Current Exhibition
GLASS GRADUATES OF 2020- Part of our CGS ‘Lockdown’ Series 4/6
“GLASS GRADUATES OF 2020” Part of our CGS ‘Lockdown’ Series 4/6
Glass Graduates 2020 have so much to show in their CGS online exhibition!
Every year the Contemporary Glass Society produces a Graduate Review for glass artists graduating that year. There are also prizes for excellence given alongside the Review. The Contemporary Glass Society (CGS) is the UK’s foremost organisation for supporting established artists, and up-and-coming makers. It was established in 1997 to represent the interests of glassmakers within the national and international community, and to promote contemporary glass in the wider art world.
Sadly this year because of the corona virus pandemic, the world has shattered for graduates. Their educational establishments have been shut prematurely; they have not been able to access workshops and studios to complete their final pieces of work or to even remove their work. Consequently their degree marks have been based on their ‘concepts’ rather than the work itself and their end of year Graduate Shows have not taken place.
Because of this, CGS has been unable to produce the 2020 Graduate Review.
However, we couldn’t leave students who were graduating in the lurch so we have launched Glass Graduates of 2020 (the Lockdown Exhibition.)
This is our first Graduate Show and we are excited to share graduates’ work with the public and glass making community. Despite the restrictions placed upon them, graduates have produced a dazzling and wide ranging demonstration of their ability and creative approach to contemporary glass.
Although we are not producing a Graduate Review this year, 2020 students will be invited to join students from 2021 in a combined production next year. Glass artists are always creative in making the best of the worst!
This show is highlighted on the CGS website for the month of August 2020.
Launched on:1st August 2020
Artist:Suzanne West-Bloye.
Description: Graduate: Suzanne West-Bloye.
University: DMU Leicester.
My work is called The story of the Kraken
The Story of the Kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself.
instagram @suziewoo40
facebook @suziewoooo
email zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
University: DMU Leicester.
My work is called The story of the Kraken
The Story of the Kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself.
instagram @suziewoo40
facebook @suziewoooo
email zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Steven Graham
Description: Graduate image 2: Steven Graham
Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700 x 600mm
Price: £1,600
TAKE PART IN NEXT EXHIBITION HEREBlossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700 x 600mm
Price: £1,600
Artist:Suzanne West Bloye
Description: Graduate image 2: Suzanne West Bloye
"The story of the kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself. "
instagram @suziewoo40
facebook @suziewoooo
TAKE PART IN NEXT EXHIBITION HERE"The story of the kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself. "
instagram @suziewoo40
facebook @suziewoooo
Artist:Shonah Escombe
Description: Graduate image 2: Shonah Escombe
"Gin and Tonic?"
Stained glass leaded panel - size 300mm x 700mm
My glass journey started in 2017 after attending a local evening class on leaded stained glass. From there I taught myself other glass techniques and this year gained an HNC in Art Glass. This study grew from a new love of drawing harking to an old love of gin.”
shonah.escombe@hotmail.com
Facebook: shogieb
Twitter: shogieb
Instagram: shogiebo
website: https://www.shogieb.com/
TAKE PART IN NEXT EXHIBITION HERE"Gin and Tonic?"
Stained glass leaded panel - size 300mm x 700mm
My glass journey started in 2017 after attending a local evening class on leaded stained glass. From there I taught myself other glass techniques and this year gained an HNC in Art Glass. This study grew from a new love of drawing harking to an old love of gin.”
shonah.escombe@hotmail.com
Facebook: shogieb
Twitter: shogieb
Instagram: shogiebo
website: https://www.shogieb.com/
Artist:Ossin Hanrahan
Description: Graduate: Ossin Hanrahan
University: Graduate of CCAD
Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it.
This creates complex and elegant patterns.
Contact: ossin.hanrahan@mycit.ie
University: Graduate of CCAD
Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it.
This creates complex and elegant patterns.
Contact: ossin.hanrahan@mycit.ie
Contact: ossin.hanrahan@mycit.ie
TAKE PART IN NEXT EXHIBITION HEREArtist:Naomi Tolland
Description: Graduate: Naomi Tolland
University: BA (Hons) Glass, University for the Creative Arts, Farnham
Title: Reminiscence - Landscapes lost in time
Reminiscence - Landscapes lost in time. Sizewell Beach, Suffolk
Reminiscence - Landscapes lost in time. Dunwich Heath, Suffolk
Glass blown pieces of various sizes: 2-4cm deep by 7-10cm wide
‘Reminiscence - Landscapes lost in time’, is inspired by the Suffolk coast and to childhood memories of the beach and the heathland. I am reminiscing through objects that touch upon an emotional expression of my connection to home and family.
Work is not suitable for sale.
Contact details:
· naomi.tolland@gmail.com
· https://www.naomitolland.co.uk/
Contact: naomi.tolland@gmail.com
University: BA (Hons) Glass, University for the Creative Arts, Farnham
Title: Reminiscence - Landscapes lost in time
Reminiscence - Landscapes lost in time. Sizewell Beach, Suffolk
Reminiscence - Landscapes lost in time. Dunwich Heath, Suffolk
Glass blown pieces of various sizes: 2-4cm deep by 7-10cm wide
‘Reminiscence - Landscapes lost in time’, is inspired by the Suffolk coast and to childhood memories of the beach and the heathland. I am reminiscing through objects that touch upon an emotional expression of my connection to home and family.
Work is not suitable for sale.
Contact details:
· naomi.tolland@gmail.com
· https://www.naomitolland.co.uk/
Contact: naomi.tolland@gmail.com
Contact: naomi.tolland@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pratibha Mistry
Description: Graduate: Pratibha Mistry
University: University of the Creative Arts, Farnham
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact details: pratibha_mistry@hotmail.co.uk
My MA work is inspired by human tumour pathology to convey aspects of the sinister beauty of detrimental transformations. During the early stages of tumour development, dysfunctional cells can infiltrate tissue layers and become the precursors of tumour mass formation. Vasculature aids growth of cells and infiltration.
Pratibha Mistry, ‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact: pratibha_mistry@hotmail.co.uk
University: University of the Creative Arts, Farnham
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact details: pratibha_mistry@hotmail.co.uk
My MA work is inspired by human tumour pathology to convey aspects of the sinister beauty of detrimental transformations. During the early stages of tumour development, dysfunctional cells can infiltrate tissue layers and become the precursors of tumour mass formation. Vasculature aids growth of cells and infiltration.
