Stained glass pioneer awarded medal for conservation

Stained glass conservation pioneer Professor Sarah Brown has received the 2023 Plowden Medal for Conservation, recognising her significant contribution to the stained glass conservation sector.

Prof Brown, who is course director of the MA in Stained Glass Conservation and Heritage Management at the University of York and the Director of the York Glaziers Trust (YGT), is a household name in the stained glass industry.

Prof Brown said she was ‘knocked for six’ when she found out she had been awarded the prestigious Medal, which honours the life and achievements of the late Hon. Anna Plowden CBE, who was a leading conservator.

Prof Sarah Brown

“Anna Plowden made such a big difference to the conservation community that to be awarded this medal in her memory is very moving,” she commented. “It was very humbling to be told I had been chosen. I am not often speechless but momentarily I was!

“It’s a tremendous affirmation, especially because I never feel like I am working, and I love what I do so much. I am grateful to my colleagues and peers for making a nomination on my behalf.”

Inspired by her father, who had begun his career as a joinery apprentice and loved using tools throughout his life, Prof Brown has been a tireless champion of the stained glass community since the 1980s, playing a key role in introducing academic training for stained glass conservators.

“While doing my Masters at the University of York, I became aware of threats to stained glass, but I was equally aware of the fact there were very few people who could care for this heritage,” she explained. “So, we worked hard to establish a national accreditation scheme for stained glass conservators, which subsequently became part of ICON’s national scheme. After a period of development, the University of York launched the Masters Course in Stained Glass Conservation and Heritage Management in 2008.”

Having previously served as a trustee, Prof Brown also became director of the YGT in 2008, overseeing the conservation of the Great East Window of York Minster of 1405-8, which is the largest expanse of medieval stained glass in Britain. In bringing together a multi-disciplinary and international advisory team, this project created a new benchmark in stained glass conservation practice in the UK.

While her achievements and impact on the discipline are immense, Prof Brown is most proud of how she has helped to pave a pathway for a new generation of conservators.

“I think I can safely say that we have created opportunities for young practitioners that simply were not there 15 to 20 years ago,” she said. “Many of my former students are now accredited conservators in their own right, leading studios and major projects in UK and further afield. Stained glass conservation is not a big business; it’s a very niche area and was at risk of disappearing, but I am proud to have played a role in averting that.”

Established in 1999 to commemorate the life and work of the late Hon. Anna Plowden CBE (1938 – 1997), the Plowden Medal was endowed by the Royal Warrant Holders Association, of which she was vice president. It is awarded annually to an individual who has made a significant contribution to the advancement of the conservation profession. The award covers all aspects of conservation, be they practical, theoretical or managerial, and is open to those working in private practice or institutions.

Main image: The Plowden Medal

Apply to be glass artist in residence at UCA

The ceramics, glass and jewellery departments at the University for the Creative Arts (UCA), in Farnham, Surrey, deliver an Artist in Residence (AiR) programme each year and glass artists are invited to apply to be the Glass AiR for the academic year 2023/24.

The residency position offers the time, space and facilities for you to develop your glass making practice or realise a specific project. The successful applicant will be given access to UCA’s specialist ceramics and glass facilities in the workshops for the duration of the residency, for which there would be no charge. In exchange, the AiR would be expected to support curriculum delivery on the university’s undergraduate and postgraduate courses. This may include, but is not limited to, technical workshops, masterclasses, tutorials and professional skills. They would also contribute to the wider craft community at UCA by engaging with students, sharing knowledge and skills, plus supporting staff teams where necessary.

The position should be viewed as an opportunity for you to develop your own work and technical skills in a creative environment, without the constraints of set course work or timetable. It also allows you to positively extend your CV. This opportunity is open to early and mid-career artists alike, and you would be expected to hold degree-level qualifications or have relevant professional experience within glass making.

The AiR programme runs from mid-September 2023 to the end of August 2024, but the department could accommodate two shorter residencies within this timeframe. The length and start dates of residencies can be negotiated based on availability. Please indicate your preference in your application.

Workshop access at UCA is between 9.30am-5:00pm, Monday to Friday, with occasional Saturday access at university open days.

