Gillian Wing
Description: Artist: Gillian Wing
A Burst of Red
Details: A copper foiled stained glass piece
Approx 14 inch diameter.
Contact: gillian@strawberryglass.co.uk
A Burst of Red
Details: A copper foiled stained glass piece
Approx 14 inch diameter.
Contact: gillian@strawberryglass.co.uk
Contact: gillian@strawberryglass.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Geraldine McLoughlin
Email:Jon Amos
Description: Artist: Geraldine McLoughlin
Tundra - aerial view
Photographer: Photography Jon Amos
Details: 53 x 30 cms
Bullesye glass with frits and paints showing the
different colours of the terrain with the
red arctic flowers starting to bloom
Contact: Geraldine McLoughlin 01747 870390
TAKE PART IN NEXT EXHIBITION HERETundra - aerial view
Photographer: Photography Jon Amos
Details: 53 x 30 cms
Bullesye glass with frits and paints showing the
different colours of the terrain with the
red arctic flowers starting to bloom
Contact: Geraldine McLoughlin 01747 870390
Artist:Dawn Turner
Email:Dawn Turner
Description: Artist: Dawn Turner
Barcode
Photographer: Artist' Own Photography
Details: 25cm square slumped form.
Bullseye Garnet Red iridised glass, kiln carved.
Contact: dawn@dawnturnerdesigns.co.uk
Barcode
Photographer: Artist' Own Photography
Details: 25cm square slumped form.
Bullseye Garnet Red iridised glass, kiln carved.
Contact: dawn@dawnturnerdesigns.co.uk
Contact: dawn@dawnturnerdesigns.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Frances
Email:Ester Segarra
Description: Artist: Frances
Red Border
Photographer: Ester Segarra
Details: A stylised border of red flowers
30cm x 30cm fused and slumped platter in transparent and opalesent Bullseye glass.
Contact: glass@francesarkle.co.uk
Red Border
Photographer: Ester Segarra
Details: A stylised border of red flowers
30cm x 30cm fused and slumped platter in transparent and opalesent Bullseye glass.
Contact: glass@francesarkle.co.uk
Contact: glass@francesarkle.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:JACQUELINE H-BOTQUELEN
Email:Frank Schwarzbach, Zürich
Description: Artist: JACQUELINE H-BOTQUELEN
TRIBAL ICONICS
Photographer: Frank Schwarzbach, Zürich
Details: Pâte de verre, 2 pieces totem, bronze, copper, size cm 83 x 45 X 5
Archaism of our days, 2 pieces totem representing the global phenomenom of the iconics items our societies all around the world desire,
wear, use home, play with, same labels to display...we are at the age of the Global Tribe.
Contact: JACQUELINE H-BOTQUELEN -botquelen@icloud.com - www.jacquelinehbotquelen.com
TRIBAL ICONICS
Photographer: Frank Schwarzbach, Zürich
Details: Pâte de verre, 2 pieces totem, bronze, copper, size cm 83 x 45 X 5
Archaism of our days, 2 pieces totem representing the global phenomenom of the iconics items our societies all around the world desire,
wear, use home, play with, same labels to display...we are at the age of the Global Tribe.