Pratibha Mistry, ‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact: pratibha_mistry@hotmail.co.uk
Contact: pratibha_mistry@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Heidi Nicholson
Description: Graduate: Heidi Nicholson
University: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
Work is not suitable for sale.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
TAKE PART IN NEXT EXHIBITION HEREUniversity: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
Work is not suitable for sale.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
Artist:Susan Breckenridge
Description: Graduate image 2: Susan Breckenridge
Title- Perfect Balance, material recycled glass , size 11cm (approx) ,date made July 2020
TAKE PART IN NEXT EXHIBITION HERETitle- Perfect Balance, material recycled glass , size 11cm (approx) ,date made July 2020
Description: 2. Gilliver, Lisa, Slipping Through My Fingers 2020, 400mm diameter x
50mm deep photo James Capper, COST £250.00
Lisa Gilliver
TAKE PART IN NEXT EXHIBITION HERE50mm deep photo James Capper, COST £250.00
Lisa Gilliver
Artist:Heidi Nicholson
Description: Graduate: Heidi Nicholson
University: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
TAKE PART IN NEXT EXHIBITION HEREUniversity: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
Artist:Heather Bolton
Description: Graduate image 2: Heather Bolton
TAKE PART IN NEXT EXHIBITION HEREArtist:Jacqui Fowler
Description: Graduate: Jacqui Fowler
University: University of Wales Trinity St David – BA Architectural Arts: Glass
Butterfly Parchment
Measures 10cm x 10cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: University of Wales Trinity St David – BA Architectural Arts: Glass
Butterfly Parchment
Measures 10cm x 10cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
Artist:Zoe Lennon
Description: Graduate: Zoe Lennon
University: NCAD
Title: Cróch an Fhómhair
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Contact: zoel7322@gmail.com
University: NCAD
Title: Cróch an Fhómhair
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Contact: zoel7322@gmail.com
Contact: zoel7322@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pratibha Mistry
Description: Graduate image 2: Pratibha Mistry
‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
TAKE PART IN NEXT EXHIBITION HERE‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
Artist:Kay Ford
Email:Kayjford0@gmail.com
Title:Developments in Medicine
Description: A series of Petri dishes made using bullseye Frits and metal inclusions, paying tribute to developments in Medicine such as the recent search for a covid vaccine
Contact: Kay Ford
Details: BA Honours Designer Maker graduate based in Eastbourne uk
Price: £50.00 each
Photo Credit: Kay Ford
Dimension: 15cm wide by 9.5cm high
Shop: Kayford-designermaker.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Kieran Muir
Description: Artist: Kieran Muir
Graduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/
TAKE PART IN NEXT EXHIBITION HEREGraduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/
Artist:Tina Coyle
Description: Graduate: Tina Coyle
University: City of Glasgow College -HNC Art Desgin Glass
"Patch work"
Drop out- cold worked rim
Date 12/6/2020
Maiden Glass Fife , Scotland
Contact: tinacoyle@blueyonder.co.uk
University: City of Glasgow College -HNC Art Desgin Glass
"Patch work"
Drop out- cold worked rim
Date 12/6/2020
Maiden Glass Fife , Scotland
Contact: tinacoyle@blueyonder.co.uk
Contact: tinacoyle@blueyonder.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Liege Matharu
Description: Graduate: Liege Matharu
University: Kensington and Chelsea College, BTEC Level 3 Certificate in Art and Design.
- SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
TAKE PART IN NEXT EXHIBITION HEREUniversity: Kensington and Chelsea College, BTEC Level 3 Certificate in Art and Design.
- SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
Artist:Robert Keogh
Description: Graduate: Robert Keogh
University: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design,
Dimensions Fig 2: 2480 x 2480 pixels, 72dpi (Digital Artwork)
Title Fig 2: 'Hide, It Feels Safer To Go Unnoticed'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design,
Dimensions Fig 2: 2480 x 2480 pixels, 72dpi (Digital Artwork)
Title Fig 2: 'Hide, It Feels Safer To Go Unnoticed'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
Artist:Jeanie Angus
Description: Graduate: Jeanie Angus
University: Plymouth College of Art.
Title of work - Eddies
Water flowing over a gravel riverbed, patterns produced by the force of water, the meanders of the river and swirling eddies have all been inspirations for this series of lights. Glass and metal have been selected to combine the subtle colours of moorlands and the spiral movement of water.
Price- £200.
Email - angusjeanie@gmail.com
Instagram - jeanieangus
TAKE PART IN NEXT EXHIBITION HEREUniversity: Plymouth College of Art.
Title of work - Eddies
Water flowing over a gravel riverbed, patterns produced by the force of water, the meanders of the river and swirling eddies have all been inspirations for this series of lights. Glass and metal have been selected to combine the subtle colours of moorlands and the spiral movement of water.
Price- £200.
Email - angusjeanie@gmail.com
Instagram - jeanieangus
Artist:Gary Fovargue
Description: Graduate image 2: Gary Fovargue
gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
Kensington and Chelsea College
The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in.
TAKE PART IN NEXT EXHIBITION HEREgary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
Kensington and Chelsea College
The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in.
Description: 'Ripples', Family connections past, present and future.
Triptych of 400mm, 55mm deep glass bowls. 6mm float with Gold, Copper and Silver Mica.
info@lisagilliverglass.co.uk
Triptych of 400mm, 55mm deep glass bowls. 6mm float with Gold, Copper and Silver Mica.
info@lisagilliverglass.co.uk
Contact: info@lisagilliverglass.co.uk
Photo Credit: Lisa Gilliver
TAKE PART IN NEXT EXHIBITION HEREArtist:Melanie Skinner
Description: Graduate: Melanie Skinner
University: Level 3 Glass Art & Design at Kensington & Chelsea Morley.
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Contact: melanieskinner@hotmail.co.uk
University: Level 3 Glass Art & Design at Kensington & Chelsea Morley.
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Contact: melanieskinner@hotmail.co.uk
Contact: melanieskinner@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Linyu Mei
Description: Graduate: Linyu Mei
University: Royal College of Art, MA Ceramics and Glass
Title of work: MONTAGE
Size: 310*295*67 mm
" I come from Jingdezhen, the porcelain capital of China, I fall in love with glass when I was studying in the RCA. I am interested in the physical and conceptual possibilities of these interior and exterior spaces. Using the optical properties of transparent cast glass, I invite the viewer into these spaces and reveal how the variations of shadow and light allow for a different understanding of this object and the forms around it."
Email: mcreative@foxmail.com
Facebook: https://www.facebook.com/meicreative
Instagram: _m_creative
Website: linyumeiart.com
TAKE PART IN NEXT EXHIBITION HEREUniversity: Royal College of Art, MA Ceramics and Glass
Title of work: MONTAGE
Size: 310*295*67 mm
" I come from Jingdezhen, the porcelain capital of China, I fall in love with glass when I was studying in the RCA. I am interested in the physical and conceptual possibilities of these interior and exterior spaces. Using the optical properties of transparent cast glass, I invite the viewer into these spaces and reveal how the variations of shadow and light allow for a different understanding of this object and the forms around it."
Email: mcreative@foxmail.com
Facebook: https://www.facebook.com/meicreative
Instagram: _m_creative
Website: linyumeiart.com
Artist:Melanie Skinner
Description: Graduate image 2: Melanie Skinner
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. I have just completed Level 3 Glass Art & Design at Kensington & Chelsea Morley.
My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
TAKE PART IN NEXT EXHIBITION HEREI am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. I have just completed Level 3 Glass Art & Design at Kensington & Chelsea Morley.
