0.8 FTE Glass (and Mosaic) Technician role at WM College London

WM College is seeking a skilled, proactive, and organised Glass and Mosaic Technician to support the delivery of new courses. This is an exciting opportunity to work within a vibrant adult learning environment, supporting a range of glass and mosaic courses.

This role is central to ensuring that our workshops are safe, well-equipped, and efficiently run, enabling high-quality teaching and a positive learning experience for all students.

About the role
You will provide high-quality technical support in the glass and mosaic workshop, ensuring the student work is fired and equipment, and materials are consistently prepared, maintained, and operated safely.

A key aspect of the role is managing the kilns, including scheduling firings and ensuring safe use at all times.

You will also play a vital role in maintaining high standards of health and safety, ensuring that equipment, materials, and working practices comply with relevant regulations.

Working closely with tutors, you will contribute to a well-coordinated and responsive technical service that supports both teaching and learning.

This is a permanent, part-time role (0.8 FTE – 4 days per week). Flexibility is required, including some evening and weekend work to support classes, exhibitions, and College events.

Key responsibilities
Prepare and maintain studios, equipment, and materials for teaching sessions.
Manage kiln operations, including scheduling and monitoring firings
Ensure safe working environments and uphold Health & Safety compliance.
Support tutors and learners in the safe and effective use of tools, materials, and equipment.
Manage stock control, including ordering and storage of materials within budget.
Maintain clear systems for inventory and workshop organisation
Assist with the installation and presentation of exhibitions and College events.

About you
You will be a practical, reliable, and highly organised technician with a strong understanding of glass processes. You will enjoy working collaboratively and take pride in creating safe, efficient, and inspiring creative environments.

Essential requirements
Experience working with glass making equipment and kilns
Sound understanding of Health & Safety in a workshop environment
Strong organisational skills and the ability to manage resources effectively
Confident communication and teamworking skills
Competent IT skills (including Outlook, Teams, Word, and Excel)

If you are a proactive technician who enjoys supporting creative practice and enabling others to succeed, we would love to hear from you.

Interviews are scheduled for 16th July 2026.
Further Details

See the PDF below for a Full Job Description

CGS Complaints Procedure

Complaints Policy — The Contemporary Glass Society

Approved by Trustees: June 2026
Review Date: January 2027

  1. Purpose

The Contemporary Glass Society is committed to providing a high standard of service. We welcome feedback and take complaints seriously as an opportunity to improve our services.

This policy applies to all complaints about our activities and services, including complaints about how we collect, use, store or otherwise process personal data in accordance with the UK General Data Protection Regulation (UK GDPR), the Data Protection Act 2018 and the Data (Use and Access) Act 2025.

  1. Who Can Make a Complaint?

Anyone who uses our services, volunteers with us, supports us, or is affected by our work may make a complaint.

Complaints may be made by email, telephone, in writing or verbally.

  1. How to Make a Complaint

Informal Resolution

Where possible, we encourage concerns to be raised informally in the first instance.

Administrator:
Helen Slater Stokes
Telephone: +44 (0)1379 741120
Email: admin@cgs.org.uk

Formal Complaint

If the matter cannot be resolved informally, or you wish to make a formal complaint, please contact:

Chair of Trustees
Email: chair@cgs.org.uk

or write to:

29 Heron Drive
Brackley
Northamptonshire
NN13 6QE

Please provide as much information as possible so that we can investigate your complaint fully.

  1. How We Will Handle Your Complaint

We will:

  • acknowledge receipt of your complaint within 5 working days.
  • investigate your complaint fairly and impartially.
  • keep you informed if our investigation is likely to take longer than expected.
  • normally provide a full written response within 20 working days.

If you are not satisfied with our response, you may request that the Board of Trustees reviews the matter. The Board’s decision will normally represent the Society’s final internal response.

  1. Confidentiality

Complaints will be handled confidentially and shared only with those who need the information to investigate and resolve the matter. Personal information will be processed in accordance with applicable data protection legislation.

  1. If You Remain Dissatisfied

If your complaint concerns the Society’s handling of your personal data and you remain dissatisfied after our internal complaints process has been completed, you have the right to complain to the Information Commissioner’s Office (ICO).

