Current Exhibition
INTERACTIVE GLASS – A FIRST FOR CGS (TO INCLUDE VIDEO AND FILM)
” Interactive Glass – A first for CGS (to include video and film)”- was launched on 18th of October 2017
We wanted to explore glass that really interacts with a viewer, that inspired by the need to be touched, moved, immersed in, or participated with. The results are marvellous. As our shows goes from strength to strength, this online exhibition seeks to push us into a different realm.
These 55 pieces of work, are not just beautiful to look: they require a physical, optical or practical investigation. They prompt questions. They suggest you look and touch. They suggest a use, maybe within a timeline. They have been designed and made with people in mind, a user, an operator or an inquisitive exploration.
Can an audience or viewer interact with the work? Are there moving parts, wheels, tactile areas? Does the artist use film or photography and installations to interact with an audience?
We also invited 3 International Artists: Aaron Ristau, Bernie Huebner and Simone Crestani to share their work in the exhibition with us.
We are honoured to include them and their amazing collections. A big thank you to them for exhibiting their work in this exhibition.
Thank you, Nicola Schellander and the CGS Board
Action Potential from Jenny Walsh on Vimeo.
Launched on:18th October 2017
_0.jpg)
Artist:Heike Brachlow
Email:Ester Segarra Photography
Description: Artist: Heike Brachlow
Spirit
Photographer: Ester Segarra Photography
Details: 2017; cast glass; H31cm W43cm D40cm
Contact: www.heikebrachlow.com
Spirit
Photographer: Ester Segarra Photography
Details: 2017; cast glass; H31cm W43cm D40cm
Contact: www.heikebrachlow.com
Details: 2017; cast glass; H31cm W43cm D40cm
TAKE PART IN NEXT EXHIBITION HEREArtist:Caroline O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Connor
Description: Artist: Caroline O'Connor
A Sea of Horns - 2016
Details: A blown glass installation piece using forty-one glass horns attached to a blown glass base inset into a C Plinth
The piece is a culmination of my MA project entitled "Don't you wonder sometimes 'Bout sound and vision?" D. Bowie (Echolocation)
It's intention is to bring awareness of "seeing through sound". A technique widely used by dolphins and human echolocators such as Daniel Kish, Justin Louchart and Ben Underwood.
The world of the blind and dolphins is seen through the spectrum of monochromes in glorious 360 degrees through the use of sound echoes using primitive clicks.
The piece invites the viewer to enter the "Sea and play around with sound"
"imagine no words, imagine no light"
"imagine a picture, imagine a sound"
"see the picture sent to all around"
Recent research has pointed to dolphins evolving a sono-pictorial language through their sound echoes. It is thought that they communicate in pictures so rapidly it is comparable to video by mere thoughts. The piece is a metaphoric piece to challenge a human centric view of intelligence and disability.
Contact: callyoconnor1@hotmail.com
A Sea of Horns - 2016
Details: A blown glass installation piece using forty-one glass horns attached to a blown glass base inset into a C Plinth
The piece is a culmination of my MA project entitled "Don't you wonder sometimes 'Bout sound and vision?" D. Bowie (Echolocation)
It's intention is to bring awareness of "seeing through sound". A technique widely used by dolphins and human echolocators such as Daniel Kish, Justin Louchart and Ben Underwood.
The world of the blind and dolphins is seen through the spectrum of monochromes in glorious 360 degrees through the use of sound echoes using primitive clicks.
The piece invites the viewer to enter the "Sea and play around with sound"
"imagine no words, imagine no light"
"imagine a picture, imagine a sound"
"see the picture sent to all around"
Recent research has pointed to dolphins evolving a sono-pictorial language through their sound echoes. It is thought that they communicate in pictures so rapidly it is comparable to video by mere thoughts. The piece is a metaphoric piece to challenge a human centric view of intelligence and disability.
Contact: callyoconnor1@hotmail.com
Contact: callyoconnor1@hotmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Martin Haskett & Colin Pyman
Description: Artist: Martin Haskett & Colin Pyman
Colour and Movement 1
Details: Fused glass circles, stainless steel axles, float glass triangles
The three primary colour circles can be rotated independently of each other allowing the viewer an vast number of secondary colours and shapes.
Contact: Martin Haskett
Colour and Movement 1
Details: Fused glass circles, stainless steel axles, float glass triangles
The three primary colour circles can be rotated independently of each other allowing the viewer an vast number of secondary colours and shapes.
Contact: Martin Haskett
Details: Fused glass circles, stainless steel axles, float glass triangles
TAKE PART IN NEXT EXHIBITION HEREArtist:Teresa Chlapowski
Email:Ester Segarra
Description: Artist: Teresa Chlapowski
Glass Metropolis
Photographer: Ester Segarra
Details: Multiple layers of low iron float glass, with screen print, on slate. 46 x 40 x 7 cm
I take a lot of photographs of buildings and I love reflections. The photographs show patterns and
abstractions created by light reflected onto the glass windows, making the buildings seem like huge
sculptures.
No human habitation is visible; they look empty, and working in glass seems the ideal way to show
the transparency of high-rise buildings – these are by the Tate Modern.
I have screen-printed some details of my photographs onto the glass onto multiple layers of glass,
which are then fused together to create a whole.
Now they really are a synthesis of what a modern city looks like, devoid of obvious life, a fragile,
lonely ‘glass metropolis'.
Contact: aquarelledesign@chlapowski.plus.com
Glass Metropolis
Photographer: Ester Segarra
Details: Multiple layers of low iron float glass, with screen print, on slate. 46 x 40 x 7 cm
I take a lot of photographs of buildings and I love reflections. The photographs show patterns and
abstractions created by light reflected onto the glass windows, making the buildings seem like huge
sculptures.
No human habitation is visible; they look empty, and working in glass seems the ideal way to show
the transparency of high-rise buildings – these are by the Tate Modern.
I have screen-printed some details of my photographs onto the glass onto multiple layers of glass,
which are then fused together to create a whole.
Now they really are a synthesis of what a modern city looks like, devoid of obvious life, a fragile,
lonely ‘glass metropolis'.
Contact: aquarelledesign@chlapowski.plus.com
Contact: aquarelledesign@chlapowski.plus.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Haley Haddow
Email:Matthew Booth
Description: Artist: Haley Haddow
"Visceral Touch"
Photographer: Matthew Booth
Details: Kiln-formed, kiln cast, deep slumped, hand-finished and polished vessel
This piece demonstrates that an artist’s objective can still be conveyed with no written narrative.. On first view, what do you want to do?
Contact: info@theglassdominion.com
"Visceral Touch"
Photographer: Matthew Booth
Details: Kiln-formed, kiln cast, deep slumped, hand-finished and polished vessel
This piece demonstrates that an artist’s objective can still be conveyed with no written narrative.. On first view, what do you want to do?
Contact: info@theglassdominion.com
Contact: info@theglassdominion.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Rachel Mary Elliott
Email:Rachel Mary Elliott
Description: Artist: Rachel Mary Elliott
Spectrum
Photographer: Artist's Own
Details: Pâte De Verre glass sculpture, 15cms diameter x 3cms deep, £200, SOLD
Pâte de verre glass sculpture
15cms diameter x 3cms deep
£200
SOLD
Contact: Rachel Mary Elliott
TAKE PART IN NEXT EXHIBITION HERESpectrum
Photographer: Artist's Own
Details: Pâte De Verre glass sculpture, 15cms diameter x 3cms deep, £200, SOLD
Pâte de verre glass sculpture
15cms diameter x 3cms deep
£200
SOLD
Contact: Rachel Mary Elliott
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"ManOmeter" and "Hg Vapor"
https://youtu.be/KPYOdqKohTY
"ManOmeter" and "Hg Vapor" both from 2012 sculptures include reclaimed scientific apparatus, Xenon, Neon, Argon Aaron Ristau Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"ManOmeter" and "Hg Vapor"
https://youtu.be/KPYOdqKohTY
"ManOmeter" and "Hg Vapor" both from 2012 sculptures include reclaimed scientific apparatus, Xenon, Neon, Argon Aaron Ristau Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:McCormick Gillian
Description: Artist: McCormick Gillian
Bird Table
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm
A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
Contact: gillian@dorsetglassart.co.uk
Bird Table
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm
A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
Contact: gillian@dorsetglassart.co.uk
Contact: gillian@dorsetglassart.co.uk
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
TAKE PART IN NEXT EXHIBITION HEREArtist:Bev Dyson
Email:Bev Dyson
Description: Artist: Bev Dyson
The Eternal Bubble
Photographer: Bev Dyson
Details: Glass & Steel
284E4421-809C-4046-9D1F-E58C5E4B674B from Bev Dyson on Vimeo.
An automated zoetrope. Steel furnace structure encasing cast glassblowing figures. Look through the small furnace doors. When the switch is worked the machine comes to life, the figures continuously circle, forming an endless motion of the glass blower in movement.
The Eternal Bubble
Photographer: Bev Dyson
Details: Glass & Steel
284E4421-809C-4046-9D1F-E58C5E4B674B from Bev Dyson on Vimeo.
An automated zoetrope. Steel furnace structure encasing cast glassblowing figures. Look through the small furnace doors. When the switch is worked the machine comes to life, the figures continuously circle, forming an endless motion of the glass blower in movement.
Details: Glass & Steel
TAKE PART IN NEXT EXHIBITION HEREArtist:Agelos Papadakis, Dave Murray Rust, Owen Green
Email:Agelos Papadakis
Description: Artist: Agelos Papadakis, Dave Murray Rust, Owen Green
ChaoDependant
Photographer: Agelos Papadakis
Details: Blown glass, magnetic field sensors, arduino, computer.
ChaoDependant investigates the use of art and technology to explore invisibly structured
spaces, in particular the attraction and repulsion of magnetic fields. A glass pendulum hangs
from the roof, with a magnet encased in the glass as the bob. A circular base supports a
collection of glass pods containing magnets, sensors and lights. The audience is invited to
move the glass pods and place them according to their desire. As the pendulum swings,
the magnetic fields around it push it in different directions, leading to a gently chaotic
motion - this plays off the common expectation of a pendulum as a regular process,
segmenting time into perfectly equal intervals. As the pendulum nears each pod, the pod
senses its presence, and glows in response, giving a clear visual indication of the physical
processes taking place. Sonically, each pod is related to a sound which has been recorded
in the glass workshop during the creation of the pieces. The output of the sensors is further
used to subtly manipulate sound parameters in a more abstract and less direct way, so that
the installation holds interest.
Videos:
http://www.agelospapadakis.com/portfolio/
http://www.mo-seph.com/projects/chaodependant
Contact: agelospapadakis@gmail.com
ChaoDependant
Photographer: Agelos Papadakis
Details: Blown glass, magnetic field sensors, arduino, computer.
ChaoDependant investigates the use of art and technology to explore invisibly structured
spaces, in particular the attraction and repulsion of magnetic fields. A glass pendulum hangs
from the roof, with a magnet encased in the glass as the bob. A circular base supports a
collection of glass pods containing magnets, sensors and lights. The audience is invited to
move the glass pods and place them according to their desire. As the pendulum swings,
the magnetic fields around it push it in different directions, leading to a gently chaotic
motion - this plays off the common expectation of a pendulum as a regular process,
segmenting time into perfectly equal intervals. As the pendulum nears each pod, the pod
senses its presence, and glows in response, giving a clear visual indication of the physical
processes taking place. Sonically, each pod is related to a sound which has been recorded
in the glass workshop during the creation of the pieces. The output of the sensors is further
used to subtly manipulate sound parameters in a more abstract and less direct way, so that
the installation holds interest.
Videos:
http://www.agelospapadakis.com/portfolio/
http://www.mo-seph.com/projects/chaodependant
Contact: agelospapadakis@gmail.com
Contact: agelospapadakis@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Cathryn Shilling and James D Clark
Email:James D Clark
Description: Artist: Cathryn Shilling and James D Clark
To butterflies and even frogs
Photographer: James D Clark
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
https://vimeo.com/203595827
To butterflies and even frogs (Preview) from Songbirds & Squirrels on Vimeo.
Part of the installation From Songbirds and Squirrels. This body of work combines glass fusion techniques and photographic transfer prints to explore the computer-generated imagery used by London property developers. By appropriating scenes from development hoardings and redeploying them within a fragmented, binary glass vista, the artists attempted to deconstruct and isolate these utopian representations of 21st century London through the playful act of obscuring and revealing.
Contact: glass@cathrynshilling.co.uk
To butterflies and even frogs
Photographer: James D Clark
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
https://vimeo.com/203595827
To butterflies and even frogs (Preview) from Songbirds & Squirrels on Vimeo.
Part of the installation From Songbirds and Squirrels. This body of work combines glass fusion techniques and photographic transfer prints to explore the computer-generated imagery used by London property developers. By appropriating scenes from development hoardings and redeploying them within a fragmented, binary glass vista, the artists attempted to deconstruct and isolate these utopian representations of 21st century London through the playful act of obscuring and revealing.
