POTTERS WHEEL/ GRINDER

Podmore & Sons Potters Wheel
Fixed speed suitable for possible use as flat bed grinder
Circular wooden batts for variation of polishing grades
£550

FLAT BED KILN FOR SALE

LARGE KILNCARE FK8 FLAT BED KILN
EXTERNAL 1200mm x1870mm x 1250mm height
INTERNAL FIRING CHAMBER 1100mm X 1600mm
Very little used now surplus to requirement and in good condition.
Equivalent kiln now new £15,000 +
For Sale £7,500 Buyer arranges collection.

WORKSHOP AND EQUIPMENT FOR SALE

Due to downsizing/ retirement I am selling kilns machinery and materials that are surplus to requirement. I am also selling my Workshop which is situated in the coastal town of Porthmadog in Snowdonia. The building is a very large old bakery which has many original beams.
It has a Gallery and studio/teaching space. I have an architectural kiln with a metre and a half by metre firing chamber and other kilns which are old but suitable for glass casting.
For further details contact me for a pdf of items available
Bill Swann Mob 07748 668957

End of an Era: Final Exhibition Announced for the UK’s National Glass Centre

SUNDERLAND, UK — The National Glass Centre, a cornerstone of British studio glass and contemporary craft for nearly thirty years, has announced its final exhibition ahead of its permanent closure this month.

Conclusion, presented by the final cohort of MA Glass and Ceramics students from the University of Sunderland, will be the historic last exhibition to take place in the renowned venue. The showcase represents a major passing of the torch, celebrating the future of contemporary making even as the physical chapter of this vital national institution draws to a close.

Staged alongside The Graduates in the main gallery, Conclusion brings together a diverse, highly ambitious body of work from emerging international artists. Through the challenging mediums of glass and ceramics, the exhibition tackles complex themes of identity, memory, displacement, and cutting-edge material innovation.

The exhibition represents the final public event before the building officially and permanently closes at 3:00 PM on Friday 31 July 2026.

Since opening in 1998, the National Glass Centre has played a defining role in securing Britain’s place on the global studio glass stage. By providing world-class facilities and fostering academic excellence through the University of Sunderland, it has been a vital incubator for contemporary craft. Conclusion offers a final, vital look at the calibre of artists the institution has championed.

A spokesperson for the MA cohort commented:

“Exhibiting during the National Glass Centre’s final week is a profoundly bittersweet privilege. Our work represents the culmination of intense research and physical mastery, developed within a space that has inspired some of the world’s greatest glass artists. While we mourn the loss of this remarkable building, our exhibition is a testament to the enduring strength and future of the medium.”

Exhibition: Conclusion – MA Glass & Ceramics Exhibition (Running concurrently with The Graduates)

Venue: National Glass Centre, Liberty Way, Sunderland, SR6 0GL

Key Dates: Running until 31 July 2026.

Admission: Free

Final Opening Hours: The Centre will operate on reduced hours of 9:00 AM – 3:00 PM on Thursday 30 July and Friday 31 July 2026 before closing permanently to the public at 3:00 PM on Friday 31 July. (NB:The Graduates Exhibition will close at 3pm on Thursday 30th July to allow artists to uninstall work prior to closure)

Preview Event and Press: Friday 24th July 2026 1800-2000

Belonging: Between Moor and Sea – Debut Solo Exhibition

A solo exhibition of kiln-formed glass landscapes exploring what it means to find home through place.

Although best known for wearable art and landscape pendants, this exhibition marks a move towards larger kiln-formed glass artworks, creating space for wider horizons, changing weather and a deeper sense of atmosphere.

Living in Devon has felt like finding home. Inspired by Dartmoor and the Devon coastline, these landscapes capture fleeting moments of light, weather and place. Each piece is built from four layers of glass, carefully composed and kiln fused. As the layers merge, colours soften and blend, creating depth, movement and a moment held in glass.

That sense of belonging is especially significant. Raised in a military family, I moved frequently throughout childhood, making it difficult to put down roots. Even when we stayed somewhere for several years, there was always the feeling that another move might come. As an adult, relocating for work continued that pattern. Devon has been the first place where movement has gradually given way to belonging.

“We came for the sea, but fell for the moor.”

This is my debut solo exhibition, over a year in the making, accompanied by a fortnightly blog documenting the journey.

10% of all sales will be donated to Dartmoor Search & Rescue Team Ashburton in support of their vital work across Dartmoor.