If your complaint concerns the governance or management of the charity, you may also contact the Charity Commission where appropriate.

  1. Record Keeping

We keep a record of all formal complaints, together with the outcome and any actions taken. Complaint records are stored securely, retained in accordance with our data retention procedures and reviewed annually by the Board of Trustees to identify trends and opportunities for improvement.

Events and Opportunities for 2026

Exciting Opportunities for CGS Members in 2026

We’re delighted to share our programme of events, exhibitions, opportunities, awards, and member benefits for the remainder of 2026.

Whether you’re looking to exhibit your work, develop new skills, connect with fellow glass artists, gain exposure, or simply be inspired, there is something for everyone in the months ahead. From exhibitions and online showcases to competitions, talks, networking events, and professional development opportunities, CGS continues to champion and support contemporary glass artists at every stage of their creative journey.

Take a look through the opportunities listed in the PDF below and start planning your CGS year. We encourage you to make the most of your membership, get involved, and take advantage of the many ways CGS can help you share your work, develop your practice, and connect with the vibrant UK glass community.

 

Sessional Glass Art Tutor, WM College, London

We are seeking to recruit enthusiastic and knowledgeable sessional Glass Art Tutors to support teaching in our newly refurbished glass studio.

The role will involve delivering daytime courses (10:00–1:00 and 2:00–5:00), evening courses (6:00–9:00), and potentially some Saturday courses (10:00 – 16:00), depending on demand.

We are looking for tutors with substantial teaching experience in adult education. A PGCert in Education (or equivalent) is desirable, or a willingness to work towards the qualification.

Strong links to industry associations, guilds, or other colleges, as well as evidence of professional practice, will be viewed favourably.

Interviews are scheduled for 14th July 2026.

Further details

See attached Job Description PDF below

Masterclass: Spatial Imagery in Glass – Helen Slater Stokes at Morley College London – 21st – 24th July 2026 – 9:30AM – 4:30PM

This is an in-person course at Morley College London, North Kensington.

Join us for an in-person masterclass with Helen Slater Stokes at Morley College London in Summer 2026.
Over four days, you’ll explore a range of techniques for incorporating imagery into glass, from creating screen-printed stencils to producing your own decals. You will develop and apply these skills across multiple glass projects throughout the masterclass.
Course price: £850.00

What you will learn
Over four days, Helen will guide you through Spatial Imagery in Glass, exploring multiple approaches to developing imagery and translating it into kiln-formed glass. This masterclass is designed to expand both technical skills and creative thinking, offering participants a rich toolkit for incorporating imagery into their own practice.

You will explore a wide range of techniques, including glass sgraffito frit drawing, paper-cut stencil enamel printing, photo silkscreen enamel printing, and personalised decal transfers.

Helen will also provide in-depth instruction on screen-printing equipment and processes, including choosing appropriate silkscreens for different image types, correct squeegee handling, and working with liquid underglaze enamels.

Prior to the masterclass, participants will have the opportunity to prepare imagery for digital decals, which will then be incorporated into kiln-formed glass blocks during the course. Additional areas of focus include efficient kiln packing for tiles and blocks, embedding sgraffito frit drawings into larger works, and polishing finished pieces using minimal equipment.

This intensive masterclass offers a unique opportunity to develop technically advanced glasswork within a supportive and inspiring learning environment.

A member of the Glass School team will be on hand for the duration of the masterclass as well as teaching assistant and Senior Lecturer at Morley College, Maria Zulueta.

See more of Helens work here: https://www.helenslaterglass.com/
See more about Morley College London here: https://www.morleycollege.ac.uk/north-kensington-centre/
Skill Level:
Glass cutting experience is beneficial.

Masterclass Summary:
Summary of what will be covered during the masterclass:
• Creating paper-cut print stencils for glass.
• Choosing the right silkscreen for different image types.
• Setting up screens and working with a squeegee correctly.
• Exploring a variety of print processes using liquid underglaze enamels.
• Use printing clamps to achieve accurate image registration.
• Designing imagery for digital photo silkscreens or digital decals.
• Packing kilns efficiently to create perfect tiles and blocks.
• Applying waterslide decal transfers to kiln-formed glass.
• Making sgraffito frit drawings and embedding them into larger works.
• Using tools and techniques, including Ceraboard and minimal equipment, to polish and finish pieces.