Contact: glass@cathrynshilling.co.uk
Contact: glass@cathrynshilling.co.uk
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
TAKE PART IN NEXT EXHIBITION HEREArtist:simonecrestani
Description: Artist: simonecrestani
www.simonecrestani.com
info@simonecrestani.com
Phone:+393921874552
Mobile:+393932399458
www.simonecrestani.com
info@simonecrestani.com
Phone:+393921874552
Mobile:+393932399458
Contact: info@simonecrestani.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Fulgora\\\\\\\\\\\\\\\'s Illumination With Aaron Ristau and Tony Greer
Description: Artist: Fulgora's Illumination With Aaron Ristau and Tony Greer
Fulgora's Illumination With Aaron Ristau and Tony Greer
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Fulgora's Illumination With Aaron Ristau and Tony Greer
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ingrid Hunter
Description: Artist: Ingrid Hunter
Three Puppet Vessels
Details: 42cmx13cmx4
The puppets bodies are core cast with carving inside and polished. The limbs are cast with a sandblasted finish and attached with acrylic nut and bolts so they are articulated.
The heads are the stoppers and represent a Collie, Poodle and Terrier
and are cast in Porcelain.
All glass is Gaffer.
Contact: ingridhunter@mac.com
Three Puppet Vessels
Details: 42cmx13cmx4
The puppets bodies are core cast with carving inside and polished. The limbs are cast with a sandblasted finish and attached with acrylic nut and bolts so they are articulated.
The heads are the stoppers and represent a Collie, Poodle and Terrier
and are cast in Porcelain.
All glass is Gaffer.
Contact: ingridhunter@mac.com
Contact: ingridhunter@mac.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Nancy Sutcliffe
Email:Nancy Sutcliffe
Description: Artist: Nancy Sutcliffe
'mirror mirror'
Photographer: Artist
Details: 25cms dia. engraved, painted and gilded glass in metal frame.
This piece is made of multiple layers of 2mm float glass. The fragile Palladium leaf has been
water gilded, distressed and burnished to a mirror shine. It's not a mirror until you look in it though!
Contact: nancy@nancysutcliffe.co.uk
'mirror mirror'
Photographer: Artist
Details: 25cms dia. engraved, painted and gilded glass in metal frame.
This piece is made of multiple layers of 2mm float glass. The fragile Palladium leaf has been
water gilded, distressed and burnished to a mirror shine. It's not a mirror until you look in it though!
Contact: nancy@nancysutcliffe.co.uk
Contact: nancy@nancysutcliffe.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Janine Altman
Description: Artist: Janine Altman
Lines of Life
Details: Dimensions: 200 cm x 200 cm x 20 cm
This artwork is an interactive installation, in this sculpture are there moving parts,
each bow and each piece when touched moves and causes movement of the other pieces.
It was created using two techniques: flameworking and fusion glass, with bullseye glass.
This work is inspired by an analogy between life and the line.
The line represents the simplest and most pure form of expression, which can be both dynamic and varied, depending on whether or not the points are aligned in the same direction, we will have the straight and curved lines.
A line is a continuous sequence of points, just as life is a continuous sequence of moments. Where every moment is a unique experience that gives way to the next.
Contact: website: www.janinealtman.com / email: janine.altman@gmail.com
Lines of Life
Details: Dimensions: 200 cm x 200 cm x 20 cm
This artwork is an interactive installation, in this sculpture are there moving parts,
each bow and each piece when touched moves and causes movement of the other pieces.
It was created using two techniques: flameworking and fusion glass, with bullseye glass.
This work is inspired by an analogy between life and the line.
The line represents the simplest and most pure form of expression, which can be both dynamic and varied, depending on whether or not the points are aligned in the same direction, we will have the straight and curved lines.
A line is a continuous sequence of points, just as life is a continuous sequence of moments. Where every moment is a unique experience that gives way to the next.
Contact: website: www.janinealtman.com / email: janine.altman@gmail.com
Contact: janine.altman@gmail.com
Details: Dimensions: 200 cm x 200 cm x 20 cm
TAKE PART IN NEXT EXHIBITION HEREArtist:Tineke Meijer
Description: Artist: Tineke Meijer
Tineke Meijer
binding-and copper wire, perspex.
Date of making: April 2015
Size: height: 250 mm
Length: 400 mm
Width: 230mm
Content: This landscape is presented as a small 'genius loci' ......the continual flowing movement of grass ....time as a transformational process.
TAKE PART IN NEXT EXHIBITION HERETineke Meijer
binding-and copper wire, perspex.
Date of making: April 2015
Size: height: 250 mm
Length: 400 mm
Width: 230mm
Content: This landscape is presented as a small 'genius loci' ......the continual flowing movement of grass ....time as a transformational process.
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"Test and Measure"
"Test and Measure" detail image 2014 Argon, Neon, and Xenon set in reclaimed Scientific Apparatus Aaron Ristau
https://www.youtube.com/watch?v=0SIv0EFgy0o
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"Test and Measure"
"Test and Measure" detail image 2014 Argon, Neon, and Xenon set in reclaimed Scientific Apparatus Aaron Ristau
https://www.youtube.com/watch?v=0SIv0EFgy0o
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:JanHein van Stiphout
Email:JanHein van Stiphout
Description: Artist: JanHein van Stiphout
Bacon Slicer
Photographer: JanHein van Stiphout
Details: Installation. Glass disc Ø 115 cm - Base 90 x 90 cm - Total height: 270 cm
The nearer the viewer approaches, the faster the glass disc turns.
At a certain moment the surroundings, reflected in the glass, starts to flutter frightful.
- one will retreat -
Contact: stipglas@stipglas.com
Bacon Slicer
Photographer: JanHein van Stiphout
Details: Installation. Glass disc Ø 115 cm - Base 90 x 90 cm - Total height: 270 cm
The nearer the viewer approaches, the faster the glass disc turns.
At a certain moment the surroundings, reflected in the glass, starts to flutter frightful.
- one will retreat -
Contact: stipglas@stipglas.com
Contact: stipglas@stipglas.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Dawid Stroyny
Email:David Williams
Description: Artist: Dawid Stroyny
All in my Head
Photographer: David Williams
Details: Approx 38x42cm each
Contact: stroyny@hotmail.co.uk
All in my Head
Photographer: David Williams
Details: Approx 38x42cm each
Contact: stroyny@hotmail.co.uk
Contact: stroyny@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Ainsley Francis
Email:Ainsley Francis
Description: Artist: Ainsley Francis
Leaning Against the Wall Camera Obscura
Photographer: Ainsley Francis
Details: Each 23cm X 13cm X 10cm
I use engraved glass, woodworking and optics to explore the mutability of individual identity by making camera obscura sculptures that are enchanting and playful. Viewers are invited to hold and play with my sculptures, using them as objects to see immediate world around them differently, and as objects for contemplation and meditation.
In an effort to disrupt common metaphors in English that equate the self with permanence and truth and with interiors, and change and inauthenticity with exteriors, the permanent engraved glass surface of the objects I make interacts the constantly changing projected image of the environment that the work inhabits with the user. They situate change into the place of authenticity by placing the projected image at the core of the object. I aim for my work to be inviting for users to interact with through touch and play, and to date my work has been on a scale that is easily handheld.
Contact: info@ainsleyfrancis.com
Leaning Against the Wall Camera Obscura
Photographer: Ainsley Francis
Details: Each 23cm X 13cm X 10cm
I use engraved glass, woodworking and optics to explore the mutability of individual identity by making camera obscura sculptures that are enchanting and playful. Viewers are invited to hold and play with my sculptures, using them as objects to see immediate world around them differently, and as objects for contemplation and meditation.
In an effort to disrupt common metaphors in English that equate the self with permanence and truth and with interiors, and change and inauthenticity with exteriors, the permanent engraved glass surface of the objects I make interacts the constantly changing projected image of the environment that the work inhabits with the user. They situate change into the place of authenticity by placing the projected image at the core of the object. I aim for my work to be inviting for users to interact with through touch and play, and to date my work has been on a scale that is easily handheld.
Contact: info@ainsleyfrancis.com
Contact: info@ainsleyfrancis.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Roberta Ayles
Description: Artist: Roberta Ayles
'Coast' area, Belvedere Ward, Franklyn Hospital, Exeter.
Details: One of four lightboxes made for the hospital as part of the King's Fund's 'Enhancing the Healing Environment' programme.
Franklyn Hospital provides assessment and treatment for older people with mental health needs, such as dementia. There are themed areas within the ward to help people orientate themselves, and connect with the world outside. The glass was designed to invite exploration by touch, so was fitted in the lightboxes with the textured side facing out. Also in the Coast area are shells, driftwood and other objects which might help bring back memories, and stimulate conversation.
Contact: www.aylesglass.com
TAKE PART IN NEXT EXHIBITION HERE'Coast' area, Belvedere Ward, Franklyn Hospital, Exeter.
Details: One of four lightboxes made for the hospital as part of the King's Fund's 'Enhancing the Healing Environment' programme.
Franklyn Hospital provides assessment and treatment for older people with mental health needs, such as dementia. There are themed areas within the ward to help people orientate themselves, and connect with the world outside. The glass was designed to invite exploration by touch, so was fitted in the lightboxes with the textured side facing out. Also in the Coast area are shells, driftwood and other objects which might help bring back memories, and stimulate conversation.
Contact: www.aylesglass.com
Artist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Linda Scott
Email:Richard Larter
Description: Artist: Linda Scott
'Choral Crackle'
Photographer: Richard Larter - photograph and framer
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame
In 'Choral Crackle', you can interact by scrambling and then rearranging the 15 glass tiles.
The silhouette of the birds have been made with a crackle effect, and if you look carefully, you can see that the wren, sings with a "tick tick". Note; then that each of the other birds has its song described, so there is a chorus orchestrating a "twitter", with a "churr", or a "chirrup" syncopated with a "zee zee", which all together makes a choral crackle!
The wren is the conductor, with worm in its beak acting as a baton!
Contact: m 0747 953 9623
'Choral Crackle'
Photographer: Richard Larter - photograph and framer
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame
In 'Choral Crackle', you can interact by scrambling and then rearranging the 15 glass tiles.
The silhouette of the birds have been made with a crackle effect, and if you look carefully, you can see that the wren, sings with a "tick tick". Note; then that each of the other birds has its song described, so there is a chorus orchestrating a "twitter", with a "churr", or a "chirrup" syncopated with a "zee zee", which all together makes a choral crackle!
The wren is the conductor, with worm in its beak acting as a baton!
Contact: m 0747 953 9623
Contact: m 0747 953 9623
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame In \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Choral Crackle\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\', you can interact by scrambling and then rearranging the 15 glass tiles.
TAKE PART IN NEXT EXHIBITION HEREArtist:Liz Waugh McManus
Email:Liz Waugh McManus
Description: Artist: Liz Waugh McManus
Mirror
Photographer: L Waugh McManus
Details: Glass, frame, sensor, interactive projection
'Mirror' is a piece about ageing and identity. The projection is a portrait of a 91 year old subject which changes, in response to the viewer's movements, to reveal an image of her aged 15 years.
Contact: lizwaugh@btinternet.com
Mirror
Photographer: L Waugh McManus
Details: Glass, frame, sensor, interactive projection
'Mirror' is a piece about ageing and identity. The projection is a portrait of a 91 year old subject which changes, in response to the viewer's movements, to reveal an image of her aged 15 years.
Contact: lizwaugh@btinternet.com
Contact: lizwaugh@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Fabrizia Bazzo
Email:Fabrizia Bazzo
Description: Artist: Fabrizia Bazzo
Thermochromic Liquid Crystals and Laminated Glass
Photographer: Fabrizia Bazzo
Details: This is one of many tests carried out to determine the feasibility of incorporating Thermochromic Liquid Crystals (TLCs) in glass artworks to create installations that will dynamically react with changes in the environment.
I have been experimenting with incorporating Thermochromic Liquid Crystals (TLCs) within the design of glass artworks. The overall objective is to provide glass art installations that will dynamically react in some way with thermal changes in the environment.
Although a glass installation placed in an architectural space will naturally show a dynamic interaction as the ambient light changes, I wanted to push this attribute further, with the overall objective of providing glass art installations that will dynamically react in some way with changes in the environment.
The image shows how colours and designs can appear and disappear when different temperature ranges are applied to the glass laminations.
Contact: email: glass@fabriziabazzo.co.uk web: www.fabriziabazzo.co.uk
Thermochromic Liquid Crystals and Laminated Glass
Photographer: Fabrizia Bazzo
Details: This is one of many tests carried out to determine the feasibility of incorporating Thermochromic Liquid Crystals (TLCs) in glass artworks to create installations that will dynamically react with changes in the environment.
I have been experimenting with incorporating Thermochromic Liquid Crystals (TLCs) within the design of glass artworks. The overall objective is to provide glass art installations that will dynamically react in some way with thermal changes in the environment.
Although a glass installation placed in an architectural space will naturally show a dynamic interaction as the ambient light changes, I wanted to push this attribute further, with the overall objective of providing glass art installations that will dynamically react in some way with changes in the environment.
The image shows how colours and designs can appear and disappear when different temperature ranges are applied to the glass laminations.
Contact: email: glass@fabriziabazzo.co.uk web: www.fabriziabazzo.co.uk
Contact: glass@fabriziabazzo.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Geraldine McLoughlin
Description: Artist: Geraldine McLoughlin
Wishing Tree
Details: Metal painted tree with Bullseye glass pendants
This tree stands in a garden and the pendants are always being touched by both adults and children.
Contact: Geraldine McLoughlin 01747 870390
Wishing Tree
Details: Metal painted tree with Bullseye glass pendants
This tree stands in a garden and the pendants are always being touched by both adults and children.
