‘It’s All in the Technique’ CGS exhibition at The World of Glass, St. Helens

The World of Glass, St. Helens,
Chalon Way East
St. Helens
WA10 1BX

 

Exhibition Dates: 14 March – 11 April 2026

Private View – Saturday 14 March, 12 noon – 2pm

The Contemporary Glass Society (CGS) is delighted to present ‘It’s All in the Technique’, an exhibition celebrating excellence and innovation in contemporary glassmaking.

Held at The World of Glass in St. Helens from 14 March to 11 April 2026, the exhibition will showcase outstanding work by UK-based CGS members whose practice demonstrates exciting and accomplished techniques across a wide range of glass processes.

Exhibiting artists include: Petri Anderson, Sarah Brown, Karen Browning, Madeline Bunyan, Ian Chadwick, Kerry Collison, Maria Donnai, Cheryl Gould, Jianyong Guo, Annie James, Kira Phoenix K’inan, Manuela Kagerbauer, Laura Kriefman, Julie Light, Graham Miller, Pratibha Mistry, Tracy Nicholls, Linda Norris, Stacey Poultney, Laxmi Priya, Verity Pulford, Georgia Redpath, Morag Reekie, Nicholas Rutherford, Sally Scott, Cathryn Shilling, Elizabeth Sinkova, Amelia Skachill Burke, Helen Slater Stokes, Deborah Timperley, Frans Wesselman, Yujie Yang, Zixuan Zhang and Maria Zulueta.

From kiln-formed and blown glass to casting, cold-working, engraving, and mixed processes, ‘It’s All in the Technique’ highlights the technical mastery, creativity, and material understanding that define the very best in contemporary glass art.

Private View – Saturday 14 March, 12 noon – 2pm
We look forward to seeing you there!

Kilncare HF3 Hobby Fuser – For Sale

For Sale – Kilncare HF3 Hobby Fuser

For sale due to lack of space since move.
Although the kiln is around 8 years old it has done no more than 30 firings.
Has been fired up recently with no problems.
Kiln in really good condition.
– The stand has a few scratches on the lower shelf due to storage boxes scuffing it. (See attached PDF for more images).

New current kiln price is £2800 The stand is £350

Looking for £2000 for both.

Location: South Devon – Have a van so can deliver within reasonable distance for fuel – or Collection.

Enquiries: sales@helenmatthewsglass.com

Survey of Contemporary Women Leaders in Glass

Please help me research by adding your glass voice and perspective to the project! Who are the contemporary women leaders in glass you’d like to celebrate? Who do you believe is shaping the 21st-century glass landscape: the women artists, curators, educators, directors, founders, collectors? I’ve recently launched a new project to explore this topic, and I really want your voice and glass perspective! I am hoping you might take a few minutes to complete a survey to capture your ideas (link to survey at the website address). The survey is anonymous and can be completed in about 10 minutes.

I’m a creative practitioner and a researcher…this is a bit of a passion project for me and will be featured as part of a panel discussion at the upcoming 2026 GAS Conference. Given our turbulent times and harsh daily news, I’ve found that this project is one way I can lean into the positive by connecting with our glass community and uplifting the women who inspire us. Thank you for any minutes you spend on the survey and for sharing it if you are willing!

The Singing Forest

I am looking for the use of a kiln to cast up work for this Arts Council England (ACE) exhibition opening in January 2027. The exhibition is at the Stourbridge Glass Museum. I require intermittent kiln space from now through to October 2026
If anyone can help me out I would appreciate it.
Many thanks.

Studio share in Colin Reid’s kilncasting studio

A unique opportunity to share the use of my studio. Located in Stroud, Glos, the long-established professional kilncasting studio has a range of kilns and coldwork equipment. I am offering the chance to have your own personal workspace in a quiet part of my lovely studio along with shared use of the extensive facilities for casting and coldworking glass. This is not for short-time hire of facilities or training; it’s a space where you can set up your artistic practise with access to great equipment.
For details, please contact me with a brief bio about yourself and work and why this might interest you.