Masterclass Outcomes:
• 10x10cm test tiles (approx. 4 each) working with Papercut Stencil Print, Photo Silkscreen print, and Waterslide decals.
• A block cast with internal imagery (approx. 15 x 10 x 3cm)
• A Sgraffito Frit Drawing (approx. A5).

What this masterclass includes:
• Glass materials, tools, equipment, and firings are included. Works will be completed on the last day so that you can take them with you. Packaging materials will be provided.
• Tea, coffee, drinks, and biscuits will be provided during the masterclass.
• Lunch is not included, but there are lots of shops, cafes and restaurants near the college
Please note: Digital decals are ordered and printed in advance; enrolments after 15th June will not be able to order personal decals but will have access to a selection of existing designs.

Timings
• 9:30am – 4:30pm – Tuesday 21st July 2026
• 9:30am – 4:30pm – Wednesday 22nd July 2026
• 9:30am – 4:30pm – Thursday 23rd July 2026
• 9:30am – 4:30pm – Friday 24th July 2026

Location
This class will be conducted at Morley College London at the following address:
Morley College
North Kensington,
Wornington Rd,
London
W10 5QQ

Morley College North Kensington is well served by public transport, with frequent bus routes and nearby Underground and Overground stations providing access from across London. There are numerous cafés and food outlets within easy walking distance of the college. Students are expected to make their own arrangements for accommodation, meals, and all travel.

What to prepare
• Please wear appropriate clothing and closed-toe shoes.
• Students are welcome to bring a packed lunch, or purchase lunch from local food establishments.
• All materials are included and all the necessary tools are provided.
• Your booking information will be emailed to you before the course date, containing any further class preparation details.
• We teach using Bullseye Glass (CoE90).
• Students must be over 18 years old.
Contact: Glass School
Book your place
Email: info@glass-school.co.uk

Iconic Berlin stained glass imagery class

Visiting artist Joseph Cavalieri returns sharing his signature imagery on stained glass techniques, this time with the focus of Berlin icons. You will explore Joseph’s printmaking tactics applied to glass art, while personalizing and manipulating them. You’ll start by choosing an image or two from the choices of custom screens Joseph will bring, print onto your glass, then create an environment and border surrounding the image. The focus does not have to be Berlin icons if you have another subject.

Techniques learned and practiced include airbrushing, pen-and-ink drawing, painting, and of course silk screening. Enamels are painted then kiln-polish-fired onto the surface of the glass, then the glass is soldered together. Let your imagination soar! Expect to make a 12-by-12 inch finished stained glass panel plus samples. Joseph will also demonstrate in class a quick and inexpensive way to frame and light stained glass panels. If you’ve taken Joseph’s class before, there is still more to learn from this innovative artist. Expand your practice and build your skills!

Please bring: if you like to hand paint or pen you own icon or non-icon please bring reference materials or a couple of pencil sketches.

Kilncare Profuser for Sale – Milton Keynes

Info from Creative Glass Guild,

“Great for glass fusing, slumping, painting, and open casting of glass.
• Internal size 850mm (wide) x 510mm (deep) x 225mm (High)
• External Size 1250mm (wide) x 810mm (deep) x 540mm (High)
• 6kw single phase or three phase and neutral
• 960c maximum temperature
• Weight 110kg
• Quartz tube “infra-red” heating system
• Stainless Steel chamber and base
• Lid spring lift assist
• Flat floor without a recess
• KCR32C digital Control with 32 programs and 32 ramps”

I live in Milton Keynes, I had the kiln fitted in December 2020, but hardly used it, sadly. I am looking for £3800 with so little usage (ono, currently £5,789.75 inc. VAT at Creative Glass Guild).

Collection from : Milton Keynes
Contact Vikki Stacey
Email: colourdiva@me.com

Hot glass colours compatible with Dartington Crystal

Hot glass colours compatible with Dartington Crystal.