Contact: Geraldine McLoughlin 01747 870390
Contact: Geraldine McLoughlin 01747 870390
Details: Metal painted tree with Bullseye glass pendants
TAKE PART IN NEXT EXHIBITION HEREArtist:Nicola Schellander
Description: Artist: Nicola Schellander
Contour Wine Glasses for Dartington Crystal
These Contour Wine Glasses were designed for Dartington Crystal.
They are highly tactile and designed to sit in the hand, they echo fingerprints,
and are designed as a collection that can be played with and touched during mealtimes.
Pick them up and handle them, see where your fingerprints fall...
www.nicolaschellander.com
Contact: info@nicolaschellander.com
Contour Wine Glasses for Dartington Crystal
These Contour Wine Glasses were designed for Dartington Crystal.
They are highly tactile and designed to sit in the hand, they echo fingerprints,
and are designed as a collection that can be played with and touched during mealtimes.
Pick them up and handle them, see where your fingerprints fall...
www.nicolaschellander.com
Contact: info@nicolaschellander.com
Contact: info@nicolaschellander.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Anna Chrysopoulo
Email:Ester Segarra
Description: Artist: Anna Chrysopoulo
'Contained I''
Photographer: Ester Segarra
Details: Dealing with the personal is a strong source of inspiration for Anna; a balance between triangulating the relationship of experiences and the artifacts of her own making.
This piece was created through a process of multi-stage core casting.
The form comprises of two components; the cast glass box contains a free moving 'marble' element which is trapped within it. The viewer is able to interact with the piece through movement of the object in an effort to understand or 'work out' how the smaller glass element is contained within its outer form.
Contact: anna.chrysopoulo@network.rca.ac.uk
'Contained I''
Photographer: Ester Segarra
Details: Dealing with the personal is a strong source of inspiration for Anna; a balance between triangulating the relationship of experiences and the artifacts of her own making.
This piece was created through a process of multi-stage core casting.
The form comprises of two components; the cast glass box contains a free moving 'marble' element which is trapped within it. The viewer is able to interact with the piece through movement of the object in an effort to understand or 'work out' how the smaller glass element is contained within its outer form.
Contact: anna.chrysopoulo@network.rca.ac.uk
Contact: anna.chrysopoulo@network.rca.ac.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Michelle Ryan
Email:Yvonne Ryan
Description: Artist: Michelle Ryan
Constructed Memory
Photographer: Yvonne Ryan Photography
Details: Kiln cast glass, ink, paper
Kiln cast glass with carved detail (lost wax method), ink and paper.
Contact: www.michelleryanartist.com
TAKE PART IN NEXT EXHIBITION HEREConstructed Memory
Photographer: Yvonne Ryan Photography
Details: Kiln cast glass, ink, paper
Kiln cast glass with carved detail (lost wax method), ink and paper.
Contact: www.michelleryanartist.com
Artist:Emma Mackintosh
Email:Dayve Ward
Description: Artist: Emma Mackintosh
Celebration
Photographer: Dayve Ward
Details: 30cm high
We have a family tradition of putting flowers around the table setting of anyone who has a birthday.
This goblet, flameworked using borosilicate glass, celebrates that tradition.
Eating and drinking are social activities. Drinking from a goblet interacts directly with the glass and encourages interaction with others, family and friends.
Contact: Emma Mackintosh, glass@aflamewithdesire.co.uk
Celebration
Photographer: Dayve Ward
Details: 30cm high
We have a family tradition of putting flowers around the table setting of anyone who has a birthday.
This goblet, flameworked using borosilicate glass, celebrates that tradition.
Eating and drinking are social activities. Drinking from a goblet interacts directly with the glass and encourages interaction with others, family and friends.
Contact: Emma Mackintosh, glass@aflamewithdesire.co.uk
Contact: glass@aflamewithdesire.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Josean Garcia
Email:JoGa Glass
Description: Artist: Josean Garcia
"Bruco Fluo"
Photographer: JoGa Glass
Details: Glass Blown Necklace, Roll-Up Tecnique, 7 Sandblasted Beads, Colours: black, lemon yellow e pea green, Size: from 23mm to 45mm diameter, Lenght: 500mm, Weight: 150gr.
Handmade blown glass, light and hard wearing. The necklace is made with 7 different glass blown beads with different sizes. It is mounted from the smallest to the biggest bead, with a soft rubber collar.
The peculiarity in this glass, it is that the beads have been sandblasted to give a totally different perception to the viewer. It looks like the beads are made with a different material (plastic, silicone, resin, stone, etc.); so, the viewer can experience a weird feeling touching and wearing the necklace, because it doesn't feel like glass at all!
That's what I want people to show: the feeling of having something between their hands that it is glass but it doesn't look or feel like glass.
People have tried to copy glass in many different materials, I want to do the opposite. From glass,I want to make the viewer believe that it can be another material, even when they are touching it.
Contact: info@jogaglass.com
"Bruco Fluo"
Photographer: JoGa Glass
Details: Glass Blown Necklace, Roll-Up Tecnique, 7 Sandblasted Beads, Colours: black, lemon yellow e pea green, Size: from 23mm to 45mm diameter, Lenght: 500mm, Weight: 150gr.
Handmade blown glass, light and hard wearing. The necklace is made with 7 different glass blown beads with different sizes. It is mounted from the smallest to the biggest bead, with a soft rubber collar.
The peculiarity in this glass, it is that the beads have been sandblasted to give a totally different perception to the viewer. It looks like the beads are made with a different material (plastic, silicone, resin, stone, etc.); so, the viewer can experience a weird feeling touching and wearing the necklace, because it doesn't feel like glass at all!
That's what I want people to show: the feeling of having something between their hands that it is glass but it doesn't look or feel like glass.
People have tried to copy glass in many different materials, I want to do the opposite. From glass,I want to make the viewer believe that it can be another material, even when they are touching it.
Contact: info@jogaglass.com
Contact: info@jogaglass.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Paula Rosalind Tyler
Description: Artist: Paula Rosalind Tyler
Hare - Part of a larger glass mosaic know as - The Moon and Hare
Details: Hare Section - 120 cm round glass mosaic with composite bronze hare
The Hare mosaic is installed in a primary school at a level which enables the children to stroke the contours of the three dimensional Hare.
Visually, the children can also experience the various glass surfaces and finishes of the mosaic tiles which includes iridescent, mirror and luster.
Contact: paula@paularosalindreflectiveart.co.uk
Hare - Part of a larger glass mosaic know as - The Moon and Hare
Details: Hare Section - 120 cm round glass mosaic with composite bronze hare
The Hare mosaic is installed in a primary school at a level which enables the children to stroke the contours of the three dimensional Hare.
Visually, the children can also experience the various glass surfaces and finishes of the mosaic tiles which includes iridescent, mirror and luster.
Contact: paula@paularosalindreflectiveart.co.uk
Contact: paula@paularosalindreflectiveart.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"Lens Centering Machine" 2016
"Lens Centering Machine" 2016
Reclaimed Optometry apparatus and Xenon luminary
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
"Lens Centering Machine" 2016
"Lens Centering Machine" 2016
Reclaimed Optometry apparatus and Xenon luminary
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau
Description: Artist: Aaron Ristau
"Rexair Atomic Lantern"
Aaron Ristau
https://youtu.be/4WEpWICu7RM
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"Rexair Atomic Lantern"
Aaron Ristau
https://youtu.be/4WEpWICu7RM
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Maker Fair Tesla coil display collaboration with Joe Pawelski
Description: Artist: Maker Fair Tesla coil display collaboration with Joe Pawelski
Maker Fair Tesla coil display collaboration with Joe Pawelski 2015, Loveland, Colorado
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Maker Fair Tesla coil display collaboration with Joe Pawelski 2015, Loveland, Colorado
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Karola Dischinger
Email:Giuseppe Biasco
Description: Artist: Karola Dischinger
Values - which one will you sacrify to reach your goal
Photographer: Giuseppe Biasco
Details: app. 50x50 cm, glass print and small domes
This piece offers the viewer to play, move the domes and in that way to decide
which value he/she wants to sacrify in order to reach the goal he/she is targeting.
Contact: karola.dischinger@bluewin.ch
Values - which one will you sacrify to reach your goal
Photographer: Giuseppe Biasco
Details: app. 50x50 cm, glass print and small domes
This piece offers the viewer to play, move the domes and in that way to decide
which value he/she wants to sacrify in order to reach the goal he/she is targeting.
Contact: karola.dischinger@bluewin.ch
Contact: karola.dischinger@bluewin.ch
TAKE PART IN NEXT EXHIBITION HEREArtist:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Email:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Description: Artist: Jan O'Highway
JAMMING
Photographer: Jan O'Highway
Details: Temporary interactive installation of melted jam-jars.
A collection of melted jam-jars on a white felt covered tabletop, with the printed invitation
" JAMMING is an interactive installation, please re-arrange"
Exhibited in VESSEL at Birdwood House Gallery, Totnes, Devon, Sept 2017
The jam-jars were fired to approx 715C, and were in various states of collapse, from puddle to just bending.
People are usually reluctant to touch glass in exhibitions, but in this case they really enjoyed it -
to the extent of adding a bunch of sweet peas to one jar, and planting another up with Baby's Tears!
Contact: joh@janohighway.com
JAMMING
Photographer: Jan O'Highway
Details: Temporary interactive installation of melted jam-jars.
A collection of melted jam-jars on a white felt covered tabletop, with the printed invitation
" JAMMING is an interactive installation, please re-arrange"
Exhibited in VESSEL at Birdwood House Gallery, Totnes, Devon, Sept 2017
The jam-jars were fired to approx 715C, and were in various states of collapse, from puddle to just bending.
People are usually reluctant to touch glass in exhibitions, but in this case they really enjoyed it -
to the extent of adding a bunch of sweet peas to one jar, and planting another up with Baby's Tears!
Contact: joh@janohighway.com
Contact: joh@janohighway.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Lisa Naas, David Faleris, & the Makers Marks team
Email:Alex Hall
Description: Artist: Lisa Naas, David Faleris, & the Makers Marks team
Playing the Sounding Glass
Photographer: Alex Hall
Details: blown glass (20cm high x 30cm diameter) with electronics, copper strips for capacitance, recorded glassmaking sounds, computer software
Sounding Glass is an interactive glass object that explores the sounds of its making through human touch to offer a unique, playable, musical experience for the user. The object form was designed to reference the musical hang drum instrument that is played by hand. When a handler touches “Sounding Glass”, the physical contact will initiate sounds of glassmaking which we recorded in glass studios. Those sounds along with newly developed sounds based on the recordings are "embedded" in the object at numerous touch points. These sounds have all been orchestrated to work together sonically within the piece; the glass can actually be played as if it were a musical instrument. It works because its hollow interior is a complex scheme of Arduino boards and electronics, which use copper strips attached to the interior glass surface to conduct human capacitance (natural human electrical charge) for operating the sound programs contained in the computer to which it attaches.
Contact: Lisa Naas, www.inconcertwithglass.com, LNAAS@icloud.com
Playing the Sounding Glass
Photographer: Alex Hall
Details: blown glass (20cm high x 30cm diameter) with electronics, copper strips for capacitance, recorded glassmaking sounds, computer software
Sounding Glass is an interactive glass object that explores the sounds of its making through human touch to offer a unique, playable, musical experience for the user. The object form was designed to reference the musical hang drum instrument that is played by hand. When a handler touches “Sounding Glass”, the physical contact will initiate sounds of glassmaking which we recorded in glass studios. Those sounds along with newly developed sounds based on the recordings are "embedded" in the object at numerous touch points. These sounds have all been orchestrated to work together sonically within the piece; the glass can actually be played as if it were a musical instrument. It works because its hollow interior is a complex scheme of Arduino boards and electronics, which use copper strips attached to the interior glass surface to conduct human capacitance (natural human electrical charge) for operating the sound programs contained in the computer to which it attaches.
Contact: Lisa Naas, www.inconcertwithglass.com, LNAAS@icloud.com
Contact: LNAAS@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ashley Brammer
Email:Ashley Brammer
Description: Artist: Ashley Brammer
Detail of Seahorse Bubble Plate
Photographer: Ashley Brammer
Details: The image formed entirely of bubbles over 4 layers of clear glass
The placement, density and number of layers of bubbles in the piece, generates not only the visual image but a rich textural relief to the piece. The image appears not only visually in three dimensions but becomes immensely tactile, drawing the fingers as well as the eye!
(Image approximately 200x150mm, full piece 305x305mm)
Contact: Ashley Brammer - Bramar Creative
TAKE PART IN NEXT EXHIBITION HEREDetail of Seahorse Bubble Plate
Photographer: Ashley Brammer
Details: The image formed entirely of bubbles over 4 layers of clear glass
The placement, density and number of layers of bubbles in the piece, generates not only the visual image but a rich textural relief to the piece. The image appears not only visually in three dimensions but becomes immensely tactile, drawing the fingers as well as the eye!
(Image approximately 200x150mm, full piece 305x305mm)
Contact: Ashley Brammer - Bramar Creative
Artist:Jilly Cunningham
Description: Artist: Jilly Cunningham
Silver & green light switch
Photographer: www.jillycunningham.com
Details: Tiffany glass and mixed materials. 9.5x9.5x1cm
While designing the interiors for a home renovation project, I realised that we often ignore a crucial detail in every room - the light switch. Unimpressed by the unimaginative options available, I decided to make my own. My first collection of mosaic light switches are fully functional works of art, handcrafted in Tiffany stained glass. The light switches are a subtle way of making a big statement and each one is completely unique. They can be custom designed to complement your home.