The AiR would normally be expected to attend for a minimum of three days per week, for the full duration of the residency programme. The residency will normally terminate at the end of session, unless by special arrangement with the Programme Director.

Facilities

UCA has some of the most extensive glass making facilities of any UK university, accommodating glass blowing, lamp working, coldworking, mould-making and kiln glass processes. The workshops are supported by three specialist technical tutors in the areas of hot and cold glass, plaster and kiln glass, plus ceramics.

Deadline for applications is 18 August 2023 and artists will be notified by 25 August 2023.

More information and details of how to apply via this link.

UCA Farnham is at: Falkner Road, Farnham, Surrey, GU9 7DS, UK.

Image: Glass art made at UCA.

Alli Hoag to be artist in residence at Toledo Museum of Art

The US Toledo Museum of Art (TMA) has named Alli Hoag as the 55th Guest Artist Pavilion Project (GAPP) Artist in Residence from 23 August to 1 September 2023.

Alli Hoag was the 2015 Glass Art Society Emerging Artist and is currently the Bowling Green State University head of glass programme and assistant professor.

During the residency, Alli will create new work and share her process. There will also be a free artist’s lecture on 25 August at 7pm, plus free public demonstrations.

The GAPP brings in glass and contemporary artists who are willing to explore the use of glass in their work to be inspired, without restriction, by the TMA collection, studio facilities and staff. The programme aligns with the Museum’s educational aim to promote dialogue in contemporary glass and contemporary art communities. A committee of TMA staff members selects the GAPP Artist in Residence.

Alli uses glass, installation, video, performance and digital technology to explore ideas of magic as humans’ desire to understand the natural world. “I see magic as the desire to connect with the world outside of our perceptual and cognitive abilities,” she states. “In my work, I attempt to create moments where one can believe that distance is overcome. I investigate this uniquely human desire to reveal the simultaneous lightness and heaviness that is created when the imagined or invisible is laboured into the physical realm.”

Alli compares her artistic practice to taxidermy. She dissects and reconstructs found objects to recreate real and imagined narratives that audiences can share. She also works across sound, sculpture and performance with Icelandic performance artist and pianist Tinna Thorsteinsdóttir in a collaborative known as Bylta.

She holds a Bachelor of Fine Arts in glass from the University of Hawai’i at Mānoa and graduated from the New York State College of Ceramics at Alfred University.

The TMA is open Wednesdays, Thursdays and Sundays (11am-5pm) and Fridays and Saturdays (11am-8pm) (free entry).

It is located at: 2445 Monroe St. at Scottwood Avenue, Toledo, Ohio 43620, US. For more information, visit: toledomuseum.org

Image: Alli Hoag’s ‘Trace Decay #1’ (2019) uses lost wax cast glass, antique taxidermy fawn, mixed media. Photo: Tom Brooks

Glass Futures opens £54m research centre to help glass industry go greener

An innovative research and technology centre that will help the global glass industry to create greener, cleaner products has officially opened.

Glass Futures’ £54m Global Centre of Excellence in St Helens, Merseyside, will soon be home to a unique experimental furnace and other technology that will pioneer ways of making carbon neutral glass. The first firing of the 30-tonnes-per-day furnace is planned for early 2024.

Glass Futures is a not-for-profit membership research technology organisation with a mission to demonstrate disruptive technologies and generate new ideas that support sustainability. Its Global Centre of Excellence aims to bridge the Technology Readiness Level gap between research and commercial viability towards implementation.

Speaking at the opening event in June 2023 Richard Katz, CEO of Glass Futures said, “I don’t let go in a hurry and a decade after the idea of Glass Futures was first conceived that dream has come to fruition.

“Removing carbon emissions from global manufacturing is our world’s greatest challenge, and we need to change how we do things. The glass industry and the wider foundation industries (ceramics, steel, metal, chemicals, paper and cement) need to decarbonise, to use energy sustainably and move away from natural gas as their main energy source.”

The event, attended by over 100 guests, brought together Glass Futures members from around the world, including glass manufacturers, university academics, funders and local politicians.