Total weight approx. 47.5kg. Worth at least £1,000
Retirement sale so selling for £250 or nearest offer.
Buyer collects. Based in Derbyshire DE55 7LW

Beautiful colours that sold well. All transparent. Mostly small grain. Some powder and large chip. Ruby colours are gold based. Golden brown goes lustrous in reducing flame. Selling as one lot.

All weights are approx. (See List Below)
• Light Ruby Schott 6kg
• Dark Green Gaffer No 32 5kg
• Dark Violet Kugler No55 3kg
• Dark violet Schott 1kg
• Golden Brown Kugler K2215 2.5kg
• Ruby Gaffer k1 2kg
• Ruby Schott 4kg
• Cobalt Blue Schott 164c 5kg
• Light Green Schott w3190 1kg
• White (large chip) 0.5kg
• Black Ornela 910326 1kg
• Black Ornela 8500 4kg
• Aquamarine Ornrla 1490 1kg
• White Reichenbach (small chip) 5kg
• White Schott (powder) 1kg
• Ruby Gaffer 010 K2 0.5 kg
• White Schott 5020 M1 0.5kg
• Aquamarine Gaffer 022 k1 0.5kg
• Aquamarine Kugler k2047 2kg
• Black powder 1kg
• Topaz Kugler 6RW k0 5kg

Retirement sale so selling for £250 or nearest offer.
Buyer collects. Based in Derbyshire DE55 7LWContact: Joy Greenhalgh
Email: joy@greenhalghglass.co.uk
Tel: 07906 728280

Sculptural Slumping Masterclass Part 1

Lisa Pettibone, Surrey GU5 9LL
2-4 October 3-4 students, £425
This course is aimed at intermediate/experienced kiln-formed glassmakers exploring a variety of ways to control movement in the kiln with a variety of props and programming techniques. Students with minimal or no slumping experience will gain insights into novel glass forming processes. We’ll achieve this through a series of demos, visual presentations (explaining my own processes and other artists work) and two making projects. There will be creative prompts to investigate their sculptural ideas and why movement is so important in their work.

Working with both float and Bullseye glass, three kiln prop-making techniques will be explained so you can learn how to make your own: ceramic slip cast props (like store bought slumpers but your own design); hardened fibre blanket forms; moulded or carved refractory props. Extensive course notes with sample firing programs are provided along with all mould-making materials – students bring their own glass. Please email Lisa if you have further queries.

Lisa has been teaching kiln formed glass techniques for over 20 years at venues such as The Glass Hub in Somerset, the international Festival of Glass and Pilchuck Glass School in Washington, USA. She has a BA in Glass from University of the Creative Arts Farnham and an MA Art and Science at Central Saint Martins London. She has exhibited in the UK and internationally and is a member of the Royal Society of Sculptors.

Sand Casting Glass workshop

Description
Sand casting in glass is an incredibly creative and exhilarating experience.

Dive into the world of sand casting in glass—an unmatched opportunity for both beginners and seasoned artists. During this intensive glass casting day, you will design and craft three stunning glass pieces that you can proudly take home after a three-day cooling process in the kiln.

Your artistic adventure begins in the morning as you design and create sand moulds using a vibrant array of forms, shapes, and colours. Embrace your creativity and boldly incorporate metals and other unique elements into your designs. After a savoury lunch break, prepare to be captivated as you work with molten glass at a remarkable temperature of 1,150 degrees, straight from the furnace.

As you pour the liquid glass into your expertly crafted moulds, watch in awe as your vision transforms into breathtaking, one-of-a-kind glass artworks. You have the freedom to add vibrant colours, sparkling metals, and even delicate leaves between the layers, ensuring that the possibilities are truly endless. The results will undoubtedly inspire you, offering an extraordinary chance to immerse yourself in innovative glasscraft.

With guidance from two professional artists who possess exceptional expertise, this unique course is designed to ignite your passion for creativity and push your artistic boundaries.

If your plans change, you can confidently cancel your participation for a full refund up to two weeks before the course start date. We are also more than happy to accommodate requests for adjustments to start dates. Take part in this extraordinary experience and let your creativity shine!

What’s included in the price?
All materials are included, plus tea and coffee. Please bring your lunch.

Cancellation policy
Medium – Cancellation and a full refund can be obtained up to 4 weeks before the course starts