Contact: http://jillycunningham.com/projects/beautiful-light-switches/
TAKE PART IN NEXT EXHIBITION HERESilver & green light switch
Photographer: www.jillycunningham.com
Details: Tiffany glass and mixed materials. 9.5x9.5x1cm
While designing the interiors for a home renovation project, I realised that we often ignore a crucial detail in every room - the light switch. Unimpressed by the unimaginative options available, I decided to make my own. My first collection of mosaic light switches are fully functional works of art, handcrafted in Tiffany stained glass. The light switches are a subtle way of making a big statement and each one is completely unique. They can be custom designed to complement your home.
Contact: http://jillycunningham.com/projects/beautiful-light-switches/
Artist:Lisa Pettibone
Email:Lisa Pettibone
Description: Artist: Lisa Pettibone
Corporeal
Photographer: Lisa Pettibone
Details: 85 x 120 x 11cm
During a residency at The Cube London, I explored the idea of embodiment in relation to cognition. We embody gravity everyday as it pulls and shapes our body creating a series of sensory experiences we are hardly aware of. Several of the glass spheres incorporate gold leaf to make a material connection with the universe we inhabit in our dance with gravity. Visitors often touched this tactile piece and their comments often recognised how sensuous the weight of our bodies can be. Materials: Glass, gold, tights, solid maple wood frame. Thanks to Jake Mee at Smithbrook Glassblowing Studio for making the gold filled spheres.
Contact: lpettibone@btinternet.com
Corporeal
Photographer: Lisa Pettibone
Details: 85 x 120 x 11cm
During a residency at The Cube London, I explored the idea of embodiment in relation to cognition. We embody gravity everyday as it pulls and shapes our body creating a series of sensory experiences we are hardly aware of. Several of the glass spheres incorporate gold leaf to make a material connection with the universe we inhabit in our dance with gravity. Visitors often touched this tactile piece and their comments often recognised how sensuous the weight of our bodies can be. Materials: Glass, gold, tights, solid maple wood frame. Thanks to Jake Mee at Smithbrook Glassblowing Studio for making the gold filled spheres.
Contact: lpettibone@btinternet.com
Contact: lpettibone@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau and Dina Kalahar
Description: Artist: Aaron Ristau and Dina Kalahar
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Hannah Gibson Glass
Email:Hannah Gibson Glass
Description: Artist: Hannah Gibson Glass
Sweet Nothing ready to find a new home from the Eyjafjnallajokull Glacier, Iceland
Photographer: Hannah Gibson Glass
Details: 10cm tall cast class Sweet Nothing
Sweet Nothings are a collection of unique cast glass figures.
I am passionate about glass and in an attempt to share that passion I began leaving the cast glass figures for others to
find and keep.
They have been left in places far and wide, from the base of the Grand Canyon to the top of the
Eyjafjnallajokull Glacier in Iceland, and beyond.
Each has a note attached, encouraging the 'finder' to keep the figure, in return for a message that simply states where
the new home will be.
Each note explains where the glass to make that particular Sweet Nothing has originated. In this case, James Devereaux.
Many people upload their messages, photographs and videos to for others to share.
I want to encourage people to pick up the glass, be inquisitive. Hopefully look into how the cast glass figures are made.
Essentially to share that passion towards glass.
Contact: Hannah@hannahgibsonglass.co.uk
Sweet Nothing ready to find a new home from the Eyjafjnallajokull Glacier, Iceland
Photographer: Hannah Gibson Glass
Details: 10cm tall cast class Sweet Nothing
Sweet Nothings are a collection of unique cast glass figures.
I am passionate about glass and in an attempt to share that passion I began leaving the cast glass figures for others to
find and keep.
They have been left in places far and wide, from the base of the Grand Canyon to the top of the
Eyjafjnallajokull Glacier in Iceland, and beyond.
Each has a note attached, encouraging the 'finder' to keep the figure, in return for a message that simply states where
the new home will be.
Each note explains where the glass to make that particular Sweet Nothing has originated. In this case, James Devereaux.
Many people upload their messages, photographs and videos to for others to share.
I want to encourage people to pick up the glass, be inquisitive. Hopefully look into how the cast glass figures are made.
Essentially to share that passion towards glass.
Contact: Hannah@hannahgibsonglass.co.uk
Contact: Hannah@hannahgibsonglass.co.uk
Details: 10cm tall cast class Sweet Nothing
TAKE PART IN NEXT EXHIBITION HEREArtist:Jill Bagnall
Email:Caz Holbrook
Description: Artist: Jill Bagnall
Oh! It's smooth!
Photographer: Photography Caz Holbrook
Details: Foreground: 30cm sq. 'Electric' Platter. Background: 25cm round 'Sky' Plate.
'Tapestry' glass compels people to touch!
It looks quite 3 dimensional & ridged but is actually almost or completely smooth.
I aim to place these pieces where I can invite people to touch after they have stopped to look very hard; they need to touch to confirm what their eyes have told them - only to find their eyes have usually lied!
TAKE PART IN NEXT EXHIBITION HEREOh! It's smooth!
Photographer: Photography Caz Holbrook
Details: Foreground: 30cm sq. 'Electric' Platter. Background: 25cm round 'Sky' Plate.
'Tapestry' glass compels people to touch!
It looks quite 3 dimensional & ridged but is actually almost or completely smooth.
I aim to place these pieces where I can invite people to touch after they have stopped to look very hard; they need to touch to confirm what their eyes have told them - only to find their eyes have usually lied!
Artist:Jane Vincent and Marilia Carvalho
Email:Jane Vincent and Marilia Carvalho
Description: Artist: Jane Vincent and Marilia Carvalho
Below Stairs: The Meal Waddesdon Manor
Photographer: Jane Vincent and Marilia Carvalho
Details: Leaded Stained Glass Panel with photographic decals and QR code 90x90cm
Leaded stained glass with photographic decals and fused glass the panel tells the story of the events surrounding the visit of the Shah of Persia in 1889. One quarry contains a QR code to be read via a QR reader on digital devices linking to web sites of the designer makers for more information &, when on display, a trail guide. The images are taken from Waddesdon Manor archives and combine to tell the story in stained glass as well as to provide a trail for exploring Waddesdon Manor House and Estate. Designed and made by Jane Vincent and Marilia Carvalho for location in the dresser hatch in the former kitchen now Cafe of Waddesdon Manor.
Contact: janevincenglass@abbeyrisestudio.co.uk
Below Stairs: The Meal Waddesdon Manor
Photographer: Jane Vincent and Marilia Carvalho
Details: Leaded Stained Glass Panel with photographic decals and QR code 90x90cm
Leaded stained glass with photographic decals and fused glass the panel tells the story of the events surrounding the visit of the Shah of Persia in 1889. One quarry contains a QR code to be read via a QR reader on digital devices linking to web sites of the designer makers for more information &, when on display, a trail guide. The images are taken from Waddesdon Manor archives and combine to tell the story in stained glass as well as to provide a trail for exploring Waddesdon Manor House and Estate. Designed and made by Jane Vincent and Marilia Carvalho for location in the dresser hatch in the former kitchen now Cafe of Waddesdon Manor.
Contact: janevincenglass@abbeyrisestudio.co.uk
Contact: janevincenglass@abbeyrisestudio.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Henrik Svarrer Larsen
Description: Artist: Henrik Svarrer Larsen (Denmark & Sweden) as part of the group "Dynamic Transparencies” (group members: Henrik Svarrer Larsen, Mads Hobye, Peter Kuchinke, Jason Knight.)
'Klang'
Photographer: Research Initiative: "Dynamic Transparencies” www.dynamictransparencies.com
Details: Freehand blown cased glass tube (opalin), and ball (cobolt blue), 4 distance sensors, 4 magnet attractors, microcontroller.
The object responds by the sound of crystal and by subtle movements
as the inner glass ball flees an approaching interactor,
yet also lurks and thereby emerge from the graduated semi-translucency.
Contact: Henrik Svarrer Larsen
TAKE PART IN NEXT EXHIBITION HERE'Klang'
Photographer: Research Initiative: "Dynamic Transparencies” www.dynamictransparencies.com
Details: Freehand blown cased glass tube (opalin), and ball (cobolt blue), 4 distance sensors, 4 magnet attractors, microcontroller.
The object responds by the sound of crystal and by subtle movements
as the inner glass ball flees an approaching interactor,
yet also lurks and thereby emerge from the graduated semi-translucency.
Contact: Henrik Svarrer Larsen
Artist:Cara Louise Walker
Email:Alan Clark
Description: Artist: Cara Louise Walker
Jewel Lamps
Photographer: Alan Clark
Details: Blown & Cut Glass, Marble and Ardruino
By the touch of a sensor the Jewel lamps respond to the users hear rate.
The users bpm determines the intensity of the lamps light, responding to higher heart rates by dimming their lights and lower heart rates by intensifying.
Contact: cara.walker@btinternet.com
Jewel Lamps
Photographer: Alan Clark
Details: Blown & Cut Glass, Marble and Ardruino
By the touch of a sensor the Jewel lamps respond to the users hear rate.
The users bpm determines the intensity of the lamps light, responding to higher heart rates by dimming their lights and lower heart rates by intensifying.
Contact: cara.walker@btinternet.com
Contact: cara.walker@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Jenny Walsh
Description: Artist: Jenny Walsh
Action Potential, 2016
Photographer: Action Potential was made in collaboration with Devereux & Huskie Glassworks and Jeremy Keenan, a specialist in physical computing.
Details: Glass, copper and photons. 1.7m (h) 2.5m (l) and 1.3m (w)
A 2 minute film showing how the neurones interact can be seen via this
https://vimeo.com/179031211
Action Potential from Jenny Walsh on Vimeo.
Action Potential is an interactive sculpture that reflects the human body's neural pathways. Inspired by the works of Benjamin Franklin, Luigi Galvani and Alessandro Volta, who demonstrated the role electricity played in re-stimulating neural pathways. Action Potential's light sequence represents the cascade of neural impulses that transmit information through the body. The light sequence changes depending on which neurone has received an impulse, reflecting the many millions of neural pathways that are stimulated within our body every second.
Contact: jennywalsh65@gmail.com, www.jennywalsh.co.uk, @jennywalsh65
Action Potential, 2016
Photographer: Action Potential was made in collaboration with Devereux & Huskie Glassworks and Jeremy Keenan, a specialist in physical computing.
Details: Glass, copper and photons. 1.7m (h) 2.5m (l) and 1.3m (w)
A 2 minute film showing how the neurones interact can be seen via this
https://vimeo.com/179031211
Action Potential from Jenny Walsh on Vimeo.
Action Potential is an interactive sculpture that reflects the human body's neural pathways. Inspired by the works of Benjamin Franklin, Luigi Galvani and Alessandro Volta, who demonstrated the role electricity played in re-stimulating neural pathways. Action Potential's light sequence represents the cascade of neural impulses that transmit information through the body. The light sequence changes depending on which neurone has received an impulse, reflecting the many millions of neural pathways that are stimulated within our body every second.
Contact: jennywalsh65@gmail.com, www.jennywalsh.co.uk, @jennywalsh65
Contact: jennywalsh65@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Helen Slater
Email:Helen Slater
Description: Artist: Helen Slater
Landscape
Photographer: Helen Slater
Details: Lenticular Cast Glass with Digital Interlaced Decal imagery
This piece works as a lenticular lens, creating virtual depth within the image.
As the viewer interacts by moving around the piece new depth, within this landscape, is uncovered and the trees begin to sway.
Contact: helenslaterglass@aol.com
Landscape
Photographer: Helen Slater
Details: Lenticular Cast Glass with Digital Interlaced Decal imagery
This piece works as a lenticular lens, creating virtual depth within the image.
As the viewer interacts by moving around the piece new depth, within this landscape, is uncovered and the trees begin to sway.
Contact: helenslaterglass@aol.com
Contact: helenslaterglass@aol.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau
Description: Artist: Aaron Ristau
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tali Grinshpan
Email:Keay Edwards
Description: Artist: Tali Grinshpan
Tashlich/To Cast Away
Photographer: Keay Edwards
Details: 3" x 3" x 3" each
Tashlich means to cast away in Hebrew.
This piece seeks to create a sacred space in which a viewer can sit in the silence implicit in secrets
while holding a vessel in their hand.
Holding a vessel in my hand, I remember the secret it contains while knowing I can cast it away.
Contact: taligd@gamil.com
Tashlich/To Cast Away
Photographer: Keay Edwards
Details: 3" x 3" x 3" each
Tashlich means to cast away in Hebrew.
This piece seeks to create a sacred space in which a viewer can sit in the silence implicit in secrets
while holding a vessel in their hand.
Holding a vessel in my hand, I remember the secret it contains while knowing I can cast it away.
