Archives: Artists

The culmination of my BA project has resulted in my final collection ‘Love as a Homesickness’ comprised of a blown glass goblet, cup and dish. The project is an attempt to physicalise the internal self into the external, into objects. The work considers notions of autobiography and personal life experiences as a young woman.

The glass has been made with and manipulated by bronze tools cast from my body, such as: my finger prosthetic tools, teeth tools and more abstractly, claw tools cast from the inner self. The bronze tools work as an extension of the self and are used in place of traditional glassmaking hot shop tools.

The collection is solely comprised of functional-ware this is due to a focus on the uncanny in domesticity and the everyday. Although uneasy, the objects are all fully functional. The work is a comment on the extreme burden of womanhood and its intrinsic link to ideas of the mother and motherhood, and unbefitting domesticity, often leading one to feel out of place; questioning sanity.

I particularly love the technical potential of glass and my most recent series is a range of handmade glass pictures from glass sheet, glass frits and powders demonstrating their reactions with metals. The series includes pieces in a modern / post-impressionist style as well as abstract landscapes. My art journey feels like a reaction of knowledge, experiences and chemistry with materials – much like these pictures.
My qualifications in glass and ceramics (Higher Education Certificate from University for the Creative Arts, Farnham) and Adult Education courses at Morley college and Richmond Art school have broaden my technical skills. Thanks to wonderfully supportive teachers and mentors I have taken part in live exhibitions (Leicestershire, Bristol, Torquay, London), online CGS exhibitions and craft fairs; as well as exhibiting in Ireland, London and Tacoma (USA) via collaborative exhibitions.

I am a member of the Contemporary Glass Society and Just Glass group of artists. I am also a founding member of the UK Glass Art Collective – formed of 14 UK glass artists – who will be curating exhibitions each year and regularly collaborate and share knowledge. I am a regional coordinator for CGS for the South East of England along with Gabrielle Argent.

The inspiration for my work comes from my experiences in life, looking at a garden, listening to music or a poem, looking at fireworks or a landscape, or even the holes in the ground or prints on a pavement or road all give me ideas.
My latest project was on the environment, my piece was called the melting of the ice caps, it has been sold

Worshipful Company of Glaziers & Painters of Glass 2022 Stevens commission winner.

Although stained glass served as my initial and most direct way to use glass creatively, my fascination with three-dimensional glass has been a constant passion and is the focus of my personal practice.

The current format of my work is massively rewarding, as I am progressively enhancing the scale and complexity of each completed glass work in combination with materials commonly found in industrial settings. Utilising my broad skill set, I have begun fabricating systems that facilitate the transition from static glass works to automated installations, whether placed in gallery or exterior spaces.

My glass work is self-funded, with every aspect of the making process executed myself following my own design brief. Please get in touch regarding my availability to exhibit my work, opportunities for commissioned work or collaborative projects.

The majority of my designs are minimalist in nature, while the techniques are decidedly not.

The Every Drop Counts bowls are fired five times and each display a unique design. The first firing involves creating a glass blank by scoring, breaking and firing two pieces of sheet glass. The second step involves creating a distinctive kiln-carving design using fiber blanket. The next two firings involve building up the edge and crest of the “wave” of the bowls edge. After the fourth firing the bowl goes through a lengthy edge grinding and polishing process. In the final firing the piece is slumped into a mold to create its shape.

In the past year I have begun to engage in processes which involve creating elemental designs and textures using sifted glass powders. You can see this technique used in my Moment In Time wall castings collection, as well as in the small ice cube. Thin layers of organic glass powder creations are sifted and capped between pieces of sheet glass to create a layering effect. The wall pieces are 7-8 layers thick, while the ice cube is nine layers thick. Each piece has design layers, as well as clear layers to create a sense of depth.