My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Artist:Gary Fovargue
Description: Graduate: Gary Fovargue
University: Kensington and Chelsea College
Email: gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
"The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in."
TAKE PART IN NEXT EXHIBITION HEREUniversity: Kensington and Chelsea College
Email: gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
"The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in."
Artist:Georgia Stone
Description: Graduate image 2: Georgia Stone
Balancing act, 2018
Blown Glass
40cm x 100cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
TAKE PART IN NEXT EXHIBITION HEREBalancing act, 2018
Blown Glass
40cm x 100cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Artist:Myriam Thomas
Description: Graduate: Myriam Thomas
University: Graduating from the Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
TAKE PART IN NEXT EXHIBITION HEREUniversity: Graduating from the Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
Artist:Rosie Power
Description: Graduate: Rosie Power
University: University of Sunderland Glass and Ceramics BA
Much of my work is influenced by my eclectic background. The plan for my final work was to rewild my imagination, holistically building a momentum through the removal of a predetermined outcome.
Cress in Glass 33x 26x 23cm
Co-joined blown glass form became network of little green houses.
Gilbert Atkinson 45x 27x 27cm
A physical collage made from glass and ceramics found in an old rubbish tip.
Work is not for sale.
rosiepower@hotmail.co.uk
https://rosiepower.wixsite.com/website2020
Contact: rosiepower@hotmail.co.uk
University: University of Sunderland Glass and Ceramics BA
Much of my work is influenced by my eclectic background. The plan for my final work was to rewild my imagination, holistically building a momentum through the removal of a predetermined outcome.
Cress in Glass 33x 26x 23cm
Co-joined blown glass form became network of little green houses.
Gilbert Atkinson 45x 27x 27cm
A physical collage made from glass and ceramics found in an old rubbish tip.
Work is not for sale.
rosiepower@hotmail.co.uk
https://rosiepower.wixsite.com/website2020
Contact: rosiepower@hotmail.co.uk
Contact: rosiepower@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Robert Keogh
Description: Graduate: Robert Keogh
University: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design Dublin
Title : 'Attention! Please Don't Look'
Dimensions Fig 1: 3500 x 35000 pixels, 300dpi (Digital Artwork)
Title Fig 1: 'Internal Discourses: Vicious Circles'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design Dublin
Title : 'Attention! Please Don't Look'
Dimensions Fig 1: 3500 x 35000 pixels, 300dpi (Digital Artwork)
Title Fig 1: 'Internal Discourses: Vicious Circles'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
Artist:Grace Allen
Description: Graduate: Grace Allen
University: De Montfort University Ba (hons) Design Crafts
Title: Taffy Trails
My work was unable to be made due to the virus however I have created the pieces in 3d on SolidWorks and rendered them in Keyshot. The dimensions of the yellow and coral pieces are: 250mm by 120 mm with a wall thickness of 40mm
The blue piece would be: 350mm by 160mm with a wall thickness of 60mm
“Though this collection is currently digital, it reflects my love for the hot shop and desire to learn and develop techniques. With an aim to enjoy myself, I pulled coloured glass like taffy which is added as a trail. These pieces are thick-walled to allow the detailed colour to ‘dance’.”
Grace.e.allen98@gmail.com
Instagram: @grace.a_crafts
https://graceallencrafts.wixsite.com/glass
P17152912@my365.dmu.ac.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: De Montfort University Ba (hons) Design Crafts
Title: Taffy Trails
My work was unable to be made due to the virus however I have created the pieces in 3d on SolidWorks and rendered them in Keyshot. The dimensions of the yellow and coral pieces are: 250mm by 120 mm with a wall thickness of 40mm
The blue piece would be: 350mm by 160mm with a wall thickness of 60mm
“Though this collection is currently digital, it reflects my love for the hot shop and desire to learn and develop techniques. With an aim to enjoy myself, I pulled coloured glass like taffy which is added as a trail. These pieces are thick-walled to allow the detailed colour to ‘dance’.”
Grace.e.allen98@gmail.com
Instagram: @grace.a_crafts
https://graceallencrafts.wixsite.com/glass
P17152912@my365.dmu.ac.uk
Artist:Ossín Hanrahan
Description: Graduate: Ossín Hanrahan
University: CCAD
"Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it. This creates complex and elegant patterns."
TAKE PART IN NEXT EXHIBITION HEREUniversity: CCAD
"Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it. This creates complex and elegant patterns."
Artist:Isabella Kullman
Description: Graduate image 2: Isabella Kullman
TAKE PART IN NEXT EXHIBITION HEREArtist:Jacqui Fowler
Description: Graduate: Jacqui Fowler
University: University of Wales Trinity St David – BA Architectural Arts: Glass
Study of Dame Susan Morden (1638 – 1723).
Measures 45cm x 30cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
Email: jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: University of Wales Trinity St David – BA Architectural Arts: Glass
Study of Dame Susan Morden (1638 – 1723).
Measures 45cm x 30cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
Email: jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
Description: Susan Breckenridge image 2
Title: Silence, material recycled glass, size 20cm by 12cm (approx)
Date made July 2020
Contact: susanbreckenridge201@yahoo.com
Title: Silence, material recycled glass, size 20cm by 12cm (approx)
Date made July 2020
Contact: susanbreckenridge201@yahoo.com
Contact: susanbreckenridge201@yahoo.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Liege Matharu
Description: Graduate image 2: Liege Matharu
The title of my work is - SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
TAKE PART IN NEXT EXHIBITION HEREThe title of my work is - SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
Artist:Myriam Thomas
Description: Graduate: Myriam Thomas
University: Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
TAKE PART IN NEXT EXHIBITION HEREUniversity: Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
Artist:Gregory Williams
Description: Graduate: Gregory Williams
University: BA (hons) 3D Design Crafts Plymouth College of Art
Teardrop 50 x 33 x 8cm
Souvenir is about capturing memories as physical reminders. From the monumental structure of Gothic churches, to a bookcase in my childhood home, these gems reflect the value of key parts of my life, no matter how big or small they physically are.
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (hons) 3D Design Crafts Plymouth College of Art
Teardrop 50 x 33 x 8cm
Souvenir is about capturing memories as physical reminders. From the monumental structure of Gothic churches, to a bookcase in my childhood home, these gems reflect the value of key parts of my life, no matter how big or small they physically are.
Artist:Steven Graham
Description: Graduate: Steven Graham
University: BA with Honours First Class Art & Design University of Stirling
Submission: Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700x600mm
Price: £1,600
Photographs by Steven Graham E-mail: steven@in-glass.uk
Facebook: @stevengrahaminglass
Twitter: @steveninglass
Instagram: @steveninglass
Website: www.in-glass.uk
Contact: steven@in-glass.uk
University: BA with Honours First Class Art & Design University of Stirling
Submission: Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700x600mm
Price: £1,600
Photographs by Steven Graham E-mail: steven@in-glass.uk
Facebook: @stevengrahaminglass
Twitter: @steveninglass
Instagram: @steveninglass
Website: www.in-glass.uk
Contact: steven@in-glass.uk
Contact: steven@in-glass.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Isabella Kullmann
Description: Isabella Kullmann
i.kullmann@me.com
https://www.isabellakullmann.com
isabellakullmann@instagram
MPhil Graduate RCA (Royal College of Art) 2020.