Contact: taligd@gamil.com
Contact: taligd@gamil.com
TAKE PART IN NEXT EXHIBITION HERE
.jpg)
Artist:Heike Brachlow
Email:Ester Segarra Photography
Description: Artist: Heike Brachlow
Spirit
Photographer: Ester Segarra Photography
Details: 2017; cast glass; H31cm W43cm D40cm
Contact: www.heikebrachlow.com
Spirit
Photographer: Ester Segarra Photography
Details: 2017; cast glass; H31cm W43cm D40cm
Contact: www.heikebrachlow.com
Details: 2017; cast glass; H31cm W43cm D40cm
TAKE PART IN NEXT EXHIBITION HEREArtist:Caroline O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Connor
Description: Artist: Caroline O'Connor
A Sea of Horns - 2016
Details: A blown glass installation piece using forty-one glass horns attached to a blown glass base inset into a C Plinth
The piece is a culmination of my MA project entitled "Don't you wonder sometimes 'Bout sound and vision?" D. Bowie (Echolocation)
It's intention is to bring awareness of "seeing through sound". A technique widely used by dolphins and human echolocators such as Daniel Kish, Justin Louchart and Ben Underwood.
The world of the blind and dolphins is seen through the spectrum of monochromes in glorious 360 degrees through the use of sound echoes using primitive clicks.
The piece invites the viewer to enter the "Sea and play around with sound"
"imagine no words, imagine no light"
"imagine a picture, imagine a sound"
"see the picture sent to all around"
Recent research has pointed to dolphins evolving a sono-pictorial language through their sound echoes. It is thought that they communicate in pictures so rapidly it is comparable to video by mere thoughts. The piece is a metaphoric piece to challenge a human centric view of intelligence and disability.
Contact: callyoconnor1@hotmail.com
A Sea of Horns - 2016
Details: A blown glass installation piece using forty-one glass horns attached to a blown glass base inset into a C Plinth
The piece is a culmination of my MA project entitled "Don't you wonder sometimes 'Bout sound and vision?" D. Bowie (Echolocation)
It's intention is to bring awareness of "seeing through sound". A technique widely used by dolphins and human echolocators such as Daniel Kish, Justin Louchart and Ben Underwood.
The world of the blind and dolphins is seen through the spectrum of monochromes in glorious 360 degrees through the use of sound echoes using primitive clicks.
The piece invites the viewer to enter the "Sea and play around with sound"
"imagine no words, imagine no light"
"imagine a picture, imagine a sound"
"see the picture sent to all around"
Recent research has pointed to dolphins evolving a sono-pictorial language through their sound echoes. It is thought that they communicate in pictures so rapidly it is comparable to video by mere thoughts. The piece is a metaphoric piece to challenge a human centric view of intelligence and disability.
Contact: callyoconnor1@hotmail.com
Contact: callyoconnor1@hotmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Martin Haskett & Colin Pyman
Description: Artist: Martin Haskett & Colin Pyman
Colour and Movement 1
Details: Fused glass circles, stainless steel axles, float glass triangles
The three primary colour circles can be rotated independently of each other allowing the viewer an vast number of secondary colours and shapes.
Contact: Martin Haskett
Colour and Movement 1
Details: Fused glass circles, stainless steel axles, float glass triangles
The three primary colour circles can be rotated independently of each other allowing the viewer an vast number of secondary colours and shapes.
Contact: Martin Haskett
Details: Fused glass circles, stainless steel axles, float glass triangles
TAKE PART IN NEXT EXHIBITION HEREArtist:Teresa Chlapowski
Email:Ester Segarra
Description: Artist: Teresa Chlapowski
Glass Metropolis
Photographer: Ester Segarra
Details: Multiple layers of low iron float glass, with screen print, on slate. 46 x 40 x 7 cm
I take a lot of photographs of buildings and I love reflections. The photographs show patterns and
abstractions created by light reflected onto the glass windows, making the buildings seem like huge
sculptures.
No human habitation is visible; they look empty, and working in glass seems the ideal way to show
the transparency of high-rise buildings – these are by the Tate Modern.
I have screen-printed some details of my photographs onto the glass onto multiple layers of glass,
which are then fused together to create a whole.
Now they really are a synthesis of what a modern city looks like, devoid of obvious life, a fragile,
lonely ‘glass metropolis'.
Contact: aquarelledesign@chlapowski.plus.com
Glass Metropolis
Photographer: Ester Segarra
Details: Multiple layers of low iron float glass, with screen print, on slate. 46 x 40 x 7 cm
I take a lot of photographs of buildings and I love reflections. The photographs show patterns and
abstractions created by light reflected onto the glass windows, making the buildings seem like huge
sculptures.
No human habitation is visible; they look empty, and working in glass seems the ideal way to show
the transparency of high-rise buildings – these are by the Tate Modern.
I have screen-printed some details of my photographs onto the glass onto multiple layers of glass,
which are then fused together to create a whole.
Now they really are a synthesis of what a modern city looks like, devoid of obvious life, a fragile,
lonely ‘glass metropolis'.
Contact: aquarelledesign@chlapowski.plus.com
Contact: aquarelledesign@chlapowski.plus.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Haley Haddow
Email:Matthew Booth
Description: Artist: Haley Haddow
"Visceral Touch"
Photographer: Matthew Booth
Details: Kiln-formed, kiln cast, deep slumped, hand-finished and polished vessel
This piece demonstrates that an artist’s objective can still be conveyed with no written narrative.. On first view, what do you want to do?
Contact: info@theglassdominion.com
"Visceral Touch"
Photographer: Matthew Booth
Details: Kiln-formed, kiln cast, deep slumped, hand-finished and polished vessel
This piece demonstrates that an artist’s objective can still be conveyed with no written narrative.. On first view, what do you want to do?
Contact: info@theglassdominion.com
Contact: info@theglassdominion.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Rachel Mary Elliott
Email:Rachel Mary Elliott
Description: Artist: Rachel Mary Elliott
Spectrum
Photographer: Artist's Own
Details: Pâte De Verre glass sculpture, 15cms diameter x 3cms deep, £200, SOLD
Pâte de verre glass sculpture
15cms diameter x 3cms deep
£200
SOLD
Contact: Rachel Mary Elliott
TAKE PART IN NEXT EXHIBITION HERESpectrum
Photographer: Artist's Own
Details: Pâte De Verre glass sculpture, 15cms diameter x 3cms deep, £200, SOLD
Pâte de verre glass sculpture
15cms diameter x 3cms deep
£200
SOLD
Contact: Rachel Mary Elliott
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"ManOmeter" and "Hg Vapor"
https://youtu.be/KPYOdqKohTY
"ManOmeter" and "Hg Vapor" both from 2012 sculptures include reclaimed scientific apparatus, Xenon, Neon, Argon Aaron Ristau Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"ManOmeter" and "Hg Vapor"
https://youtu.be/KPYOdqKohTY
"ManOmeter" and "Hg Vapor" both from 2012 sculptures include reclaimed scientific apparatus, Xenon, Neon, Argon Aaron Ristau Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:McCormick Gillian
Description: Artist: McCormick Gillian
Bird Table
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm
A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
Contact: gillian@dorsetglassart.co.uk
Bird Table
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm
A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
Contact: gillian@dorsetglassart.co.uk
Contact: gillian@dorsetglassart.co.uk
Details: Fused Glass and Carved Slate, 60cm x35cmx25cm A combination of tactile glass and slate, that interacts with the sun, rain and seasons.
TAKE PART IN NEXT EXHIBITION HEREArtist:Bev Dyson
Email:Bev Dyson
Description: Artist: Bev Dyson
The Eternal Bubble
Photographer: Bev Dyson
Details: Glass & Steel
284E4421-809C-4046-9D1F-E58C5E4B674B from Bev Dyson on Vimeo.
An automated zoetrope. Steel furnace structure encasing cast glassblowing figures. Look through the small furnace doors. When the switch is worked the machine comes to life, the figures continuously circle, forming an endless motion of the glass blower in movement.
The Eternal Bubble
Photographer: Bev Dyson
Details: Glass & Steel
284E4421-809C-4046-9D1F-E58C5E4B674B from Bev Dyson on Vimeo.
An automated zoetrope. Steel furnace structure encasing cast glassblowing figures. Look through the small furnace doors. When the switch is worked the machine comes to life, the figures continuously circle, forming an endless motion of the glass blower in movement.
Details: Glass & Steel
TAKE PART IN NEXT EXHIBITION HEREArtist:Agelos Papadakis, Dave Murray Rust, Owen Green
Email:Agelos Papadakis
Description: Artist: Agelos Papadakis, Dave Murray Rust, Owen Green
ChaoDependant
Photographer: Agelos Papadakis
Details: Blown glass, magnetic field sensors, arduino, computer.
ChaoDependant investigates the use of art and technology to explore invisibly structured
spaces, in particular the attraction and repulsion of magnetic fields. A glass pendulum hangs
from the roof, with a magnet encased in the glass as the bob. A circular base supports a
collection of glass pods containing magnets, sensors and lights. The audience is invited to
move the glass pods and place them according to their desire. As the pendulum swings,
the magnetic fields around it push it in different directions, leading to a gently chaotic
motion - this plays off the common expectation of a pendulum as a regular process,
segmenting time into perfectly equal intervals. As the pendulum nears each pod, the pod
senses its presence, and glows in response, giving a clear visual indication of the physical
processes taking place. Sonically, each pod is related to a sound which has been recorded
in the glass workshop during the creation of the pieces. The output of the sensors is further
used to subtly manipulate sound parameters in a more abstract and less direct way, so that
the installation holds interest.
Videos:
http://www.agelospapadakis.com/portfolio/
http://www.mo-seph.com/projects/chaodependant
Contact: agelospapadakis@gmail.com
ChaoDependant
Photographer: Agelos Papadakis
Details: Blown glass, magnetic field sensors, arduino, computer.
ChaoDependant investigates the use of art and technology to explore invisibly structured
spaces, in particular the attraction and repulsion of magnetic fields. A glass pendulum hangs
from the roof, with a magnet encased in the glass as the bob. A circular base supports a
collection of glass pods containing magnets, sensors and lights. The audience is invited to
move the glass pods and place them according to their desire. As the pendulum swings,
the magnetic fields around it push it in different directions, leading to a gently chaotic
motion - this plays off the common expectation of a pendulum as a regular process,
segmenting time into perfectly equal intervals. As the pendulum nears each pod, the pod
senses its presence, and glows in response, giving a clear visual indication of the physical
processes taking place. Sonically, each pod is related to a sound which has been recorded
in the glass workshop during the creation of the pieces. The output of the sensors is further
used to subtly manipulate sound parameters in a more abstract and less direct way, so that
the installation holds interest.
Videos:
http://www.agelospapadakis.com/portfolio/
http://www.mo-seph.com/projects/chaodependant
Contact: agelospapadakis@gmail.com
Contact: agelospapadakis@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Cathryn Shilling and James D Clark
Email:James D Clark
Description: Artist: Cathryn Shilling and James D Clark
To butterflies and even frogs
Photographer: James D Clark
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
https://vimeo.com/203595827
To butterflies and even frogs (Preview) from Songbirds & Squirrels on Vimeo.
Part of the installation From Songbirds and Squirrels. This body of work combines glass fusion techniques and photographic transfer prints to explore the computer-generated imagery used by London property developers. By appropriating scenes from development hoardings and redeploying them within a fragmented, binary glass vista, the artists attempted to deconstruct and isolate these utopian representations of 21st century London through the playful act of obscuring and revealing.
Contact: glass@cathrynshilling.co.uk
To butterflies and even frogs
Photographer: James D Clark
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
https://vimeo.com/203595827
To butterflies and even frogs (Preview) from Songbirds & Squirrels on Vimeo.
Part of the installation From Songbirds and Squirrels. This body of work combines glass fusion techniques and photographic transfer prints to explore the computer-generated imagery used by London property developers. By appropriating scenes from development hoardings and redeploying them within a fragmented, binary glass vista, the artists attempted to deconstruct and isolate these utopian representations of 21st century London through the playful act of obscuring and revealing.
Contact: glass@cathrynshilling.co.uk
Contact: glass@cathrynshilling.co.uk
Details: Fused glass, Apple iMac, melamine display case & stand, headphones
TAKE PART IN NEXT EXHIBITION HEREArtist:simonecrestani
Description: Artist: simonecrestani
www.simonecrestani.com
info@simonecrestani.com
Phone:+393921874552
Mobile:+393932399458
www.simonecrestani.com
info@simonecrestani.com
Phone:+393921874552
Mobile:+393932399458
Contact: info@simonecrestani.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Fulgora\\\\\\\\\\\\\\\'s Illumination With Aaron Ristau and Tony Greer
Description: Artist: Fulgora's Illumination With Aaron Ristau and Tony Greer
Fulgora's Illumination With Aaron Ristau and Tony Greer
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Fulgora's Illumination With Aaron Ristau and Tony Greer
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ingrid Hunter
Description: Artist: Ingrid Hunter
Three Puppet Vessels
Details: 42cmx13cmx4
The puppets bodies are core cast with carving inside and polished. The limbs are cast with a sandblasted finish and attached with acrylic nut and bolts so they are articulated.
The heads are the stoppers and represent a Collie, Poodle and Terrier
and are cast in Porcelain.
All glass is Gaffer.
Contact: ingridhunter@mac.com
Three Puppet Vessels
Details: 42cmx13cmx4
The puppets bodies are core cast with carving inside and polished. The limbs are cast with a sandblasted finish and attached with acrylic nut and bolts so they are articulated.
The heads are the stoppers and represent a Collie, Poodle and Terrier
and are cast in Porcelain.
All glass is Gaffer.
Contact: ingridhunter@mac.com
Contact: ingridhunter@mac.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Nancy Sutcliffe
Email:Nancy Sutcliffe
Description: Artist: Nancy Sutcliffe
'mirror mirror'
Photographer: Artist
Details: 25cms dia. engraved, painted and gilded glass in metal frame.