CGS Online Exhibition Themes for 2026

We are delighted to be launching 5 Online Exhibitions in 2026. We know members love to be able to plan for the different themes ahead of time, so below are the dates for your diaries and the themes.

There will be 4 exhibitions that are for members to submit and one Open Exhibition for both members and non members. We are excited to see the works you submit for the shows.

These are open to everyone, those beginning their exploration of glass or established artists, from anywhere in the world, but please keep the theme in mind, as we will be ensuring all works fit the themes. We would love you to challenge the concepts, so within the blurb, please write about the inspirations, and connection to the themes.

Please find the PDF for you to download and keep in the studio as a reference, or below is all of the details.

Form & Function
Deadline – 12th January
Live – 19th January
Makers online Talk – TBC
End – 16th March

Form & Function invites artists to explore how appearance and purpose inform one another. The exhibition aims to discuss where beauty meets utility: how vessels, objects, or functional forms can also carry emotion, narrative, or atmosphere.
Artists are encouraged to consider how craftsmanship, material understanding, and intention converge in their work, and to submit pieces that either embrace functionality, question it, or expand its possibilities.

Installations and Interventions
Call out – 2nd February
Deadline – 23rd February
Live – 16th March
Makers online Talk – TBC
End – 25th May

We invite you to submit work for an exhibition exploring how creative practice can transform, interrupt, or reimagine space. Installations and Interventions focus on works that shift the viewer’s experience—whether through immersive environments, spatial constructions, performative elements, or subtle acts that alter how a place is understood. We welcome large-scale works, site-responsive pieces and smaller objects that create dialogue through placement or disruption.

Open Exhibition – All Things Great and Small
Open to Non- Members

Call out – 13th April
Deadline – 27th April
Live – 25th May
Makers online Talk – TBC
End – 3rd August

We invite submissions for All Things Great and Small, an online glass exhibition exploring scale and detail in everyday life. We welcome a wide range of glassmaking techniques—from traditional blowing, casting, and fusing to experimental approaches—and are particularly interested in works that highlight the extraordinary in the familiar, whether through monumental forms or intricate, close-up details.

Sign of the Times
Call out – 22nd June
Deadline – 13th July
Live – 3rd August
Makers online Talk- TBC
End – 12th October

Sign of the Times will examine the presence of text, signage, and visual language in contemporary glass art. The exhibition aims to brings together works that reference modern society—its advertising, public spaces, digital culture, and shared symbols—while also acknowledging glass’s long history as a carrier of messages. Using a wide range of glass techniques and approaches, we hope to show works using text, signs and objects that invite reflection on communication, identity, and the social, cultural, and political markers of our time.

Heritage Techniques and Objects
Call out – 1st September
Deadline – 28th September
Live – 12th October
Makers online Talk – TBC
End – 18th January 2027

Heritage Techniques and Objects. This exhibition aims to bring together contemporary glass artworks that reflect on the material’s rich history while reimagining it through a present-day lens. The exhibition will feature works that adopt, adapt, and exploit traditional glassmaking techniques, alongside pieces that reference or reinterpret antique and historic glass objects. By engaging with heritage processes and forms, the artworks will explore ideas of continuity, memory, and transformation, revealing how the past remains an active and evolving influence within contemporary glass practice.

To join an exhibition please see the PDF for all of the details.

“Raise A Glass | A Drinking Glass Exhibition”. 29th Jan 2026 – 26th Jun 2026

From elegant wine goblets and sturdy rummers to iconic cocktail glasses, this upcoming exhibition at Stourbridge Glass Museum showcases craftsmanship, design, and cultural trends that shaped how we drink. Discover the artistry behind everyday vessels and their role in social traditions across centuries.
From every day sips to special toasts – