I have been working with glass for over 30 years, mostly self taught. I do enjoy taking occasional workshops with other glass artists.
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Through sculpture and installation, I’ve been having conversations with matter, domestic objects and the spaces we inhabit. We chat about functionality, the possibilities of materials, and giggle about meaning.
When did Realism stop feeling real? Rather than realistic depictions of faces, I’ve come to realise that abstract shapes and a cute aesthetic are more powerful in establishing a connection. Anthropomorphic faces emulate self-awareness to critique the phantasmogoric commodification of art, while shifting the one-directional exhibition paradigm as the artworks look back at us.
Malleability and translucency are continuous themes, as materials evolve to fit the particularities of display methods. Examining and aiming to alter our perception of and interaction with space, the works often manifest as creatures or transporting objects. Material qualities have agency and become metaphors for human emotions, attitudes and consciousness. Creating extensions of body and mind; I aim to breathe joy and humour into the inanimate.
Olga Turetska
Engraving Techniques
Drill, fusing and sandblasting. Sometimes combining techniques. Sand carving is something Pete wishes to develop.
I make beautiful unique fused glass, dichroic glass jewellery, bowls and home decor.
I mainly sell via Etsy and via social media. I do attend craft fairs regularly also.
In 2022/3 my primary focus has been on creating wall light panels to display the glass to its best advantage. The light is intended not only to light the piece, but also the wall it’s mounted on.
Working mainly with kiln-formed bullseye, opaque and transparent glass, I use the techniques of fusing, slumping, draping and sandblasting the glass to create the bold outlines and contrasting colours that define my style.
at present my work is in the applied arts scotland exhibition in Edinburgh .