UK industrialist and vice chair of the Northern Powerhouse Partnership Juergen Maier CBE, who was among the first supporters of Glass Futures, said: “We need to create new industries of the future, that’s the only way to ultimately create well paid jobs and prosperity.

“Many years ago, St Helens was innovative in the creation of the float glass process, which today is pretty much the world standard… now we see glass manufacturers like Encirc developing hydrogen-driven glass furnaces.

“These things are really difficult. They need engineering and standardising, and Glass Futures can help them to do that. We’re creating a new glass industry of the future…look around you, you can imagine the prosperity that all of that creates.”

Find out more about Glass Futures via the website.

Image: Attendees at the opening of the Global Centre of Excellence (left to right): Caroline Moore (marketing executive), Aston Fuller (general manager, Glass Futures), Juergen Maier CBE, the Mayor of St Helens Cllr Lynn Clarke, Liverpool City Region Metro Mayor Steve Rotheram, Richard Katz (CEO, Glass Futures), Alanna Halsall (communications, digital and marketing manager at Glass Futures), Mike Biddle (Innovate UK), Dr Nick Kirk (Glass Technology Services) and Brian McMillan (director, Glass Futures).

Book for Just Glass seminar Glasscapes

The Just Glass group’s eighth biennial seminar, ‘Glasscapes: Land and Seascapes in Glass Art’, will feature five internationally renowned glass artists, who will share the art, craft and methods they use to present their individual perspectives of the natural world.

The artists taking part in the seminar, to be held on 28 October 2023, are Claire Hall, Joseph Harrington, Kate Pasvol, Deborah Timperley and Jeff Zimmer.

The meeting will take place at the Brockway Room, Conway Hall, Red Lion Square, London WC1R 4RL.

The day will run from 10.30am to 4.30pm (doors open at 10.15am) and the price is £37.50 (or £31.50 for Just Glass members).

Just Glass was formed in 2003 and comprises over 50 established and emerging artists who were taught at adult education colleges.

Tickets for the seminar are available from Eventbrite via this link.

Image: Joseph Harrington’s ‘Canyon Falls II’. Photo: Sylvain Deleu

Call for entries for Warm Glass UK’s annual Glass Prize

Glass artists around the world are invited to submit a piece of kiln-formed glass art to the Glass Prize 2023, run by glass supplier Warm Glass UK.

There are three categories to enter: the Bullseye Glass Artist Prize, the Aspiring Glass Artist Prize, and the Open Glass Artist Prize. The winner of the Bullseye category will receive £1,500-worth of Bullseye glass or accessories, the Aspiring Glass Artist winner will receive a place on an online masterclass and a £100 voucher for class materials or supplies from the Warm Glass website, while the Open Glass Artist prize winner will receive a £100 Warm Glass voucher.

Lani McGregor and Michael Endo of Bullseye Projects return to the professional judging panel alongside 2022 winner Luisa Restrepo. Glass artist Tim Carey will choose this year’s Open Glass Artist winner and the Aspiring Glass Artists winner will be decided by public vote on the Warm Glass UK Facebook page.

Luisa Restrepo won last year’s Bullseye Glass Artists category with her geometric piece, ‘Modular: Obsidian & Graphite’.

Jack Tadd, marketing director at Warm Glass UK, commented, “The competition is really important for us to showcase and inspire kiln-formed glass artists around the world. In 2022, we were proud to exhibit artists from every corner of the globe, including Korea, Mexico and Europe, in our online gallery, all with an astounding variety of work.”

For more information on how to enter, or to view the entries, visit:  www.theglassprize.co.uk

The deadline for entry is midday on 15 August 2023, with the winners announced on 12 September 2023.

Image: Luisa Restrepo’s “Modular: Obsidian & Graphite” was the 2022 winner of the Bullseye Glass Artists category.

Enter Loewe Foundation’s craft prize

The seventh edition of the prestigious Loewe Foundation Craft Prize is open for entry. This annual, international award celebrates excellence in craftsmanship and glass artists have made the shortlist in previous years.