Blown waterjet-cut float glass (2018)
Credit: Ester Segarra
Treading lightly between the analogue and digital to transform float glass – an alternative glass practice?
In this research project I investigate the use of float glass as an alternative to furnace glass for blowing and explore the creative potential of bringing together digital technologies with conventional hot glass techniques.
TAKE PART IN NEXT EXHIBITION HEREi.kullmann@me.com
https://www.isabellakullmann.com
isabellakullmann@instagram
MPhil Graduate RCA (Royal College of Art) 2020.
Blown waterjet-cut float glass (2018)
Credit: Ester Segarra
Treading lightly between the analogue and digital to transform float glass – an alternative glass practice?
In this research project I investigate the use of float glass as an alternative to furnace glass for blowing and explore the creative potential of bringing together digital technologies with conventional hot glass techniques.
Artist:Maria Edwards
Description: Graduate: Maria Edwards
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
"Inconsequential, explores possibilities of layering and colour, using glass and mixed media. The conceptual aspect of my practice involves the investigation of discarded, inconsequential things. This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin. "
TAKE PART IN NEXT EXHIBITION HEREUniversity: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
"Inconsequential, explores possibilities of layering and colour, using glass and mixed media. The conceptual aspect of my practice involves the investigation of discarded, inconsequential things. This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin. "
Artist:Zoe Lennon
Description: Graduate image 2: Zoe Lennon
Title: Cróch an Fhómhair
NCAD Graduate
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
TAKE PART IN NEXT EXHIBITION HERETitle: Cróch an Fhómhair
NCAD Graduate
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Artist:Kieran Muir
Description: Artist: Kieran Muir
Graduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/ am.com/kiki_muir/
TAKE PART IN NEXT EXHIBITION HEREGraduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/ am.com/kiki_muir/
Artist:Georgia Stone
Description: Graduate: Georgia Stone
University: Farnham UCA in Glass, 2020
Tethered in Tension, 2019.
Glass, Plaster, Float glass, rubber band & Table.
100cm x 60cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Contact information- Email: ggstone@hotmail.co.uk
Instagram: @georgegstone
Website: www.georgiastoneart.com
Contact: ggstone@hotmail.co.uk
University: Farnham UCA in Glass, 2020
Tethered in Tension, 2019.
Glass, Plaster, Float glass, rubber band & Table.
100cm x 60cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Contact information- Email: ggstone@hotmail.co.uk
Instagram: @georgegstone
Website: www.georgiastoneart.com
Contact: ggstone@hotmail.co.uk
Contact: ggstone@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Heather Bolton
Description: Graduate: Heather Bolton
Title of work: Ecclesiastical Colours
Piece1 :Title: Starburst
Height: Approx 18 cm
Photo credit Nigel Essex
Price: £210
TAKE PART IN NEXT EXHIBITION HERETitle of work: Ecclesiastical Colours
Piece1 :Title: Starburst
Height: Approx 18 cm
Photo credit Nigel Essex
Price: £210
Artist:Maresa Edwards
Description: Graduate: Maresa Edwards
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
Inconsequential, explores possibilities of layering and colour, using glass and mixed media.
The conceptual aspect of my practice involves the investigation of discarded, inconsequential things.
This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin.
Contact: maresaedwards13@gmail.com
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
Inconsequential, explores possibilities of layering and colour, using glass and mixed media.
The conceptual aspect of my practice involves the investigation of discarded, inconsequential things.
This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin.
Contact: maresaedwards13@gmail.com
Contact: maresaedwards13@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tina Coyle
Description: Graduate: Tina Coyle
University: HNC Art Desgin Glass City of Glasgow College
Cast glass block
The feel of the sea
Maiden Glass Fife, Scotland
TAKE PART IN NEXT EXHIBITION HEREUniversity: HNC Art Desgin Glass City of Glasgow College
Cast glass block
The feel of the sea
Maiden Glass Fife, Scotland
copy.jpg)
.jpg)
.jpg)
Artist:Suzanne West-Bloye.
Description: Graduate: Suzanne West-Bloye.
University: DMU Leicester.
My work is called The story of the Kraken
The Story of the Kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself.
instagram @suziewoo40
facebook @suziewoooo
email zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
University: DMU Leicester.
My work is called The story of the Kraken
The Story of the Kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself.
instagram @suziewoo40
facebook @suziewoooo
email zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
Contact: zannywest@aol.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Steven Graham
Description: Graduate image 2: Steven Graham
Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700 x 600mm
Price: £1,600
TAKE PART IN NEXT EXHIBITION HEREBlossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700 x 600mm
Price: £1,600
Artist:Suzanne West Bloye
Description: Graduate image 2: Suzanne West Bloye
"The story of the kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself. "
instagram @suziewoo40
facebook @suziewoooo
TAKE PART IN NEXT EXHIBITION HERE"The story of the kraken is a love story I have created and set it firmly in Norse mythology, though the context of the story I have been able to go into the workshop and using hot glass, and coloured frits I have created a choppy seascape and a drinking vessel fit for Odin himself. "
instagram @suziewoo40
facebook @suziewoooo
Artist:Shonah Escombe
Description: Graduate image 2: Shonah Escombe
"Gin and Tonic?"
Stained glass leaded panel - size 300mm x 700mm
My glass journey started in 2017 after attending a local evening class on leaded stained glass. From there I taught myself other glass techniques and this year gained an HNC in Art Glass. This study grew from a new love of drawing harking to an old love of gin.”
shonah.escombe@hotmail.com
Facebook: shogieb
Twitter: shogieb
Instagram: shogiebo
website: https://www.shogieb.com/
TAKE PART IN NEXT EXHIBITION HERE"Gin and Tonic?"
Stained glass leaded panel - size 300mm x 700mm
My glass journey started in 2017 after attending a local evening class on leaded stained glass. From there I taught myself other glass techniques and this year gained an HNC in Art Glass. This study grew from a new love of drawing harking to an old love of gin.”
shonah.escombe@hotmail.com
Facebook: shogieb
Twitter: shogieb
Instagram: shogiebo
website: https://www.shogieb.com/
Artist:Ossin Hanrahan
Description: Graduate: Ossin Hanrahan
University: Graduate of CCAD
Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it.
This creates complex and elegant patterns.
Contact: ossin.hanrahan@mycit.ie
University: Graduate of CCAD
Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it.
This creates complex and elegant patterns.
Contact: ossin.hanrahan@mycit.ie
Contact: ossin.hanrahan@mycit.ie
TAKE PART IN NEXT EXHIBITION HEREArtist:Naomi Tolland
Description: Graduate: Naomi Tolland
University: BA (Hons) Glass, University for the Creative Arts, Farnham
Title: Reminiscence - Landscapes lost in time
Reminiscence - Landscapes lost in time. Sizewell Beach, Suffolk
Reminiscence - Landscapes lost in time. Dunwich Heath, Suffolk
Glass blown pieces of various sizes: 2-4cm deep by 7-10cm wide
‘Reminiscence - Landscapes lost in time’, is inspired by the Suffolk coast and to childhood memories of the beach and the heathland. I am reminiscing through objects that touch upon an emotional expression of my connection to home and family.
Work is not suitable for sale.
Contact details:
· naomi.tolland@gmail.com
· https://www.naomitolland.co.uk/
Contact: naomi.tolland@gmail.com
University: BA (Hons) Glass, University for the Creative Arts, Farnham
Title: Reminiscence - Landscapes lost in time
Reminiscence - Landscapes lost in time. Sizewell Beach, Suffolk
Reminiscence - Landscapes lost in time. Dunwich Heath, Suffolk
Glass blown pieces of various sizes: 2-4cm deep by 7-10cm wide
‘Reminiscence - Landscapes lost in time’, is inspired by the Suffolk coast and to childhood memories of the beach and the heathland. I am reminiscing through objects that touch upon an emotional expression of my connection to home and family.
Work is not suitable for sale.
Contact details:
· naomi.tolland@gmail.com
· https://www.naomitolland.co.uk/
Contact: naomi.tolland@gmail.com
Contact: naomi.tolland@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pratibha Mistry
Description: Graduate: Pratibha Mistry
University: University of the Creative Arts, Farnham
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact details: pratibha_mistry@hotmail.co.uk
My MA work is inspired by human tumour pathology to convey aspects of the sinister beauty of detrimental transformations. During the early stages of tumour development, dysfunctional cells can infiltrate tissue layers and become the precursors of tumour mass formation. Vasculature aids growth of cells and infiltration.
Pratibha Mistry, ‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact: pratibha_mistry@hotmail.co.uk
University: University of the Creative Arts, Farnham
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact details: pratibha_mistry@hotmail.co.uk
My MA work is inspired by human tumour pathology to convey aspects of the sinister beauty of detrimental transformations. During the early stages of tumour development, dysfunctional cells can infiltrate tissue layers and become the precursors of tumour mass formation. Vasculature aids growth of cells and infiltration.
Pratibha Mistry, ‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
‘Infiltration’ 2020
Layered low iron float glass exploiting a combination of oxide reactions and decals, 70 x 90 x 22 mm.
Contact: pratibha_mistry@hotmail.co.uk
Contact: pratibha_mistry@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Heidi Nicholson
Description: Graduate: Heidi Nicholson
University: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
Work is not suitable for sale.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
TAKE PART IN NEXT EXHIBITION HEREUniversity: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
Work is not suitable for sale.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
Artist:Susan Breckenridge
Description: Graduate image 2: Susan Breckenridge
Title- Perfect Balance, material recycled glass , size 11cm (approx) ,date made July 2020
TAKE PART IN NEXT EXHIBITION HERETitle- Perfect Balance, material recycled glass , size 11cm (approx) ,date made July 2020
Description: 2. Gilliver, Lisa, Slipping Through My Fingers 2020, 400mm diameter x
50mm deep photo James Capper, COST £250.00
Lisa Gilliver
TAKE PART IN NEXT EXHIBITION HERE50mm deep photo James Capper, COST £250.00
Lisa Gilliver
Artist:Heidi Nicholson
Description: Graduate: Heidi Nicholson
University: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
TAKE PART IN NEXT EXHIBITION HEREUniversity: University for the Creative Arts
"Heidi is inspired by the immense power of geological forces and the beauty of their effect on the landscape. She specialises in combining hot glass casting with kiln-casting and glassblowing techniques. Her current work involves plunging vessels into molten glass, simulating the violence of the geological forces which inspire her."
Speleogenesis I, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 28cm x 15cm x 15cm.
Speleogenesis III, 2020. Ladle-cast glass with kiln-cast inclusion, decorated with metals and oxides. 14cm x 15cm x 15cm.
heidinicholson@live.co.uk
https://www.heidinicholson.co.uk/
https://instagram.com/heidinicholsonglass/
https://www.facebook.com/heidinicholsonglass/
https://twitter.com/heidinicholson_
http://www.linkedin.com/in/heidinicholsonglass
Artist:Heather Bolton
Description: Graduate image 2: Heather Bolton
TAKE PART IN NEXT EXHIBITION HEREArtist:Jacqui Fowler
Description: Graduate: Jacqui Fowler
University: University of Wales Trinity St David – BA Architectural Arts: Glass
Butterfly Parchment
Measures 10cm x 10cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: University of Wales Trinity St David – BA Architectural Arts: Glass
Butterfly Parchment
Measures 10cm x 10cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
Artist:Zoe Lennon
Description: Graduate: Zoe Lennon
University: NCAD
Title: Cróch an Fhómhair
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Contact: zoel7322@gmail.com
University: NCAD
Title: Cróch an Fhómhair
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Contact: zoel7322@gmail.com
Contact: zoel7322@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Pratibha Mistry
Description: Graduate image 2: Pratibha Mistry
‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
TAKE PART IN NEXT EXHIBITION HERE‘Rogue cells’ 2020
Bullseye glass pâte de verre layers; 200 x 200 x 75 mm
Artist:Kay Ford
Email:Kayjford0@gmail.com
Title:Developments in Medicine
Description: A series of Petri dishes made using bullseye Frits and metal inclusions, paying tribute to developments in Medicine such as the recent search for a covid vaccine
Contact: Kay Ford
Details: BA Honours Designer Maker graduate based in Eastbourne uk
Price: £50.00 each
Photo Credit: Kay Ford
Dimension: 15cm wide by 9.5cm high
Shop: Kayford-designermaker.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Kieran Muir
Description: Artist: Kieran Muir
Graduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/
TAKE PART IN NEXT EXHIBITION HEREGraduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/
Artist:Tina Coyle
Description: Graduate: Tina Coyle
University: City of Glasgow College -HNC Art Desgin Glass
"Patch work"
Drop out- cold worked rim
Date 12/6/2020
Maiden Glass Fife , Scotland
Contact: tinacoyle@blueyonder.co.uk
University: City of Glasgow College -HNC Art Desgin Glass
"Patch work"
Drop out- cold worked rim
Date 12/6/2020
Maiden Glass Fife , Scotland
Contact: tinacoyle@blueyonder.co.uk
Contact: tinacoyle@blueyonder.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Liege Matharu
Description: Graduate: Liege Matharu
University: Kensington and Chelsea College, BTEC Level 3 Certificate in Art and Design.
- SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
TAKE PART IN NEXT EXHIBITION HEREUniversity: Kensington and Chelsea College, BTEC Level 3 Certificate in Art and Design.
- SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
Artist:Robert Keogh
Description: Graduate: Robert Keogh
University: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design,
Dimensions Fig 2: 2480 x 2480 pixels, 72dpi (Digital Artwork)
Title Fig 2: 'Hide, It Feels Safer To Go Unnoticed'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design,
Dimensions Fig 2: 2480 x 2480 pixels, 72dpi (Digital Artwork)
Title Fig 2: 'Hide, It Feels Safer To Go Unnoticed'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
Artist:Jeanie Angus
Description: Graduate: Jeanie Angus
University: Plymouth College of Art.