This piece is made of multiple layers of 2mm float glass. The fragile Palladium leaf has been
water gilded, distressed and burnished to a mirror shine. It's not a mirror until you look in it though!
Contact: nancy@nancysutcliffe.co.uk
'mirror mirror'
Photographer: Artist
Details: 25cms dia. engraved, painted and gilded glass in metal frame.
This piece is made of multiple layers of 2mm float glass. The fragile Palladium leaf has been
water gilded, distressed and burnished to a mirror shine. It's not a mirror until you look in it though!
Contact: nancy@nancysutcliffe.co.uk
Contact: nancy@nancysutcliffe.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Janine Altman
Description: Artist: Janine Altman
Lines of Life
Details: Dimensions: 200 cm x 200 cm x 20 cm
This artwork is an interactive installation, in this sculpture are there moving parts,
each bow and each piece when touched moves and causes movement of the other pieces.
It was created using two techniques: flameworking and fusion glass, with bullseye glass.
This work is inspired by an analogy between life and the line.
The line represents the simplest and most pure form of expression, which can be both dynamic and varied, depending on whether or not the points are aligned in the same direction, we will have the straight and curved lines.
A line is a continuous sequence of points, just as life is a continuous sequence of moments. Where every moment is a unique experience that gives way to the next.
Contact: website: www.janinealtman.com / email: janine.altman@gmail.com
Lines of Life
Details: Dimensions: 200 cm x 200 cm x 20 cm
This artwork is an interactive installation, in this sculpture are there moving parts,
each bow and each piece when touched moves and causes movement of the other pieces.
It was created using two techniques: flameworking and fusion glass, with bullseye glass.
This work is inspired by an analogy between life and the line.
The line represents the simplest and most pure form of expression, which can be both dynamic and varied, depending on whether or not the points are aligned in the same direction, we will have the straight and curved lines.
A line is a continuous sequence of points, just as life is a continuous sequence of moments. Where every moment is a unique experience that gives way to the next.
Contact: website: www.janinealtman.com / email: janine.altman@gmail.com
Contact: janine.altman@gmail.com
Details: Dimensions: 200 cm x 200 cm x 20 cm
TAKE PART IN NEXT EXHIBITION HEREArtist:Tineke Meijer
Description: Artist: Tineke Meijer
Tineke Meijer
binding-and copper wire, perspex.
Date of making: April 2015
Size: height: 250 mm
Length: 400 mm
Width: 230mm
Content: This landscape is presented as a small 'genius loci' ......the continual flowing movement of grass ....time as a transformational process.
TAKE PART IN NEXT EXHIBITION HERETineke Meijer
binding-and copper wire, perspex.
Date of making: April 2015
Size: height: 250 mm
Length: 400 mm
Width: 230mm
Content: This landscape is presented as a small 'genius loci' ......the continual flowing movement of grass ....time as a transformational process.
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"Test and Measure"
"Test and Measure" detail image 2014 Argon, Neon, and Xenon set in reclaimed Scientific Apparatus Aaron Ristau
https://www.youtube.com/watch?v=0SIv0EFgy0o
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"Test and Measure"
"Test and Measure" detail image 2014 Argon, Neon, and Xenon set in reclaimed Scientific Apparatus Aaron Ristau
https://www.youtube.com/watch?v=0SIv0EFgy0o
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:JanHein van Stiphout
Email:JanHein van Stiphout
Description: Artist: JanHein van Stiphout
Bacon Slicer
Photographer: JanHein van Stiphout
Details: Installation. Glass disc Ø 115 cm - Base 90 x 90 cm - Total height: 270 cm
The nearer the viewer approaches, the faster the glass disc turns.
At a certain moment the surroundings, reflected in the glass, starts to flutter frightful.
- one will retreat -
Contact: stipglas@stipglas.com
Bacon Slicer
Photographer: JanHein van Stiphout
Details: Installation. Glass disc Ø 115 cm - Base 90 x 90 cm - Total height: 270 cm
The nearer the viewer approaches, the faster the glass disc turns.
At a certain moment the surroundings, reflected in the glass, starts to flutter frightful.
- one will retreat -
Contact: stipglas@stipglas.com
Contact: stipglas@stipglas.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Dawid Stroyny
Email:David Williams
Description: Artist: Dawid Stroyny
All in my Head
Photographer: David Williams
Details: Approx 38x42cm each
Contact: stroyny@hotmail.co.uk
All in my Head
Photographer: David Williams
Details: Approx 38x42cm each
Contact: stroyny@hotmail.co.uk
Contact: stroyny@hotmail.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Ainsley Francis
Email:Ainsley Francis
Description: Artist: Ainsley Francis
Leaning Against the Wall Camera Obscura
Photographer: Ainsley Francis
Details: Each 23cm X 13cm X 10cm
I use engraved glass, woodworking and optics to explore the mutability of individual identity by making camera obscura sculptures that are enchanting and playful. Viewers are invited to hold and play with my sculptures, using them as objects to see immediate world around them differently, and as objects for contemplation and meditation.
In an effort to disrupt common metaphors in English that equate the self with permanence and truth and with interiors, and change and inauthenticity with exteriors, the permanent engraved glass surface of the objects I make interacts the constantly changing projected image of the environment that the work inhabits with the user. They situate change into the place of authenticity by placing the projected image at the core of the object. I aim for my work to be inviting for users to interact with through touch and play, and to date my work has been on a scale that is easily handheld.
Contact: info@ainsleyfrancis.com
Leaning Against the Wall Camera Obscura
Photographer: Ainsley Francis
Details: Each 23cm X 13cm X 10cm
I use engraved glass, woodworking and optics to explore the mutability of individual identity by making camera obscura sculptures that are enchanting and playful. Viewers are invited to hold and play with my sculptures, using them as objects to see immediate world around them differently, and as objects for contemplation and meditation.
In an effort to disrupt common metaphors in English that equate the self with permanence and truth and with interiors, and change and inauthenticity with exteriors, the permanent engraved glass surface of the objects I make interacts the constantly changing projected image of the environment that the work inhabits with the user. They situate change into the place of authenticity by placing the projected image at the core of the object. I aim for my work to be inviting for users to interact with through touch and play, and to date my work has been on a scale that is easily handheld.
Contact: info@ainsleyfrancis.com
Contact: info@ainsleyfrancis.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Roberta Ayles
Description: Artist: Roberta Ayles
'Coast' area, Belvedere Ward, Franklyn Hospital, Exeter.
Details: One of four lightboxes made for the hospital as part of the King's Fund's 'Enhancing the Healing Environment' programme.
Franklyn Hospital provides assessment and treatment for older people with mental health needs, such as dementia. There are themed areas within the ward to help people orientate themselves, and connect with the world outside. The glass was designed to invite exploration by touch, so was fitted in the lightboxes with the textured side facing out. Also in the Coast area are shells, driftwood and other objects which might help bring back memories, and stimulate conversation.
Contact: www.aylesglass.com
TAKE PART IN NEXT EXHIBITION HERE'Coast' area, Belvedere Ward, Franklyn Hospital, Exeter.
Details: One of four lightboxes made for the hospital as part of the King's Fund's 'Enhancing the Healing Environment' programme.
Franklyn Hospital provides assessment and treatment for older people with mental health needs, such as dementia. There are themed areas within the ward to help people orientate themselves, and connect with the world outside. The glass was designed to invite exploration by touch, so was fitted in the lightboxes with the textured side facing out. Also in the Coast area are shells, driftwood and other objects which might help bring back memories, and stimulate conversation.
Contact: www.aylesglass.com
Artist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Linda Scott
Email:Richard Larter
Description: Artist: Linda Scott
'Choral Crackle'
Photographer: Richard Larter - photograph and framer
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame
In 'Choral Crackle', you can interact by scrambling and then rearranging the 15 glass tiles.
The silhouette of the birds have been made with a crackle effect, and if you look carefully, you can see that the wren, sings with a "tick tick". Note; then that each of the other birds has its song described, so there is a chorus orchestrating a "twitter", with a "churr", or a "chirrup" syncopated with a "zee zee", which all together makes a choral crackle!
The wren is the conductor, with worm in its beak acting as a baton!
Contact: m 0747 953 9623
'Choral Crackle'
Photographer: Richard Larter - photograph and framer
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame
In 'Choral Crackle', you can interact by scrambling and then rearranging the 15 glass tiles.
The silhouette of the birds have been made with a crackle effect, and if you look carefully, you can see that the wren, sings with a "tick tick". Note; then that each of the other birds has its song described, so there is a chorus orchestrating a "twitter", with a "churr", or a "chirrup" syncopated with a "zee zee", which all together makes a choral crackle!
The wren is the conductor, with worm in its beak acting as a baton!
Contact: m 0747 953 9623
Contact: m 0747 953 9623
Details: 16cm sq Bullseye glass, 15x 4cm sq tiles moveable within 20cm sq wooden frame In \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Choral Crackle\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\', you can interact by scrambling and then rearranging the 15 glass tiles.
TAKE PART IN NEXT EXHIBITION HEREArtist:Liz Waugh McManus
Email:Liz Waugh McManus
Description: Artist: Liz Waugh McManus
Mirror
Photographer: L Waugh McManus
Details: Glass, frame, sensor, interactive projection
'Mirror' is a piece about ageing and identity. The projection is a portrait of a 91 year old subject which changes, in response to the viewer's movements, to reveal an image of her aged 15 years.
Contact: lizwaugh@btinternet.com
Mirror
Photographer: L Waugh McManus
Details: Glass, frame, sensor, interactive projection
'Mirror' is a piece about ageing and identity. The projection is a portrait of a 91 year old subject which changes, in response to the viewer's movements, to reveal an image of her aged 15 years.
Contact: lizwaugh@btinternet.com
Contact: lizwaugh@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Fabrizia Bazzo
Email:Fabrizia Bazzo
Description: Artist: Fabrizia Bazzo
Thermochromic Liquid Crystals and Laminated Glass
Photographer: Fabrizia Bazzo
Details: This is one of many tests carried out to determine the feasibility of incorporating Thermochromic Liquid Crystals (TLCs) in glass artworks to create installations that will dynamically react with changes in the environment.
I have been experimenting with incorporating Thermochromic Liquid Crystals (TLCs) within the design of glass artworks. The overall objective is to provide glass art installations that will dynamically react in some way with thermal changes in the environment.
Although a glass installation placed in an architectural space will naturally show a dynamic interaction as the ambient light changes, I wanted to push this attribute further, with the overall objective of providing glass art installations that will dynamically react in some way with changes in the environment.
The image shows how colours and designs can appear and disappear when different temperature ranges are applied to the glass laminations.
Contact: email: glass@fabriziabazzo.co.uk web: www.fabriziabazzo.co.uk
Thermochromic Liquid Crystals and Laminated Glass
Photographer: Fabrizia Bazzo
Details: This is one of many tests carried out to determine the feasibility of incorporating Thermochromic Liquid Crystals (TLCs) in glass artworks to create installations that will dynamically react with changes in the environment.
I have been experimenting with incorporating Thermochromic Liquid Crystals (TLCs) within the design of glass artworks. The overall objective is to provide glass art installations that will dynamically react in some way with thermal changes in the environment.
Although a glass installation placed in an architectural space will naturally show a dynamic interaction as the ambient light changes, I wanted to push this attribute further, with the overall objective of providing glass art installations that will dynamically react in some way with changes in the environment.
The image shows how colours and designs can appear and disappear when different temperature ranges are applied to the glass laminations.
Contact: email: glass@fabriziabazzo.co.uk web: www.fabriziabazzo.co.uk
Contact: glass@fabriziabazzo.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Geraldine McLoughlin
Description: Artist: Geraldine McLoughlin
Wishing Tree
Details: Metal painted tree with Bullseye glass pendants
This tree stands in a garden and the pendants are always being touched by both adults and children.
Contact: Geraldine McLoughlin 01747 870390
Wishing Tree
Details: Metal painted tree with Bullseye glass pendants
This tree stands in a garden and the pendants are always being touched by both adults and children.
Contact: Geraldine McLoughlin 01747 870390
Contact: Geraldine McLoughlin 01747 870390
Details: Metal painted tree with Bullseye glass pendants
TAKE PART IN NEXT EXHIBITION HEREArtist:Nicola Schellander
Description: Artist: Nicola Schellander
Contour Wine Glasses for Dartington Crystal
These Contour Wine Glasses were designed for Dartington Crystal.
They are highly tactile and designed to sit in the hand, they echo fingerprints,
and are designed as a collection that can be played with and touched during mealtimes.
Pick them up and handle them, see where your fingerprints fall...
www.nicolaschellander.com
Contact: info@nicolaschellander.com
Contour Wine Glasses for Dartington Crystal
These Contour Wine Glasses were designed for Dartington Crystal.
They are highly tactile and designed to sit in the hand, they echo fingerprints,
and are designed as a collection that can be played with and touched during mealtimes.
Pick them up and handle them, see where your fingerprints fall...
www.nicolaschellander.com
Contact: info@nicolaschellander.com
Contact: info@nicolaschellander.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Anna Chrysopoulo
Email:Ester Segarra
Description: Artist: Anna Chrysopoulo
'Contained I''
Photographer: Ester Segarra
Details: Dealing with the personal is a strong source of inspiration for Anna; a balance between triangulating the relationship of experiences and the artifacts of her own making.