Contact: JACQUELINE H-BOTQUELEN -botquelen@icloud.com - www.jacquelinehbotquelen.com
Contact: botquelen@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Susan Sinclair
Email:Susan Sinclair
Description: Artist: Susan Sinclair
Bryne II -
Photographer: Susan Sinclair
Details: Kiln-formed shallow vessel, 28.5cm x 6.5cm; glass powders and sheet
"Bryne" is the Saxon word for "fire" or "flame"
Contact: churchhouseart@icloud.com
Bryne II -
Photographer: Susan Sinclair
Details: Kiln-formed shallow vessel, 28.5cm x 6.5cm; glass powders and sheet
"Bryne" is the Saxon word for "fire" or "flame"
Contact: churchhouseart@icloud.com
Contact: churchhouseart@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Estelle Dean
Email:Estelle Dean
Description: Artist: Estelle Dean
Wild Fire
Photographer: Estelle Dean
Details: h40x w55x d20cm, Frit De Verre, fused and freeformed
TAKE PART IN NEXT EXHIBITION HEREWild Fire
Photographer: Estelle Dean
Details: h40x w55x d20cm, Frit De Verre, fused and freeformed
Artist:Jerre Davidson
Email:Sylvia Galbraith
Description: Artist: Jerre Davidson
Red Sky
Photographer: Sylvia Galbraith
Details: 7" x 7" x 8"
kiln-cast and cold-worked glass
Contact: jerredavidson@gmail.com
Red Sky
Photographer: Sylvia Galbraith
Details: 7" x 7" x 8"
kiln-cast and cold-worked glass
Contact: jerredavidson@gmail.com
Contact: jerredavidson@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Anne Notebaert
Email:Anne Notebaert
Description: Artist: Anne Notebaert
Rood
Photographer: Anne Notebaert
Details: L 28 BR 20 H 16 cm Lampworking, fusing, slumping
Red Sea perfume has grown from the fascination and sensory experience with the sea.
Contact: annenotebaert@outlook.com
Rood
Photographer: Anne Notebaert
Details: L 28 BR 20 H 16 cm Lampworking, fusing, slumping
Red Sea perfume has grown from the fascination and sensory experience with the sea.
Contact: annenotebaert@outlook.com
Contact: annenotebaert@outlook.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Alberto Corte
Email:Alberto Corte
Description: Artist: Alberto Corte
Destructurated dragon goblet
Photographer: Alberto Corte
Details: 2017 work Dimensions?H?height?cm?14 Dimensions?W?width?cm?24 Dimensions?D?depth?cm?8
In this work the stylistic and traditional representation of dragon supporting the weight of goblet bowl on its neck is destructurated: the dragon gets down the goblet foot and is crystallized in the act of melting off its manneristic representation and his bowl at the same time .
Goblet and dragon were made using Effetre soft glass and a nortel torch. Heat assembled.
Contact: info@cortestudioglass.com
Destructurated dragon goblet
Photographer: Alberto Corte
Details: 2017 work Dimensions?H?height?cm?14 Dimensions?W?width?cm?24 Dimensions?D?depth?cm?8
In this work the stylistic and traditional representation of dragon supporting the weight of goblet bowl on its neck is destructurated: the dragon gets down the goblet foot and is crystallized in the act of melting off its manneristic representation and his bowl at the same time .
Goblet and dragon were made using Effetre soft glass and a nortel torch. Heat assembled.
Contact: info@cortestudioglass.com
Contact: info@cortestudioglass.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Judith Menges
Description: Artist: Judith Menges
Fire Element - The Big Bang
Fire Element - The Big Bang
430 x 430 mm
The four elements of western culture are: EARTH, AIR, FIRE, and WATER. These four elements were believed to be essential to life.
Contact: nickandjudi@sky.com
Fire Element - The Big Bang
Fire Element - The Big Bang
430 x 430 mm
The four elements of western culture are: EARTH, AIR, FIRE, and WATER. These four elements were believed to be essential to life.
Contact: nickandjudi@sky.com
Contact: nickandjudi@sky.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tingting Zhao
Description: Artist: Tingting Zhao
Don't Cry For Me
Photographer: Associate Professor;Artist;Tutor
Details: 45x23x56cm,Cast Glass,Photo by Hongkong Gallery
Great sorrow when God saw his son Jesus Christ was crucified on the cross,
his hear full of blood and tears,
for saving his deepest lovest human being,
he sacrifieced..
Contact: zhaotingting1995@163.com
Don't Cry For Me
Photographer: Associate Professor;Artist;Tutor
Details: 45x23x56cm,Cast Glass,Photo by Hongkong Gallery
Great sorrow when God saw his son Jesus Christ was crucified on the cross,
his hear full of blood and tears,
for saving his deepest lovest human being,
he sacrifieced..
Contact: zhaotingting1995@163.com
Contact: zhaotingting1995@163.com
TAKE PART IN NEXT EXHIBITION HEREArtist:JanHein van Stiphout
Email:JanHein van Stiphout
Description: Artist: JanHein van Stiphout
La Grande Guerre
Photographer: JanHein van Stiphout
Details: Installation: 1568 Poppies made entirely of glass; soil; iron; barbed wire; soundtrack. 12m²
‘La Grande Guerre’ is an installation to memorialize the end of the 1st World War:
1,568 poppies, one for every day of the war, in a bomb crater of black soil
with the soft chirping of meadow birds in the background to accentuate the silence.
Contradiction is a recurring theme in my work and this installation is no exception.
After the deafening violence of war comes silence.
After the blood of the soldiers come the poppies that color the fields red.
After the destruction and misery come peace and rebuilding.
After 100 years, the horrors of this war still bring tears to our eyes.
Nature, on the other hand, seized the opportunity right away to roll
out a beautiful carpet of flowers within a year.
A huge contradiction.
Contact: stipglas@stipglas.com
La Grande Guerre
Photographer: JanHein van Stiphout
Details: Installation: 1568 Poppies made entirely of glass; soil; iron; barbed wire; soundtrack. 12m²
‘La Grande Guerre’ is an installation to memorialize the end of the 1st World War:
1,568 poppies, one for every day of the war, in a bomb crater of black soil
with the soft chirping of meadow birds in the background to accentuate the silence.
Contradiction is a recurring theme in my work and this installation is no exception.
After the deafening violence of war comes silence.
After the blood of the soldiers come the poppies that color the fields red.
After the destruction and misery come peace and rebuilding.
After 100 years, the horrors of this war still bring tears to our eyes.
Nature, on the other hand, seized the opportunity right away to roll
out a beautiful carpet of flowers within a year.
A huge contradiction.
Contact: stipglas@stipglas.com
Contact: stipglas@stipglas.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Richard Roberts
Email:Richard Roberts
Description: Artist: Richard Roberts
Glass blown piece.
Photographer: Richard Roberts
Details: H16cm / W12cm / D7.5cm
A glass blown piece with a white trail, red chips, inner blue stringers & metallic silver surface
stringers.
Contact: www.richardrobertsglass.co.uk
TAKE PART IN NEXT EXHIBITION HEREGlass blown piece.
Photographer: Richard Roberts
Details: H16cm / W12cm / D7.5cm
A glass blown piece with a white trail, red chips, inner blue stringers & metallic silver surface
stringers.
Contact: www.richardrobertsglass.co.uk
Artist:Cathryn Shilling
Email:Ester Segarra
Description: Artist: Cathryn Shilling
Diorama - Born of Fire
Photographer: Ester Segarra
Details: Kiln formed glass with dichroic
Traditional dioramas sought to imitate nature and thereby instil the viewer with a reverence to its beauty and grandeur by offering a glimpse into the vastness and spectacular nature of the world. They were also used to illustrate an environment before changes were made to it due to the impact of human involvement.
Contact: glass@cathrynshilling.co.uk
Diorama - Born of Fire
Photographer: Ester Segarra
Details: Kiln formed glass with dichroic
Traditional dioramas sought to imitate nature and thereby instil the viewer with a reverence to its beauty and grandeur by offering a glimpse into the vastness and spectacular nature of the world. They were also used to illustrate an environment before changes were made to it due to the impact of human involvement.
Contact: glass@cathrynshilling.co.uk
Contact: glass@cathrynshilling.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Rita Neumann
Email:Sebastian Gringauz
Description: Artist: Rita Neumann
Red roses
Photographer: Photo by Sebastian Gringauz
Details: 15in x 6in x 9 in
Casting with System 96 Glass.
Contact: rineumann@hotmail.com
TAKE PART IN NEXT EXHIBITION HERERed roses
Photographer: Photo by Sebastian Gringauz
Details: 15in x 6in x 9 in
Casting with System 96 Glass.
Contact: rineumann@hotmail.com
Artist:SilPhi Glass
Email:SilPhi Glass
Description: Artist: SilPhi Glass
Red
Photographer: SilPhi Glass
Details: Hand blown flamework in transparent and opaque reds
The piece comprises five hand blown tubes created with a Nortel Minor torch and a blowpipe which was made by Roberto Dona (Murano). We blew the tubes in our workshop in the Forge in Docklands, London. The glass is a combination of transparent and opaque reds from the Effetre pallete. The tubes are mounted in copper and placed into a solid mahogany base. The base is 15x15x4cm and the height of the piece is approx. 50cm.
Contact: info@silphi.co.uk
Red
Photographer: SilPhi Glass
Details: Hand blown flamework in transparent and opaque reds
The piece comprises five hand blown tubes created with a Nortel Minor torch and a blowpipe which was made by Roberto Dona (Murano). We blew the tubes in our workshop in the Forge in Docklands, London. The glass is a combination of transparent and opaque reds from the Effetre pallete. The tubes are mounted in copper and placed into a solid mahogany base. The base is 15x15x4cm and the height of the piece is approx. 50cm.
Contact: info@silphi.co.uk
Contact: info@silphi.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Michèle Riley
Email:Michèle Riley
Description: Artist: Michèle Riley
Tide Out (Red)
Photographer: Michèle Riley
Details: H 10 cm x W 13-16 cm x D 16 cm
Lost wax cast glass (Bullseye)
Contact: mgr.riley@gmail.com
Tide Out (Red)
Photographer: Michèle Riley
Details: H 10 cm x W 13-16 cm x D 16 cm
Lost wax cast glass (Bullseye)
Contact: mgr.riley@gmail.com
Contact: mgr.riley@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Karen Lilley
Email:Karen Lilley
Description: Artist: Karen Lilley
Geodesic Plate
Photographer: Karen Lilley
Details: The plate is 30cm diameter, kiln formed sheet and powdered Bullseye glass.
Inspired in equal parts by geodesic domes used as green houses (such as those of the Eden Project) and by the comb made by the bees we keep.
Contact: mail: lilleyglassdesigns@gmail.com mobile: 07835 260569
TAKE PART IN NEXT EXHIBITION HEREGeodesic Plate
Photographer: Karen Lilley
Details: The plate is 30cm diameter, kiln formed sheet and powdered Bullseye glass.
Inspired in equal parts by geodesic domes used as green houses (such as those of the Eden Project) and by the comb made by the bees we keep.
Contact: mail: lilleyglassdesigns@gmail.com mobile: 07835 260569
Artist:David Frazer
Description: Artist: David Frazer
Fragile Fire
Details: 25 x 5 cm system 96 bowl
I'm experimenting with fragility & impermanence in found art.
Like fire it should be kept away from children, animals & dishwashers
TAKE PART IN NEXT EXHIBITION HEREFragile Fire
Details: 25 x 5 cm system 96 bowl
I'm experimenting with fragility & impermanence in found art.
Like fire it should be kept away from children, animals & dishwashers
Artist:Jenny Walsh
Email:Ester Segarra
Description: Artist: Jenny Walsh
Haemostasis
Photographer: Photograph by Ester Segarra
Details: Glass and copper, 2016
"The arrest of blood flow."
Contact: jennywalsh65@gmail.com
Haemostasis
Photographer: Photograph by Ester Segarra
Details: Glass and copper, 2016
"The arrest of blood flow."
Contact: jennywalsh65@gmail.com
Contact: jennywalsh65@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ana Laura Quintana
Email:Luciano Garetto
Description: Artist: Ana Laura Quintana
Red Flower Vessel
Photographer: Luciano Garetto
Details: Size: 11 x 9 (H) cm
I made this red vessel experimenting with the pâte de verre technique. I do not use a mold, I model the paste of glass. In a second fire I gave it the details with liquid gold. Nature always inspires me with its round forms and in this case, with an extraordinary colour.
Contact: Email: analauraquintana@icloud.com instagram: analauraglass website: www.analauraquintana.com
TAKE PART IN NEXT EXHIBITION HERERed Flower Vessel
Photographer: Luciano Garetto
Details: Size: 11 x 9 (H) cm
I made this red vessel experimenting with the pâte de verre technique. I do not use a mold, I model the paste of glass. In a second fire I gave it the details with liquid gold. Nature always inspires me with its round forms and in this case, with an extraordinary colour.
Contact: Email: analauraquintana@icloud.com instagram: analauraglass website: www.analauraquintana.com
Artist:MAJA ZAPLOTNIK
Description: Artist: MAJA ZAPLOTNIK
Light and Shadow
Details: Float glass, fused and slumped, 30 cm x 40 cm x 12 cm
Our world consist of light and shadow, which are in a dependent relationship and do not
exist one without each other. Red colour has a very similar features in a symbolic way.
It is colour of love, of strong passion, but at the same time it represents also blood and
death.
Contact: maja.zaplotnik@tele-cable.net
Light and Shadow
Details: Float glass, fused and slumped, 30 cm x 40 cm x 12 cm
Our world consist of light and shadow, which are in a dependent relationship and do not
exist one without each other. Red colour has a very similar features in a symbolic way.
It is colour of love, of strong passion, but at the same time it represents also blood and
death.
Contact: maja.zaplotnik@tele-cable.net
Contact: maja.zaplotnik@tele-cable.net
TAKE PART IN NEXT EXHIBITION HEREArtist:Beverley Bunn
Email:Beverley Bunn
Description: Artist: Beverley Bunn
Mars - The red planet
Photographer: Beverley Bunn
Details: 25x25cm fused glass panel, framed
A wall panel made with Bullseye powder on tekta, showing Mars, the red planet. Made as part of a series on planets and the universe.
Contact: bevbunn@yahoo.co.uk 07966461572
TAKE PART IN NEXT EXHIBITION HEREMars - The red planet
Photographer: Beverley Bunn
Details: 25x25cm fused glass panel, framed
A wall panel made with Bullseye powder on tekta, showing Mars, the red planet. Made as part of a series on planets and the universe.
Contact: bevbunn@yahoo.co.uk 07966461572
Artist:Lynda Addison
Email:Johnny Korkman
Description: Artist: Lynda Addison, Unique Glass Art, Helsinki, Finland.
Night Visions: Infrared Rowan
Photographer: Johnny Korkman
Details: Mixed Media, Fused Glass over negative mono-print of Rowan leaves. 37 x 28 cms
I wanted to create an imaginary “night vision” of leaves illuminated by pulsing infrared light. To capture the strobe effect I made use of refraction and magnification occurring at the curved edges and deep centre of layers of red glasses.
Contact: lyndaaddison@hotmail.com , www.studioe.fi
Night Visions: Infrared Rowan
Photographer: Johnny Korkman
Details: Mixed Media, Fused Glass over negative mono-print of Rowan leaves. 37 x 28 cms
I wanted to create an imaginary “night vision” of leaves illuminated by pulsing infrared light. To capture the strobe effect I made use of refraction and magnification occurring at the curved edges and deep centre of layers of red glasses.
Contact: lyndaaddison@hotmail.com , www.studioe.fi
Contact: lyndaaddison@hotmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pippa Beveridge
Email:Pippa Beveridge
Description: Artist: Pippa Beveridge
Human Shield II
Photographer: Pippa Beveridge
One of a series of breast plates using kiln-formed float glass with copper stain and decals, acid-etched and cold worked.
Contact: www.philippabeveridge.com
TAKE PART IN NEXT EXHIBITION HEREHuman Shield II
Photographer: Pippa Beveridge
One of a series of breast plates using kiln-formed float glass with copper stain and decals, acid-etched and cold worked.
Contact: www.philippabeveridge.com
Artist:Chris Huang
Description: Artist: Chris Huang
Rightoursness
Details: length:350mm; height:380mm
The image is an awesome general who is brave and justice. He is stroking his beard with one hand and the other holding a long broadsword being ready to fight for righteous as the occasion demands. Meanwhile he is gazing into the distance steadily, full of power and grandred.
Contact: 2054741713@qq.com
Rightoursness
Details: length:350mm; height:380mm
The image is an awesome general who is brave and justice. He is stroking his beard with one hand and the other holding a long broadsword being ready to fight for righteous as the occasion demands. Meanwhile he is gazing into the distance steadily, full of power and grandred.