Title of work - Eddies
Water flowing over a gravel riverbed, patterns produced by the force of water, the meanders of the river and swirling eddies have all been inspirations for this series of lights. Glass and metal have been selected to combine the subtle colours of moorlands and the spiral movement of water.
Price- £200.
Email - angusjeanie@gmail.com
Instagram - jeanieangus
TAKE PART IN NEXT EXHIBITION HEREUniversity: Plymouth College of Art.
Title of work - Eddies
Water flowing over a gravel riverbed, patterns produced by the force of water, the meanders of the river and swirling eddies have all been inspirations for this series of lights. Glass and metal have been selected to combine the subtle colours of moorlands and the spiral movement of water.
Price- £200.
Email - angusjeanie@gmail.com
Instagram - jeanieangus
Artist:Gary Fovargue
Description: Graduate image 2: Gary Fovargue
gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
Kensington and Chelsea College
The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in.
TAKE PART IN NEXT EXHIBITION HEREgary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
Kensington and Chelsea College
The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in.
Description: 'Ripples', Family connections past, present and future.
Triptych of 400mm, 55mm deep glass bowls. 6mm float with Gold, Copper and Silver Mica.
info@lisagilliverglass.co.uk
Triptych of 400mm, 55mm deep glass bowls. 6mm float with Gold, Copper and Silver Mica.
info@lisagilliverglass.co.uk
Contact: info@lisagilliverglass.co.uk
Photo Credit: Lisa Gilliver
TAKE PART IN NEXT EXHIBITION HEREArtist:Melanie Skinner
Description: Graduate: Melanie Skinner
University: Level 3 Glass Art & Design at Kensington & Chelsea Morley.
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Contact: melanieskinner@hotmail.co.uk
University: Level 3 Glass Art & Design at Kensington & Chelsea Morley.
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Contact: melanieskinner@hotmail.co.uk
Contact: melanieskinner@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Linyu Mei
Description: Graduate: Linyu Mei
University: Royal College of Art, MA Ceramics and Glass
Title of work: MONTAGE
Size: 310*295*67 mm
" I come from Jingdezhen, the porcelain capital of China, I fall in love with glass when I was studying in the RCA. I am interested in the physical and conceptual possibilities of these interior and exterior spaces. Using the optical properties of transparent cast glass, I invite the viewer into these spaces and reveal how the variations of shadow and light allow for a different understanding of this object and the forms around it."
Email: mcreative@foxmail.com
Facebook: https://www.facebook.com/meicreative
Instagram: _m_creative
Website: linyumeiart.com
TAKE PART IN NEXT EXHIBITION HEREUniversity: Royal College of Art, MA Ceramics and Glass
Title of work: MONTAGE
Size: 310*295*67 mm
" I come from Jingdezhen, the porcelain capital of China, I fall in love with glass when I was studying in the RCA. I am interested in the physical and conceptual possibilities of these interior and exterior spaces. Using the optical properties of transparent cast glass, I invite the viewer into these spaces and reveal how the variations of shadow and light allow for a different understanding of this object and the forms around it."
Email: mcreative@foxmail.com
Facebook: https://www.facebook.com/meicreative
Instagram: _m_creative
Website: linyumeiart.com
Artist:Melanie Skinner
Description: Graduate image 2: Melanie Skinner
I am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. I have just completed Level 3 Glass Art & Design at Kensington & Chelsea Morley.
My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
TAKE PART IN NEXT EXHIBITION HEREI am a former makeup artist now a Milliner with a background in Fashion & Textiles. I trained at The London College of Fashion, Central St Martins and Kensington & Chelsea. I decided to explore new materials for my designs of wearable art pieces. I have just completed Level 3 Glass Art & Design at Kensington & Chelsea Morley.
My piece 'Chalice' in Patte de Verre is inspired by the ancient Japanese technique Kintsugi built on the idea of embracing the flaws & imperfections by repairing with gold you can create an even stronger, more beautiful piece of art.
Instagram: makeupandmillinery
Twitter: millinery_
Artist:Gary Fovargue
Description: Graduate: Gary Fovargue
University: Kensington and Chelsea College
Email: gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
"The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in."
TAKE PART IN NEXT EXHIBITION HEREUniversity: Kensington and Chelsea College
Email: gary.fovargue@cloud9uk.net
Name of Work: Four Seasons
Size of work: Aprox 300mm x 300mm x 300mm
Price of work: Not for sale
"The work represents the four seasons, the shifting colours within each season and changing size of each season due to global warming. I’m inspired by the natural world, wildlife, habitats, plant and tree life, microbes, the large and the small, all aspects of the glorious natural world that we live in."
Artist:Georgia Stone
Description: Graduate image 2: Georgia Stone
Balancing act, 2018
Blown Glass
40cm x 100cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
TAKE PART IN NEXT EXHIBITION HEREBalancing act, 2018
Blown Glass
40cm x 100cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Artist:Myriam Thomas
Description: Graduate: Myriam Thomas
University: Graduating from the Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
TAKE PART IN NEXT EXHIBITION HEREUniversity: Graduating from the Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
Artist:Rosie Power
Description: Graduate: Rosie Power
University: University of Sunderland Glass and Ceramics BA
Much of my work is influenced by my eclectic background. The plan for my final work was to rewild my imagination, holistically building a momentum through the removal of a predetermined outcome.
Cress in Glass 33x 26x 23cm
Co-joined blown glass form became network of little green houses.
Gilbert Atkinson 45x 27x 27cm
A physical collage made from glass and ceramics found in an old rubbish tip.
Work is not for sale.
rosiepower@hotmail.co.uk
https://rosiepower.wixsite.com/website2020
Contact: rosiepower@hotmail.co.uk
University: University of Sunderland Glass and Ceramics BA
Much of my work is influenced by my eclectic background. The plan for my final work was to rewild my imagination, holistically building a momentum through the removal of a predetermined outcome.
Cress in Glass 33x 26x 23cm
Co-joined blown glass form became network of little green houses.
Gilbert Atkinson 45x 27x 27cm
A physical collage made from glass and ceramics found in an old rubbish tip.
Work is not for sale.
rosiepower@hotmail.co.uk
https://rosiepower.wixsite.com/website2020
Contact: rosiepower@hotmail.co.uk
Contact: rosiepower@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Robert Keogh
Description: Graduate: Robert Keogh
University: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design Dublin
Title : 'Attention! Please Don't Look'
Dimensions Fig 1: 3500 x 35000 pixels, 300dpi (Digital Artwork)
Title Fig 1: 'Internal Discourses: Vicious Circles'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (Hons) Degree in Glass / Ceramics, School of Fine Art. (Department of Applied Materials).
