Archives: Artists

This series of cut fused glass abstract forms do not try to replicate flowers or fauna but, 
to reflect light transmitted onto forms,
 to evoke a feeling of joy and wonderment of our world, 
to forget the current unstable times and replace the painful moments with moments of inner peace and calm allowing the body and mind to heal.
The mental process of making glass reflects my love of growing and nurturing plants. During both processes, my energies and mind are fully engaged thereby eliminating any outside noise or worries thus inducing a period of calm and wellbeing.

We make glass for stores and galleries around the world but our main customers are in the UK and US. Apart from our wholesale range of studio glass we make custom work for both public and private commissions.

A childhood spent in Norfolk by the sea and shoreline continues to be a primary source of inspiration. I use glass to produce forms which fragment and disperse the light creating waves on a shimmering sea and can be shaped by the sounds, language and dynamics of an everyday life lived in a setting of landscape and light.

Currently undertaking Honours in Visual Art at the Australian National University

The Superposition series are a selection of free-standing glass sculptures exploring the transparent nature of fused glass when each individual layer is placed upon another. These translucent, almost unreal sculptures look like they should be as light as a feather or as sweet as sugar. The interaction with light in both the inner and outer surface is delicately beautiful, at times reflecting the colours around the piece to channelling the light through the centre.

Glass, a paradoxical material at the very basis of my research
Both transparent and opaque, fragile and Tough, stable and unstable… It is an amorphous material that could be considered a solid as much as a liquid.
My sculptures are designed to represent that flow of unstable material. They are forces in movement frozen into time and space like waves caught in the cold.
I like to give the illusion of a fixed time, a moment between what was (a shape in formation) and what will be (the imagination feeding from the blooming of the shape).