This piece was created through a process of multi-stage core casting.
The form comprises of two components; the cast glass box contains a free moving 'marble' element which is trapped within it. The viewer is able to interact with the piece through movement of the object in an effort to understand or 'work out' how the smaller glass element is contained within its outer form.
Contact: anna.chrysopoulo@network.rca.ac.uk
'Contained I''
Photographer: Ester Segarra
Details: Dealing with the personal is a strong source of inspiration for Anna; a balance between triangulating the relationship of experiences and the artifacts of her own making.
This piece was created through a process of multi-stage core casting.
The form comprises of two components; the cast glass box contains a free moving 'marble' element which is trapped within it. The viewer is able to interact with the piece through movement of the object in an effort to understand or 'work out' how the smaller glass element is contained within its outer form.
Contact: anna.chrysopoulo@network.rca.ac.uk
Contact: anna.chrysopoulo@network.rca.ac.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Michelle Ryan
Email:Yvonne Ryan
Description: Artist: Michelle Ryan
Constructed Memory
Photographer: Yvonne Ryan Photography
Details: Kiln cast glass, ink, paper
Kiln cast glass with carved detail (lost wax method), ink and paper.
Contact: www.michelleryanartist.com
TAKE PART IN NEXT EXHIBITION HEREConstructed Memory
Photographer: Yvonne Ryan Photography
Details: Kiln cast glass, ink, paper
Kiln cast glass with carved detail (lost wax method), ink and paper.
Contact: www.michelleryanartist.com
Artist:Emma Mackintosh
Email:Dayve Ward
Description: Artist: Emma Mackintosh
Celebration
Photographer: Dayve Ward
Details: 30cm high
We have a family tradition of putting flowers around the table setting of anyone who has a birthday.
This goblet, flameworked using borosilicate glass, celebrates that tradition.
Eating and drinking are social activities. Drinking from a goblet interacts directly with the glass and encourages interaction with others, family and friends.
Contact: Emma Mackintosh, glass@aflamewithdesire.co.uk
Celebration
Photographer: Dayve Ward
Details: 30cm high
We have a family tradition of putting flowers around the table setting of anyone who has a birthday.
This goblet, flameworked using borosilicate glass, celebrates that tradition.
Eating and drinking are social activities. Drinking from a goblet interacts directly with the glass and encourages interaction with others, family and friends.
Contact: Emma Mackintosh, glass@aflamewithdesire.co.uk
Contact: glass@aflamewithdesire.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Josean Garcia
Email:JoGa Glass
Description: Artist: Josean Garcia
"Bruco Fluo"
Photographer: JoGa Glass
Details: Glass Blown Necklace, Roll-Up Tecnique, 7 Sandblasted Beads, Colours: black, lemon yellow e pea green, Size: from 23mm to 45mm diameter, Lenght: 500mm, Weight: 150gr.
Handmade blown glass, light and hard wearing. The necklace is made with 7 different glass blown beads with different sizes. It is mounted from the smallest to the biggest bead, with a soft rubber collar.
The peculiarity in this glass, it is that the beads have been sandblasted to give a totally different perception to the viewer. It looks like the beads are made with a different material (plastic, silicone, resin, stone, etc.); so, the viewer can experience a weird feeling touching and wearing the necklace, because it doesn't feel like glass at all!
That's what I want people to show: the feeling of having something between their hands that it is glass but it doesn't look or feel like glass.
People have tried to copy glass in many different materials, I want to do the opposite. From glass,I want to make the viewer believe that it can be another material, even when they are touching it.
Contact: info@jogaglass.com
"Bruco Fluo"
Photographer: JoGa Glass
Details: Glass Blown Necklace, Roll-Up Tecnique, 7 Sandblasted Beads, Colours: black, lemon yellow e pea green, Size: from 23mm to 45mm diameter, Lenght: 500mm, Weight: 150gr.
Handmade blown glass, light and hard wearing. The necklace is made with 7 different glass blown beads with different sizes. It is mounted from the smallest to the biggest bead, with a soft rubber collar.
The peculiarity in this glass, it is that the beads have been sandblasted to give a totally different perception to the viewer. It looks like the beads are made with a different material (plastic, silicone, resin, stone, etc.); so, the viewer can experience a weird feeling touching and wearing the necklace, because it doesn't feel like glass at all!
That's what I want people to show: the feeling of having something between their hands that it is glass but it doesn't look or feel like glass.
People have tried to copy glass in many different materials, I want to do the opposite. From glass,I want to make the viewer believe that it can be another material, even when they are touching it.
Contact: info@jogaglass.com
Contact: info@jogaglass.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Paula Rosalind Tyler
Description: Artist: Paula Rosalind Tyler
Hare - Part of a larger glass mosaic know as - The Moon and Hare
Details: Hare Section - 120 cm round glass mosaic with composite bronze hare
The Hare mosaic is installed in a primary school at a level which enables the children to stroke the contours of the three dimensional Hare.
Visually, the children can also experience the various glass surfaces and finishes of the mosaic tiles which includes iridescent, mirror and luster.
Contact: paula@paularosalindreflectiveart.co.uk
Hare - Part of a larger glass mosaic know as - The Moon and Hare
Details: Hare Section - 120 cm round glass mosaic with composite bronze hare
The Hare mosaic is installed in a primary school at a level which enables the children to stroke the contours of the three dimensional Hare.
Visually, the children can also experience the various glass surfaces and finishes of the mosaic tiles which includes iridescent, mirror and luster.
Contact: paula@paularosalindreflectiveart.co.uk
Contact: paula@paularosalindreflectiveart.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Aaron Ristau
Description: Artist: Aaron Ristau
"Lens Centering Machine" 2016
"Lens Centering Machine" 2016
Reclaimed Optometry apparatus and Xenon luminary
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
"Lens Centering Machine" 2016
"Lens Centering Machine" 2016
Reclaimed Optometry apparatus and Xenon luminary
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau
Description: Artist: Aaron Ristau
"Rexair Atomic Lantern"
Aaron Ristau
https://youtu.be/4WEpWICu7RM
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
"Rexair Atomic Lantern"
Aaron Ristau
https://youtu.be/4WEpWICu7RM
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components. http://aaronristau.com/ contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Maker Fair Tesla coil display collaboration with Joe Pawelski
Description: Artist: Maker Fair Tesla coil display collaboration with Joe Pawelski
Maker Fair Tesla coil display collaboration with Joe Pawelski 2015, Loveland, Colorado
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Maker Fair Tesla coil display collaboration with Joe Pawelski 2015, Loveland, Colorado
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Karola Dischinger
Email:Giuseppe Biasco
Description: Artist: Karola Dischinger
Values - which one will you sacrify to reach your goal
Photographer: Giuseppe Biasco
Details: app. 50x50 cm, glass print and small domes
This piece offers the viewer to play, move the domes and in that way to decide
which value he/she wants to sacrify in order to reach the goal he/she is targeting.
Contact: karola.dischinger@bluewin.ch
Values - which one will you sacrify to reach your goal
Photographer: Giuseppe Biasco
Details: app. 50x50 cm, glass print and small domes
This piece offers the viewer to play, move the domes and in that way to decide
which value he/she wants to sacrify in order to reach the goal he/she is targeting.
Contact: karola.dischinger@bluewin.ch
Contact: karola.dischinger@bluewin.ch
TAKE PART IN NEXT EXHIBITION HEREArtist:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Email:Jan O\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'Highway
Description: Artist: Jan O'Highway
JAMMING
Photographer: Jan O'Highway
Details: Temporary interactive installation of melted jam-jars.
A collection of melted jam-jars on a white felt covered tabletop, with the printed invitation
" JAMMING is an interactive installation, please re-arrange"
Exhibited in VESSEL at Birdwood House Gallery, Totnes, Devon, Sept 2017
The jam-jars were fired to approx 715C, and were in various states of collapse, from puddle to just bending.
People are usually reluctant to touch glass in exhibitions, but in this case they really enjoyed it -
to the extent of adding a bunch of sweet peas to one jar, and planting another up with Baby's Tears!
Contact: joh@janohighway.com
JAMMING
Photographer: Jan O'Highway
Details: Temporary interactive installation of melted jam-jars.
A collection of melted jam-jars on a white felt covered tabletop, with the printed invitation
" JAMMING is an interactive installation, please re-arrange"
Exhibited in VESSEL at Birdwood House Gallery, Totnes, Devon, Sept 2017
The jam-jars were fired to approx 715C, and were in various states of collapse, from puddle to just bending.
People are usually reluctant to touch glass in exhibitions, but in this case they really enjoyed it -
to the extent of adding a bunch of sweet peas to one jar, and planting another up with Baby's Tears!
Contact: joh@janohighway.com
Contact: joh@janohighway.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Description: Artist: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Artists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
TAKE PART IN NEXT EXHIBITION HEREArtists' names: Lucie Boucher and Bernie Huebner, dba Stone Ridge Glass
Title: Two Faced
Description: the glasscape Two Faced is both realistic and abstract, as the possibilities of its variations range from the straightforward to the psychologically provocative. Or sometimes both, where there is only one shadow cast by two faces. The pieces of art glass are fully re-arrangeable and illuminated by a lamp recessed invisibly in the back of the hardwood base.
Date made: 2010
Maine, USA
Dimensions: 42" long by 12" high by 8" deep
Retail price: $2,100 plus shipping
Availability: limited edition of 20
Artist:Lisa Naas, David Faleris, & the Makers Marks team
Email:Alex Hall
Description: Artist: Lisa Naas, David Faleris, & the Makers Marks team
Playing the Sounding Glass
Photographer: Alex Hall
Details: blown glass (20cm high x 30cm diameter) with electronics, copper strips for capacitance, recorded glassmaking sounds, computer software
Sounding Glass is an interactive glass object that explores the sounds of its making through human touch to offer a unique, playable, musical experience for the user. The object form was designed to reference the musical hang drum instrument that is played by hand. When a handler touches “Sounding Glass”, the physical contact will initiate sounds of glassmaking which we recorded in glass studios. Those sounds along with newly developed sounds based on the recordings are "embedded" in the object at numerous touch points. These sounds have all been orchestrated to work together sonically within the piece; the glass can actually be played as if it were a musical instrument. It works because its hollow interior is a complex scheme of Arduino boards and electronics, which use copper strips attached to the interior glass surface to conduct human capacitance (natural human electrical charge) for operating the sound programs contained in the computer to which it attaches.
Contact: Lisa Naas, www.inconcertwithglass.com, LNAAS@icloud.com
Playing the Sounding Glass
Photographer: Alex Hall
Details: blown glass (20cm high x 30cm diameter) with electronics, copper strips for capacitance, recorded glassmaking sounds, computer software
Sounding Glass is an interactive glass object that explores the sounds of its making through human touch to offer a unique, playable, musical experience for the user. The object form was designed to reference the musical hang drum instrument that is played by hand. When a handler touches “Sounding Glass”, the physical contact will initiate sounds of glassmaking which we recorded in glass studios. Those sounds along with newly developed sounds based on the recordings are "embedded" in the object at numerous touch points. These sounds have all been orchestrated to work together sonically within the piece; the glass can actually be played as if it were a musical instrument. It works because its hollow interior is a complex scheme of Arduino boards and electronics, which use copper strips attached to the interior glass surface to conduct human capacitance (natural human electrical charge) for operating the sound programs contained in the computer to which it attaches.
Contact: Lisa Naas, www.inconcertwithglass.com, LNAAS@icloud.com
Contact: LNAAS@icloud.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Ashley Brammer
Email:Ashley Brammer
Description: Artist: Ashley Brammer
Detail of Seahorse Bubble Plate
Photographer: Ashley Brammer
Details: The image formed entirely of bubbles over 4 layers of clear glass
The placement, density and number of layers of bubbles in the piece, generates not only the visual image but a rich textural relief to the piece. The image appears not only visually in three dimensions but becomes immensely tactile, drawing the fingers as well as the eye!
(Image approximately 200x150mm, full piece 305x305mm)
Contact: Ashley Brammer - Bramar Creative
TAKE PART IN NEXT EXHIBITION HEREDetail of Seahorse Bubble Plate
Photographer: Ashley Brammer
Details: The image formed entirely of bubbles over 4 layers of clear glass
The placement, density and number of layers of bubbles in the piece, generates not only the visual image but a rich textural relief to the piece. The image appears not only visually in three dimensions but becomes immensely tactile, drawing the fingers as well as the eye!
(Image approximately 200x150mm, full piece 305x305mm)
Contact: Ashley Brammer - Bramar Creative
Artist:Jilly Cunningham
Description: Artist: Jilly Cunningham
Silver & green light switch
Photographer: www.jillycunningham.com
Details: Tiffany glass and mixed materials. 9.5x9.5x1cm
While designing the interiors for a home renovation project, I realised that we often ignore a crucial detail in every room - the light switch. Unimpressed by the unimaginative options available, I decided to make my own. My first collection of mosaic light switches are fully functional works of art, handcrafted in Tiffany stained glass. The light switches are a subtle way of making a big statement and each one is completely unique. They can be custom designed to complement your home.
Contact: http://jillycunningham.com/projects/beautiful-light-switches/
TAKE PART IN NEXT EXHIBITION HERESilver & green light switch
Photographer: www.jillycunningham.com
Details: Tiffany glass and mixed materials. 9.5x9.5x1cm
While designing the interiors for a home renovation project, I realised that we often ignore a crucial detail in every room - the light switch. Unimpressed by the unimaginative options available, I decided to make my own. My first collection of mosaic light switches are fully functional works of art, handcrafted in Tiffany stained glass. The light switches are a subtle way of making a big statement and each one is completely unique. They can be custom designed to complement your home.