National College of Art & Design Dublin
Title : 'Attention! Please Don't Look'
Dimensions Fig 1: 3500 x 35000 pixels, 300dpi (Digital Artwork)
Title Fig 1: 'Internal Discourses: Vicious Circles'
Attention! Please Don’t Look, gives voice to those suffering from social anxiety disorder(s). Communicating ideas verbally is often a difficulty for those struggling with social anxiety. Visual symbolization of aspects of the disorder, through the figure to express the internal psyche, provides a means of communication other than spoken word.
100 Thomas St, Usher's Quay, Dublin 8, D08 K521
Republic of Ireland
Email: robertkeogh123@gmail.com
Instagram: robertkeoghglass
Website: https://robertkeogh123.wixsite.com/robertkeoghartist
Artist:Grace Allen
Description: Graduate: Grace Allen
University: De Montfort University Ba (hons) Design Crafts
Title: Taffy Trails
My work was unable to be made due to the virus however I have created the pieces in 3d on SolidWorks and rendered them in Keyshot. The dimensions of the yellow and coral pieces are: 250mm by 120 mm with a wall thickness of 40mm
The blue piece would be: 350mm by 160mm with a wall thickness of 60mm
“Though this collection is currently digital, it reflects my love for the hot shop and desire to learn and develop techniques. With an aim to enjoy myself, I pulled coloured glass like taffy which is added as a trail. These pieces are thick-walled to allow the detailed colour to ‘dance’.”
Grace.e.allen98@gmail.com
Instagram: @grace.a_crafts
https://graceallencrafts.wixsite.com/glass
P17152912@my365.dmu.ac.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: De Montfort University Ba (hons) Design Crafts
Title: Taffy Trails
My work was unable to be made due to the virus however I have created the pieces in 3d on SolidWorks and rendered them in Keyshot. The dimensions of the yellow and coral pieces are: 250mm by 120 mm with a wall thickness of 40mm
The blue piece would be: 350mm by 160mm with a wall thickness of 60mm
“Though this collection is currently digital, it reflects my love for the hot shop and desire to learn and develop techniques. With an aim to enjoy myself, I pulled coloured glass like taffy which is added as a trail. These pieces are thick-walled to allow the detailed colour to ‘dance’.”
Grace.e.allen98@gmail.com
Instagram: @grace.a_crafts
https://graceallencrafts.wixsite.com/glass
P17152912@my365.dmu.ac.uk
Artist:Ossín Hanrahan
Description: Graduate: Ossín Hanrahan
University: CCAD
"Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it. This creates complex and elegant patterns."
TAKE PART IN NEXT EXHIBITION HEREUniversity: CCAD
"Ossin Hanrahan has a fascination with understanding and communication. His current work looks at some of the more simplistic aspects of fractal mathematics, taking a single motion such as drawing a straight line or spinning a top and repeating it. This creates complex and elegant patterns."
Artist:Isabella Kullman
Description: Graduate image 2: Isabella Kullman
TAKE PART IN NEXT EXHIBITION HEREArtist:Jacqui Fowler
Description: Graduate: Jacqui Fowler
University: University of Wales Trinity St David – BA Architectural Arts: Glass
Study of Dame Susan Morden (1638 – 1723).
Measures 45cm x 30cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
Email: jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
TAKE PART IN NEXT EXHIBITION HEREUniversity: University of Wales Trinity St David – BA Architectural Arts: Glass
Study of Dame Susan Morden (1638 – 1723).
Measures 45cm x 30cm
Having retired early, a career in glass was my preferred way forward. These pieces showcase my favourite medium, fine penwork, delicate, satisfying. Fascinated by our rich stained-glass heritage, particularly the contribution of invisible and forgotten women, I will continue my inquiry into female stained-glass artists through a Master by Research.
Email: jacqui@jacquifowler.co.uk
Instagram: @jacquifowlerglass
website: www.jacquifowler.co.uk
Description: Susan Breckenridge image 2
Title: Silence, material recycled glass, size 20cm by 12cm (approx)
Date made July 2020
Contact: susanbreckenridge201@yahoo.com
Title: Silence, material recycled glass, size 20cm by 12cm (approx)
Date made July 2020
Contact: susanbreckenridge201@yahoo.com
Contact: susanbreckenridge201@yahoo.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Liege Matharu
Description: Graduate image 2: Liege Matharu
The title of my work is - SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
TAKE PART IN NEXT EXHIBITION HEREThe title of my work is - SEE THE SEA –
Description Wood stand 40x26cm
Sea tunnel 29 x 16cm
This is an architectural stained glass with a sandblasted mirror representing a sea tunnel with light at its end hoping we might fight to prevent the damage to sea lives and ultimately ourselves.
liegematharu@gmail.com
Instagram: liegelou
Artist:Myriam Thomas
Description: Graduate: Myriam Thomas
University: Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
TAKE PART IN NEXT EXHIBITION HEREUniversity: Specialisation Degree at the Glass Department of IKA (Institute for Crafts and Arts) in Mechelen, Belgium.
Installation “She was asking for it”
· A big wall Medusa-panel: 223 cm x 140 cm x 5 cm consisting of 9 separate float glass panels
· 12 sculptures with heads of anonymous women, each of them placed on a stand. Each of the 12 sculptures: +- 30 cm x 25 cm x 5 cm.
Each stand is 130 cm x 30 cm x 10 cm (12 stands in total) and each of them has a small panel with a typical victim blaming quote like “She was flirting”, “Know your place” ect.
Photo credit JL Elias, Kerkhof.
In this installation I explore the resonance between the Medusa Myth and how our contemporary society treats female victims: What causes us (both men and women) to blame women in one way or another who have been abused or raped? I hope that my installation will trigger many visitors to help upending victim-blaming narratives that heap sympathy on the perpetrator.
For each part of this installation I started with a unique glass firing process where copper and corroding chemicals are fused with the tin side of float glass. Starting from the traces that are formed during this process I proceed with a number of techniques- slumping, kiln fired painting, gilding, engraving…
mytglassart@gmail.com
Website: http://mytglassart.be
Instagram: glass_mytglassart
The images:
1. Detail of 1 of the 12 stans with sculpture of an anonymous woman, and victim blaming quote “Know your place”
2. Medusa head: 1 of the 9 panels of the wall hanging, so it is a detail of big wall panel.
Artist:Gregory Williams
Description: Graduate: Gregory Williams
University: BA (hons) 3D Design Crafts Plymouth College of Art
Teardrop 50 x 33 x 8cm
Souvenir is about capturing memories as physical reminders. From the monumental structure of Gothic churches, to a bookcase in my childhood home, these gems reflect the value of key parts of my life, no matter how big or small they physically are.
TAKE PART IN NEXT EXHIBITION HEREUniversity: BA (hons) 3D Design Crafts Plymouth College of Art
Teardrop 50 x 33 x 8cm
Souvenir is about capturing memories as physical reminders. From the monumental structure of Gothic churches, to a bookcase in my childhood home, these gems reflect the value of key parts of my life, no matter how big or small they physically are.