Contact: 2054741713@qq.com
Contact: 2054741713@qq.com
TAKE PART IN NEXT EXHIBITION HEREArtist:David Reekie
Description: Artist: David Reekie
Casual Bystanders V
Details: NFS
The use of mixed media has been part of my work for many years and while glass is my main working media I like bringing it together with other materials to give the work a sculptural depth. I have also found that using a combination of materials strengthens the narrative in my work.
The staffs are there to give these pieces a sense of surreal theatre. I am using the title Casual Bystanders in an ironic and somewhat sarcastic way. By having the figures standing passively with blank expressions I suggest that there are elements within our society and political elite who are blind to the growing problems in society and stand casually by as these problems grow.
Contact: david.reekie@virgin.net
Casual Bystanders V
Details: NFS
The use of mixed media has been part of my work for many years and while glass is my main working media I like bringing it together with other materials to give the work a sculptural depth. I have also found that using a combination of materials strengthens the narrative in my work.
The staffs are there to give these pieces a sense of surreal theatre. I am using the title Casual Bystanders in an ironic and somewhat sarcastic way. By having the figures standing passively with blank expressions I suggest that there are elements within our society and political elite who are blind to the growing problems in society and stand casually by as these problems grow.
Contact: david.reekie@virgin.net
Contact: david.reekie@virgin.net
TAKE PART IN NEXT EXHIBITION HEREArtist:Linda Norris
Email:Linda Norris
Description: Artist: Linda Norris
Hergest Bowl
Photographer: Linda Norris
Details: Mouth-blown flashed glass, sand-etched, fire-poilished and kiln formed.
The design for this bowl is based on text from The Red Book of Hergest which lays out the stories of the Mabinogion.
I am drawn to manuscript for the personal link it gives us with stories and accounts from the past, how the hand of the (anonymous) scribe is present at all times, and has a poetic beauty and elegance of its own.
Contact: linda@linda-norris.com
Hergest Bowl
Photographer: Linda Norris
Details: Mouth-blown flashed glass, sand-etched, fire-poilished and kiln formed.
The design for this bowl is based on text from The Red Book of Hergest which lays out the stories of the Mabinogion.
I am drawn to manuscript for the personal link it gives us with stories and accounts from the past, how the hand of the (anonymous) scribe is present at all times, and has a poetic beauty and elegance of its own.
Contact: linda@linda-norris.com
Contact: linda@linda-norris.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Emma White
Email:Irregular Glass
Description: Artist: Emma White
Geode of fire
Photographer: Irregular Glass
Details: Sand casted glass work. 3.5 inches length, 3.5 inches width, 2 inches depth. Red glass with metal inclusions.
"Geode of fire" is my first completely red piece. Made in November 2018. The colour came out a lovely deep red. Whenever I use metal on the outside of my work. I think it looks very similar to natural geode's. I have also used metal inclusions in this piece to enhance the depth and to gain desired reactions.
Contact: Irregularglass@gmail.com 07305074017
Geode of fire
Photographer: Irregular Glass
Details: Sand casted glass work. 3.5 inches length, 3.5 inches width, 2 inches depth. Red glass with metal inclusions.
"Geode of fire" is my first completely red piece. Made in November 2018. The colour came out a lovely deep red. Whenever I use metal on the outside of my work. I think it looks very similar to natural geode's. I have also used metal inclusions in this piece to enhance the depth and to gain desired reactions.
Contact: Irregularglass@gmail.com 07305074017
Contact: Irregularglass@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Emma Butler-Cole Aiken
Email:Melanie Ehsan
Description: Artist: Emma Butler-Cole Aiken
Tree of Jesse - The Blood Line of Jesus
Photographer: Melanie Ehsan
Details: Stained glass window, Glasgow Cathedral 2018
The Tree growing from the stump (Jesse) is the Israelite nation and includes the green shoot or ‘rod’, the line of Christ. The tree grows up and across, filling the window with lush growth. Red represents the redeeming sacrifice of Christ. It represents God reaching down to mankind and making a way for us to know Him, whoever we are and wherever we come from. This makes it possible for other ‘trees’, which are not descended from Israel, to reach up and become grafted into the whole.