Contact: http://jillycunningham.com/projects/beautiful-light-switches/
Artist:Lisa Pettibone
Email:Lisa Pettibone
Description: Artist: Lisa Pettibone
Corporeal
Photographer: Lisa Pettibone
Details: 85 x 120 x 11cm
During a residency at The Cube London, I explored the idea of embodiment in relation to cognition. We embody gravity everyday as it pulls and shapes our body creating a series of sensory experiences we are hardly aware of. Several of the glass spheres incorporate gold leaf to make a material connection with the universe we inhabit in our dance with gravity. Visitors often touched this tactile piece and their comments often recognised how sensuous the weight of our bodies can be. Materials: Glass, gold, tights, solid maple wood frame. Thanks to Jake Mee at Smithbrook Glassblowing Studio for making the gold filled spheres.
Contact: lpettibone@btinternet.com
Corporeal
Photographer: Lisa Pettibone
Details: 85 x 120 x 11cm
During a residency at The Cube London, I explored the idea of embodiment in relation to cognition. We embody gravity everyday as it pulls and shapes our body creating a series of sensory experiences we are hardly aware of. Several of the glass spheres incorporate gold leaf to make a material connection with the universe we inhabit in our dance with gravity. Visitors often touched this tactile piece and their comments often recognised how sensuous the weight of our bodies can be. Materials: Glass, gold, tights, solid maple wood frame. Thanks to Jake Mee at Smithbrook Glassblowing Studio for making the gold filled spheres.
Contact: lpettibone@btinternet.com
Contact: lpettibone@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau and Dina Kalahar
Description: Artist: Aaron Ristau and Dina Kalahar
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Hannah Gibson Glass
Email:Hannah Gibson Glass
Description: Artist: Hannah Gibson Glass
Sweet Nothing ready to find a new home from the Eyjafjnallajokull Glacier, Iceland
Photographer: Hannah Gibson Glass
Details: 10cm tall cast class Sweet Nothing
Sweet Nothings are a collection of unique cast glass figures.
I am passionate about glass and in an attempt to share that passion I began leaving the cast glass figures for others to
find and keep.
They have been left in places far and wide, from the base of the Grand Canyon to the top of the
Eyjafjnallajokull Glacier in Iceland, and beyond.
Each has a note attached, encouraging the 'finder' to keep the figure, in return for a message that simply states where
the new home will be.
Each note explains where the glass to make that particular Sweet Nothing has originated. In this case, James Devereaux.
Many people upload their messages, photographs and videos to for others to share.
I want to encourage people to pick up the glass, be inquisitive. Hopefully look into how the cast glass figures are made.
Essentially to share that passion towards glass.
Contact: Hannah@hannahgibsonglass.co.uk
Sweet Nothing ready to find a new home from the Eyjafjnallajokull Glacier, Iceland
Photographer: Hannah Gibson Glass
Details: 10cm tall cast class Sweet Nothing
Sweet Nothings are a collection of unique cast glass figures.
I am passionate about glass and in an attempt to share that passion I began leaving the cast glass figures for others to
find and keep.
They have been left in places far and wide, from the base of the Grand Canyon to the top of the
Eyjafjnallajokull Glacier in Iceland, and beyond.
Each has a note attached, encouraging the 'finder' to keep the figure, in return for a message that simply states where
the new home will be.
Each note explains where the glass to make that particular Sweet Nothing has originated. In this case, James Devereaux.
Many people upload their messages, photographs and videos to for others to share.
I want to encourage people to pick up the glass, be inquisitive. Hopefully look into how the cast glass figures are made.
Essentially to share that passion towards glass.
Contact: Hannah@hannahgibsonglass.co.uk
Contact: Hannah@hannahgibsonglass.co.uk
Details: 10cm tall cast class Sweet Nothing
TAKE PART IN NEXT EXHIBITION HEREArtist:Jill Bagnall
Email:Caz Holbrook
Description: Artist: Jill Bagnall
Oh! It's smooth!
Photographer: Photography Caz Holbrook
Details: Foreground: 30cm sq. 'Electric' Platter. Background: 25cm round 'Sky' Plate.
'Tapestry' glass compels people to touch!
It looks quite 3 dimensional & ridged but is actually almost or completely smooth.
I aim to place these pieces where I can invite people to touch after they have stopped to look very hard; they need to touch to confirm what their eyes have told them - only to find their eyes have usually lied!
TAKE PART IN NEXT EXHIBITION HEREOh! It's smooth!
Photographer: Photography Caz Holbrook
Details: Foreground: 30cm sq. 'Electric' Platter. Background: 25cm round 'Sky' Plate.
'Tapestry' glass compels people to touch!
It looks quite 3 dimensional & ridged but is actually almost or completely smooth.
I aim to place these pieces where I can invite people to touch after they have stopped to look very hard; they need to touch to confirm what their eyes have told them - only to find their eyes have usually lied!
Artist:Jane Vincent and Marilia Carvalho
Email:Jane Vincent and Marilia Carvalho
Description: Artist: Jane Vincent and Marilia Carvalho
Below Stairs: The Meal Waddesdon Manor
Photographer: Jane Vincent and Marilia Carvalho
Details: Leaded Stained Glass Panel with photographic decals and QR code 90x90cm
Leaded stained glass with photographic decals and fused glass the panel tells the story of the events surrounding the visit of the Shah of Persia in 1889. One quarry contains a QR code to be read via a QR reader on digital devices linking to web sites of the designer makers for more information &, when on display, a trail guide. The images are taken from Waddesdon Manor archives and combine to tell the story in stained glass as well as to provide a trail for exploring Waddesdon Manor House and Estate. Designed and made by Jane Vincent and Marilia Carvalho for location in the dresser hatch in the former kitchen now Cafe of Waddesdon Manor.
Contact: janevincenglass@abbeyrisestudio.co.uk
Below Stairs: The Meal Waddesdon Manor
Photographer: Jane Vincent and Marilia Carvalho
Details: Leaded Stained Glass Panel with photographic decals and QR code 90x90cm
Leaded stained glass with photographic decals and fused glass the panel tells the story of the events surrounding the visit of the Shah of Persia in 1889. One quarry contains a QR code to be read via a QR reader on digital devices linking to web sites of the designer makers for more information &, when on display, a trail guide. The images are taken from Waddesdon Manor archives and combine to tell the story in stained glass as well as to provide a trail for exploring Waddesdon Manor House and Estate. Designed and made by Jane Vincent and Marilia Carvalho for location in the dresser hatch in the former kitchen now Cafe of Waddesdon Manor.
Contact: janevincenglass@abbeyrisestudio.co.uk
Contact: janevincenglass@abbeyrisestudio.co.uk
TAKE PART IN NEXT EXHIBITION HEREArtist:Henrik Svarrer Larsen
Description: Artist: Henrik Svarrer Larsen (Denmark & Sweden) as part of the group "Dynamic Transparencies” (group members: Henrik Svarrer Larsen, Mads Hobye, Peter Kuchinke, Jason Knight.)
'Klang'
Photographer: Research Initiative: "Dynamic Transparencies” www.dynamictransparencies.com
Details: Freehand blown cased glass tube (opalin), and ball (cobolt blue), 4 distance sensors, 4 magnet attractors, microcontroller.
The object responds by the sound of crystal and by subtle movements
as the inner glass ball flees an approaching interactor,
yet also lurks and thereby emerge from the graduated semi-translucency.
Contact: Henrik Svarrer Larsen
TAKE PART IN NEXT EXHIBITION HERE'Klang'
Photographer: Research Initiative: "Dynamic Transparencies” www.dynamictransparencies.com
Details: Freehand blown cased glass tube (opalin), and ball (cobolt blue), 4 distance sensors, 4 magnet attractors, microcontroller.
The object responds by the sound of crystal and by subtle movements
as the inner glass ball flees an approaching interactor,
yet also lurks and thereby emerge from the graduated semi-translucency.
Contact: Henrik Svarrer Larsen
Artist:Cara Louise Walker
Email:Alan Clark
Description: Artist: Cara Louise Walker
Jewel Lamps
Photographer: Alan Clark
Details: Blown & Cut Glass, Marble and Ardruino
By the touch of a sensor the Jewel lamps respond to the users hear rate.
The users bpm determines the intensity of the lamps light, responding to higher heart rates by dimming their lights and lower heart rates by intensifying.
Contact: cara.walker@btinternet.com
Jewel Lamps
Photographer: Alan Clark
Details: Blown & Cut Glass, Marble and Ardruino
By the touch of a sensor the Jewel lamps respond to the users hear rate.
The users bpm determines the intensity of the lamps light, responding to higher heart rates by dimming their lights and lower heart rates by intensifying.
Contact: cara.walker@btinternet.com
Contact: cara.walker@btinternet.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Jenny Walsh
Description: Artist: Jenny Walsh
Action Potential, 2016
Photographer: Action Potential was made in collaboration with Devereux & Huskie Glassworks and Jeremy Keenan, a specialist in physical computing.
Details: Glass, copper and photons. 1.7m (h) 2.5m (l) and 1.3m (w)
A 2 minute film showing how the neurones interact can be seen via this
https://vimeo.com/179031211
Action Potential from Jenny Walsh on Vimeo.
Action Potential is an interactive sculpture that reflects the human body's neural pathways. Inspired by the works of Benjamin Franklin, Luigi Galvani and Alessandro Volta, who demonstrated the role electricity played in re-stimulating neural pathways. Action Potential's light sequence represents the cascade of neural impulses that transmit information through the body. The light sequence changes depending on which neurone has received an impulse, reflecting the many millions of neural pathways that are stimulated within our body every second.
Contact: jennywalsh65@gmail.com, www.jennywalsh.co.uk, @jennywalsh65
Action Potential, 2016
Photographer: Action Potential was made in collaboration with Devereux & Huskie Glassworks and Jeremy Keenan, a specialist in physical computing.
Details: Glass, copper and photons. 1.7m (h) 2.5m (l) and 1.3m (w)
A 2 minute film showing how the neurones interact can be seen via this
https://vimeo.com/179031211
Action Potential from Jenny Walsh on Vimeo.
Action Potential is an interactive sculpture that reflects the human body's neural pathways. Inspired by the works of Benjamin Franklin, Luigi Galvani and Alessandro Volta, who demonstrated the role electricity played in re-stimulating neural pathways. Action Potential's light sequence represents the cascade of neural impulses that transmit information through the body. The light sequence changes depending on which neurone has received an impulse, reflecting the many millions of neural pathways that are stimulated within our body every second.
Contact: jennywalsh65@gmail.com, www.jennywalsh.co.uk, @jennywalsh65
Contact: jennywalsh65@gmail.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Helen Slater
Email:Helen Slater
Description: Artist: Helen Slater
Landscape
Photographer: Helen Slater
Details: Lenticular Cast Glass with Digital Interlaced Decal imagery
This piece works as a lenticular lens, creating virtual depth within the image.
As the viewer interacts by moving around the piece new depth, within this landscape, is uncovered and the trees begin to sway.
Contact: helenslaterglass@aol.com
Landscape
Photographer: Helen Slater
Details: Lenticular Cast Glass with Digital Interlaced Decal imagery
This piece works as a lenticular lens, creating virtual depth within the image.
As the viewer interacts by moving around the piece new depth, within this landscape, is uncovered and the trees begin to sway.
Contact: helenslaterglass@aol.com
Contact: helenslaterglass@aol.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Aaron Ristau
Description: Artist: Aaron Ristau
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Aaron Ristau
Coming from a family of artisans, Loveland Colorado artist Aaron Ristau has a fascination for creating art that blends nostalgic aesthetics with modern function. His whimsical mechanics and functional lighting assemblages are an intricate integration and redefinition of reclaimed components.
http://aaronristau.com/
contact@aaronristau.com
Contact: contact@aaronristau.com
TAKE PART IN NEXT EXHIBITION HEREArtist:Tali Grinshpan
Email:Keay Edwards
Description: Artist: Tali Grinshpan
Tashlich/To Cast Away
Photographer: Keay Edwards
Details: 3" x 3" x 3" each
Tashlich means to cast away in Hebrew.
This piece seeks to create a sacred space in which a viewer can sit in the silence implicit in secrets
while holding a vessel in their hand.
Holding a vessel in my hand, I remember the secret it contains while knowing I can cast it away.
Contact: taligd@gamil.com
Tashlich/To Cast Away
Photographer: Keay Edwards
Details: 3" x 3" x 3" each
Tashlich means to cast away in Hebrew.
This piece seeks to create a sacred space in which a viewer can sit in the silence implicit in secrets
while holding a vessel in their hand.
Holding a vessel in my hand, I remember the secret it contains while knowing I can cast it away.
Contact: taligd@gamil.com
Contact: taligd@gamil.com
TAKE PART IN NEXT EXHIBITION HEREPast Exhibition
Corporate
Our corporate members are a vital part of our network, offering support, information and discounts to CGS members. You can support them too by clicking through.
Support Us
Your support is invaluable to our charity and makes a real difference. Share in the excitement of contemporary glass, sustaining ground-breaking exhibitions, world-class conferences and award-winning learning programmes and events.