Artist:Steven Graham
Description: Graduate: Steven Graham
University: BA with Honours First Class Art & Design University of Stirling
Submission: Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700x600mm
Price: £1,600
Photographs by Steven Graham E-mail: steven@in-glass.uk
Facebook: @stevengrahaminglass
Twitter: @steveninglass
Instagram: @steveninglass
Website: www.in-glass.uk
Contact: steven@in-glass.uk
University: BA with Honours First Class Art & Design University of Stirling
Submission: Blossom and the Bee
This stained glass panel captures my concerns regarding the changing climates in the environment and art glass education, depicting the lifecycle of blossom (flower to bud) being tended by the bumblebee. Inspired from working with school children, recognising my bumblebee role of tending the next generation of glass artist.
Dimensions: 700x600mm
Price: £1,600
Photographs by Steven Graham E-mail: steven@in-glass.uk
Facebook: @stevengrahaminglass
Twitter: @steveninglass
Instagram: @steveninglass
Website: www.in-glass.uk
Contact: steven@in-glass.uk
Contact: steven@in-glass.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Isabella Kullmann
Description: Isabella Kullmann
i.kullmann@me.com
https://www.isabellakullmann.com
isabellakullmann@instagram
MPhil Graduate RCA (Royal College of Art) 2020.
Blown waterjet-cut float glass (2018)
Credit: Ester Segarra
Treading lightly between the analogue and digital to transform float glass – an alternative glass practice?
In this research project I investigate the use of float glass as an alternative to furnace glass for blowing and explore the creative potential of bringing together digital technologies with conventional hot glass techniques.
TAKE PART IN NEXT EXHIBITION HEREi.kullmann@me.com
https://www.isabellakullmann.com
isabellakullmann@instagram
MPhil Graduate RCA (Royal College of Art) 2020.
Blown waterjet-cut float glass (2018)
Credit: Ester Segarra
Treading lightly between the analogue and digital to transform float glass – an alternative glass practice?
In this research project I investigate the use of float glass as an alternative to furnace glass for blowing and explore the creative potential of bringing together digital technologies with conventional hot glass techniques.
Artist:Maria Edwards
Description: Graduate: Maria Edwards
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
"Inconsequential, explores possibilities of layering and colour, using glass and mixed media. The conceptual aspect of my practice involves the investigation of discarded, inconsequential things. This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin. "
TAKE PART IN NEXT EXHIBITION HEREUniversity: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
"Inconsequential, explores possibilities of layering and colour, using glass and mixed media. The conceptual aspect of my practice involves the investigation of discarded, inconsequential things. This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin. "
Artist:Zoe Lennon
Description: Graduate image 2: Zoe Lennon
Title: Cróch an Fhómhair
NCAD Graduate
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
TAKE PART IN NEXT EXHIBITION HERETitle: Cróch an Fhómhair
NCAD Graduate
This body of work is an exploration of the impact of contemporary living upon the natural environment. The forms and colours are derived from endangered plant species on Ireland's Red List, particularly, the Meadow Saffron. The delicate nature of the work is intended to bring awareness to the destruction of natural Irish wildlife.
Phone: 0957322457
Email: zoel7322@gmail.com
or 16420376@student.ncad.ie
Insta: Zoel7322
Website: https://zoel7322.wixsite.com/mysite
Artist:Kieran Muir
Description: Artist: Kieran Muir
Graduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/ am.com/kiki_muir/
TAKE PART IN NEXT EXHIBITION HEREGraduate: Kieran Muir
University: City of Glasgow College - HNC Art Glass
Title: Making Faces (2020)
Dimensions: 100mm x 100mm
"My most recent body of work Making Faces is a series of kiln-carved masks that reference the phenomenon of pareidolia, which involves perceiving human faces in random patterns. I am particularly interested in how this leads people to attach emotional responses – or even personhood - to inanimate objects.”
Price: Artwork not for sale
Email: muirk1596@gmail.com
Facebook: Kiki Muir - https://www.facebook.com/Kiki-Muir-118298576624431/?modal=admin_todo_tour
Instagram: @kiki_muir - https://www.instagram.com/kiki_muir/ am.com/kiki_muir/
Artist:Georgia Stone
Description: Graduate: Georgia Stone
University: Farnham UCA in Glass, 2020
Tethered in Tension, 2019.
Glass, Plaster, Float glass, rubber band & Table.
100cm x 60cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Contact information- Email: ggstone@hotmail.co.uk
Instagram: @georgegstone
Website: www.georgiastoneart.com
Contact: ggstone@hotmail.co.uk
University: Farnham UCA in Glass, 2020
Tethered in Tension, 2019.
Glass, Plaster, Float glass, rubber band & Table.
100cm x 60cm
About my work: By referencing the human body; primarily the female form, my work expresses the inherent beauty of human beings. Working in glass, metal and other materials, sometimes combined, I am obsessed with the form and lines that exist when we move, expand and contract both physically and metaphorically.
Contact information- Email: ggstone@hotmail.co.uk
Instagram: @georgegstone
Website: www.georgiastoneart.com
Contact: ggstone@hotmail.co.uk
Contact: ggstone@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Heather Bolton
Description: Graduate: Heather Bolton
Title of work: Ecclesiastical Colours
Piece1 :Title: Starburst
Height: Approx 18 cm
Photo credit Nigel Essex
Price: £210
TAKE PART IN NEXT EXHIBITION HERETitle of work: Ecclesiastical Colours
Piece1 :Title: Starburst
Height: Approx 18 cm
Photo credit Nigel Essex
Price: £210
Artist:Maresa Edwards
Description: Graduate: Maresa Edwards
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
Inconsequential, explores possibilities of layering and colour, using glass and mixed media.
The conceptual aspect of my practice involves the investigation of discarded, inconsequential things.
This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin.
Contact: maresaedwards13@gmail.com
University: National College of Art and Design, Dublin, Ireland
TITLE : INCONSEQUENTIAL
Kiln fired glass 32cmx13cmx2cm
maresaedwards13@gmail.com
Inconsequential, explores possibilities of layering and colour, using glass and mixed media.
The conceptual aspect of my practice involves the investigation of discarded, inconsequential things.
This body of work involves the exploration of pattern and designs based on discarded sprue sets from airfix modelling kits retrieved from the bin.
Contact: maresaedwards13@gmail.com
Contact: maresaedwards13@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tina Coyle
Description: Graduate: Tina Coyle
University: HNC Art Desgin Glass City of Glasgow College
Cast glass block
The feel of the sea
Maiden Glass Fife, Scotland
TAKE PART IN NEXT EXHIBITION HEREUniversity: HNC Art Desgin Glass City of Glasgow College
Cast glass block
The feel of the sea
Maiden Glass Fife, Scotland
Past Exhibition
Corporate
Our corporate members are a vital part of our network, offering support, information and discounts to CGS members. You can support them too by clicking through.
Support Us
Your support is invaluable to our charity and makes a real difference. Share in the excitement of contemporary glass, sustaining ground-breaking exhibitions, world-class conferences and award-winning learning programmes and events.