Date: 28 – 31 August 2026
Time: 11 – 5pm
Place: No 10 Gallery, 10 High Street, Chagford, TQ13 8AJ

Website: www.jacqueline-seviour.co.uk
Instagram: @jacquelineseviour

Belonging: Between Moor and Sea – Debut Solo Exhibition

A solo exhibition of kiln-formed glass landscapes exploring what it means to find home through place.

Although best known for wearable art and landscape pendants, this exhibition marks a move towards larger kiln-formed glass artworks, creating space for wider horizons, changing weather and a deeper sense of atmosphere.

Living in Devon has felt like finding home. Inspired by Dartmoor and the Devon coastline, these landscapes capture fleeting moments of light, weather and place. Each piece is built from four layers of glass, carefully composed and kiln fused. As the layers merge, colours soften and blend, creating depth, movement and a moment held in glass.

That sense of belonging is especially significant. Raised in a military family, I moved frequently throughout childhood, making it difficult to put down roots. Even when we stayed somewhere for several years, there was always the feeling that another move might come. As an adult, relocating for work continued that pattern. Devon has been the first place where movement has gradually given way to belonging.

“We came for the sea, but fell for the moor.”

This is my debut solo exhibition, over a year in the making, accompanied by a fortnightly blog documenting the journey.

10% of all sales will be donated to Dartmoor Search & Rescue Team Ashburton in support of their vital work across Dartmoor.

Date: 28 – 31 August 2026
Time: 11 – 5pm
Place: No 10 Gallery, 10 High Street, Chagford, TQ13 8AJ

Website: www.jacqueline-seviour.co.uk
Instagram: @jacquelineseviour

200 kilos coloured glass rods

About 200 kilos of coloured glass rods. They are all inter compatible. Best offer to be paid to CGS. Buyer pays for postage. I have tried and failed to attach photos of the rods and of melt examples. I will email copies to any one interested.

How to engrave glass FREE taster

This taster session introduces the basic techniques of hand-engraving glass using a rotary tool such as a Dremel, engraving pen, or hanging drill. You’ll start with a safety briefing, then observe sample pieces to understand different textures and styles. With guidance, you’ll sketch or transfer a simple design onto glass.

Kiln and Drill for Sale

I have a couple of things for sale!

FOR SALE: Mint condition Skutt Firebox 8, been fired a couple of times at most.

Here’s the details:

The Firebox 8 is a side firing kiln, with the elements in all four walls for an even firing. The lid itself is a lightweight brick construction coated with refractory cement. It has a cool-touch handle. The chamber is also made from lightweight brick, which is used because it is able to expand and contract as the kiln heats and cools. It also helps reduce the overall weight of the kiln. The whole kiln is set on sturdy metal feet.
Includes: kiln shelf, 3 shelf props

£800 collect from Tewkesbury, Gloucestershire

FOR SALE – Water Fed Drill and Diamond Core Drill Bits

I am only selling as I have upgraded my set up. The Drill is well used but works well.

I am including 10 used but plenty of life, diamond core Drill bits that new are worth several hundred alone. Ranging from 10mm to 50mm. I’ll pop in a dressing stone too.

It could do with a new pump for the water feed soon, but these are easy to change over.

£700 collect from Tewkesbury, Gloucestershire.

Contact Sarah on sarah@sarahbrownglass.co.uk or give me a message: 07920574358

Pictures of both are in the attachment

Just Glass Seminar – The Glass Journey and Inspiration – Saturday 26th September

Five internationally renowned speakers talk about their journeys and inspiration, covering multiple kiln-formed glass techniques and more…

Speakers: Maria Zulueta, Ian Chadwick, Sally Fawkes and Richard Jackson, Julie Light, and Michael Bullen.

Date of Event is Saturday 26th September 

Glass is never just a destination but is a constant journey of inspiration and learning. Presentations from our internationally renowned speakers about their glass art journey to date will be a source of inspiration to attendees and a unique chance to ask them questions directly. Their work has won many awards and encompasses a wide range of glass-making techniques such as pate de verre, stained glass, fusing and casting; and brings in their other specialisms and interests. We are excited to hear more in our Just Glass Society ninth biennial seminar.

Tickets will be on sale via Eventbrite link,  from 28th June onwards. The Eventbrite link can also be accessed via the Just Glass website: https://www.just-glass.co.uk/

Entry from 10.00am, with the seminar beginning at 10.30am prompt. Tea and coffee will be available and you may bring your lunch to eat at the venue, during a one hour break when you can chat with the speakers and fellow attendees. There will be time for a panel discussion and questions before the seminar closes at 4.30pm.

Venue: The Art Workers’ Guild, 6 Queen Square, London WC1N 3AT