Contact: Emma Butler-Cole Aiken
TAKE PART IN NEXT EXHIBITION HERETree of Jesse - The Blood Line of Jesus
Photographer: Melanie Ehsan
Details: Stained glass window, Glasgow Cathedral 2018
The Tree growing from the stump (Jesse) is the Israelite nation and includes the green shoot or ‘rod’, the line of Christ. The tree grows up and across, filling the window with lush growth. Red represents the redeeming sacrifice of Christ. It represents God reaching down to mankind and making a way for us to know Him, whoever we are and wherever we come from. This makes it possible for other ‘trees’, which are not descended from Israel, to reach up and become grafted into the whole.
Contact: Emma Butler-Cole Aiken
Artist:Noreen Todd
Email:Noreen Todd
Description: Artist: Noreen Todd
An ancient Chinese show in Red depicting a broken bound foot inside
Photographer: Noreen Todd
Details: H: 120mm. W: 40mm D: 100mm
This shoe is inspired by the ancient Chinese Shoes and shows the image of a broken bound foot of a women in the interior. The smaller the feet the more likely that the woman would make a good marriage.
Contact: 01326574693
TAKE PART IN NEXT EXHIBITION HEREAn ancient Chinese show in Red depicting a broken bound foot inside
Photographer: Noreen Todd
Details: H: 120mm. W: 40mm D: 100mm
This shoe is inspired by the ancient Chinese Shoes and shows the image of a broken bound foot of a women in the interior. The smaller the feet the more likely that the woman would make a good marriage.
Contact: 01326574693
Artist:Pam Fyvie
Email:Simon Bruntnell
Description: Artist: Pam Fyvie
Winter Fire
Photographer: Photo Simon Bruntnell
Details: 300 x 225 x 140mm
Fused glass bowl with crystal edge
Contact: pam.fyvie@gmail.com
Winter Fire
Photographer: Photo Simon Bruntnell
Details: 300 x 225 x 140mm
Fused glass bowl with crystal edge
Contact: pam.fyvie@gmail.com
Contact: pam.fyvie@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Janine Altman
Description: Artist: Janine Altman
Spring Garden II
Details: Flameworking and Fused glass, bullseye glass and recycled glass. Dimensions: 20 x 20 x 10 cm. Year: 2018
This garden, full of shapes and colours, forms an extraordinary world of magic and fantasy.
It creates an environment that lets our imagination fly, a safe place to be ourselves.
Contact: www.janinealtman.com / janine.altman@gmail.com Country of residence: Uruguay
Spring Garden II
Details: Flameworking and Fused glass, bullseye glass and recycled glass. Dimensions: 20 x 20 x 10 cm. Year: 2018
This garden, full of shapes and colours, forms an extraordinary world of magic and fantasy.
It creates an environment that lets our imagination fly, a safe place to be ourselves.
Contact: www.janinealtman.com / janine.altman@gmail.com Country of residence: Uruguay
Contact: janine.altman@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Teddy Devereux
Email:Teddy Devereux
Description: Artist: Teddy Devereux
Mad Dog Graffiti
Photographer: Teddy Devereux
Details: Fused Glass on Aluminum, 16 in x 20 in x 1 in
This piece was made with Bullseye Cascadia glass, glass powder and other glass elements.
Contact: Teddy Devereux
TAKE PART IN NEXT EXHIBITION HEREMad Dog Graffiti
Photographer: Teddy Devereux
Details: Fused Glass on Aluminum, 16 in x 20 in x 1 in
This piece was made with Bullseye Cascadia glass, glass powder and other glass elements.
Contact: Teddy Devereux
Past Exhibition
Corporate
Our corporate members are a vital part of our network, offering support, information and discounts to CGS members. You can support them too by clicking through.
Support Us
Your support is invaluable to our charity and makes a real difference. Share in the excitement of contemporary glass, sustaining ground-breaking exhibitions, world-class conferences and award-winning learning programmes and events.