Throughout my career, I have participated in national and international exhibitions, and my work is part of architectural spaces and collections, including hotels, offices, and other public and private buildings where glass engages in a dialogue with space and natural light.
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My practice reflects the interplay between the natural world, storytelling and personal experience. I like to project this through an uncomplicated lens, often more figurative than abstract. I work with lampworked, fused and cast glass and with ceramics to create pieces with which I hope to evoke a sense of connection and enchantment. The materials naturally reflect light and shadow, and I like to experiment with guiding those aspects through the use of variations in colour and texture. I sometimes include interactive elements in my work such as projections and the inclusion of music or sounds. I am currently exploring traditions and rituals rooted in folklore which celebrate elements such as the changing of the seasons.
My work can be seen on Instagram:lizhuppertstainedglass
I also exhibit in various galleries and events as well as with the Herefordshire Guild of Craftsmen
Please see website adamdix.com for details.
My most recent collection is Reflections of a New England; a mixed media collection of fused glass and abstract acrylic paintings inspired by journeys around the states of New England in North America. Earlier works have been inspired by observing social mobility in Sri Lanka, and the natural landscape around the South West of England.
HALTglass is internationally recognised for its innovation and craftsmanship, delivering bespoke commissions and expert tuition across the UK, US, Europe, and Australia.
Recent highlights: Part of gold medal winning team at Chelsea Flower Show 2025 (The King’s Trust commission)
Guest lecturer at the V&A Museum
Architectural Glass Artist of the Year – The Worshipful Company of Glaziers
George and Evelyn Gee Prize for Craftsmanship Specialist training delivered for: The Queen Elizabeth Scholarship Trust
The King’s Trust
York Glaziers Trust
American Glass Guild
In my recent work I concentrate on 3D forms, often using reclaimed oak to mount my pieces. After a period of dry spell, I found fresh inspiration in landscapes of Iceland and I currently work on developing series of stained glass panels and 3D ornaments inspired by it’s colours and textures.
Tamsin’s recent work explores the expressive possibilities of glass through a mix of traditional and experimental techniques. Combining enamels, glass paints, printing powders, and reclaimed fragments, she creates layered surfaces rich in colour, texture, and light. Drawing inspiration from the shifting depths and hues of the sea, her pieces capture moments of movement and stillness — echoing the ebb and flow of coastal landscapes. Each artwork is an exploration of how transparency, reflection, and shadow can evoke emotion and atmosphere. By incorporating scrap and sheet glass, Tamsin brings sustainability and spontaneity into her process, transforming overlooked materials into something luminous and new. The results are contemporary, tactile works that invite viewers to look closer and discover the intricate interplay of colour and depth within each piece.