In my recent work, I’ve been exploring emotional landscapes—pieces that don’t depict a place directly, but rather the feeling a place leaves behind. These works are deeply personal, often inspired by fleeting memories, inner silence, and the passage of time. I use the natural movement of glass—its ability to flow under heat—to allow forms to emerge organically, like hills shaped by wind or water. My pieces aren’t made to let light shine through—they are more like paintings, where both the canvas and the paint are glass. Each layer, each shift in color, holds emotion rather than illumination. I’m not trying to recreate nature, but to let something essential rise through it—a sense of being, of remembering, of belonging and longing. My landscapes are not always calm; they carry tension and questions, but also stillness. Each piece becomes a quiet reflection of the invisible places we carry within.
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Her jewellery design is built on principles of simplicity. Her compositions are a mixture of minimalist design with nature shape in transparent and vibrant colours. The signature jewellery you can wear every day or for special moments in your life.
Exhibiting globally, sought after by collectors and fashion forward individuals.
My opus of unique works extends from jewelry to bowls, plates, clocks, and decorative objects to glass paintings that I made specially for my last exhibition.
I am planning to make more pictures in glass using the glass fused technique, and I will concentrate on making big pieces for home decor, like big plates and bowls in intricate and interesting shapes.
I have workshops and courses in my Amalgam glass studio all the time, where I am teaching my students glass fusion.
Much of my latest work was produced in response to local (California) wildfires — loss, recovery, interconnectedness.
Since my first material was ceramics, I’m looking for ways to combine glass and ceramics in my work. I want each material to express itself while keeping its own unique qualities. Right now, I’m doing a lot of sketching and designing. I believe this approach helps me create higher quality work and use materials more efficiently. I find inspiration in literature, nature, architecture and music. I’m always open to new ideas and experimenting with different ways of working. I hope to take part in exhibitions and creative collaborations in the future
All my glass is made from Bullseye Glass, and each piece is unique. I have just finished my 5th exhibition as part of the Henley Arts Trail, and with the help of my parents, I am looking to exhibit more. First, I need to complete a long list of commissions from my show, which almost sold out.
I work in fused glass to create a variety of projects including pieces for the home and garden to bring light and colour into your space. Recent commissions have included:
– a triptych in wood and glass showing water, reeds and dragonflies
– glass flowers for display on a balcony
– a mirror surround reflecting the coast
I also create colourful jewellery from both art glass and recycled bottle glass.
I particularly enjoy capturing the finest of details of nature and interpretation them in glass.
Creating glass leaves withglass poders to create awesome „replica“ of ephemeral nature, as well as bowls and vessels for glass exhibitions