The winning entry will be chosen by a jury from the shortlist of 30 artists. These artists’ works will form a finalists’ exhibition in Paris in Spring 2024. The overall winner will receive a €50,000 prize.

The Foundation states that the artwork must: demonstrate artistic intent in addition to technical proficiency; be an original piece, handmade or partly handmade; have been created in the last five years; be one-of-a-kind, and not have won any prizes previously; be innovative, in the sense that it updates tradition, and falls within an area of the applied arts, such as glass, ceramics, bookbinding, enamelwork, jewellery, lacquer, metal, furniture, leather, textiles, paper or wood.

Submissions are open until 25 October 2023.

Find out more details and how to enter via this link.

Image: A selection of artworks from the last Craft Prize shortlist.

2023 Saxe Emerging Artists catalogue launched

The Glass Art Society (GAS) has announced the publication of the 2023 Saxe Emerging Artist catalogue online, which features the glass work of Geoffrey Bowton, Scout Cartagena and Hoseok Youn.

Established by US-based glass collectors Dorothy and the late George Saxe, this award recognises the achievement of artists with fewer than five years of experience in glass.

The Saxe Emerging Artists are nominated by academics, curators and peers, with the final selection conducted by a panel. This year, Tanda Francis, Namita Wiggers, Jessica Jane Julius, and Mathieu Grodet selected the Saxe Emerging Artist awardees.

Explore the diverse work of these three artists in the GAS 2023 Saxe Emerging Artist catalogue via this link.

Image: The 2023 Saxe Emerging Artist Awardees (left to right) Geoffrey Bowton, Scout Cartagena and Hoseok Youn. Photo: Leia Guo

Apply to exhibit at the World of Glass

The Contemporary Glass Society (CGS) is delighted to be collaborating again with The World of Glass to present a members-only exhibition this autumn. The show will take place in the museum’s recently upgraded exhibition space.

The World of Glass is located in St Helens in the north-west of England and the exhibition is open to all CGS members at any stage of their careers, but with a special emphasis on those artists located in the North. If you are not yet a member and would like to apply for this opportunity, why not join here?

The exhibition will run from Saturday 30 September to Friday 17 November 2023.

The World of Glass is dedicated to the local history of the Merseyside area, seen primarily through the lens of the glass industry. It was founded in 2000 and presents an amalgamation of the former Pilkington Glass and St Helens Borough Council collections. The purpose-built premises was constructed adjacent to the Pilkington’s glassworks and the stretch of the St Helens Canal known as the ‘Hotties’. There are glassblowing demonstrations and visitors can see the Victorian furnace and tunnels built in 1887 by William Windle Pilkington.

There is no theme to the CGS exhibition, but it will celebrate the diversity of contemporary glass and a broad range of techniques. All work submitted must be for sale. Wall pieces and plinth-based work are welcome.

Artists can submit up to three pieces of work for consideration. The museum will select the artworks to be included in the exhibition.

Applications close at 5pm on Friday 18 August.

Find out more and apply via this link.

The World of Glass is at Chalon Way East, Saint Helens WA10 1BX. Website: https://worldofglass.com

Alison Kinnaird’s installation at Scottish Parliament

Glass artist and engraver Alison Kinnaird’s installation ‘War Memorial’ is now on exhibition in the public area of the Scottish Parliament in Edinburgh. It will be on show there for six months.

Alison states that this artwork was inspired by her hearing the names of battles being fought in Ukraine and thinking of all the names of wars and conflicts throughout the world and throughout history.

“No area seems untouched, and no lessons seem to be learned. Any viewer of the piece is likely to find names relevant to their own country. The child in the centre is symbolic of the fact that war does not just affect the military, but also that there is a child within each individual soldier,” she explains. “Glass seemed the perfect medium in which to represent the fragility of life in time of war.”

In addition, Alison’s open studio Festival Fringe solo exhibition ‘Art in Glass’, will be open in Shillinghill, Temple, for the month of August 2023 (10am – 5pm). Address: Fringe Venue 244, Shillinghill Studios, Temple, Midlothian, EH234SH, Scotland. Find out more here.

Image: Alison Kinnaird’s ‘War Memorial’ installation.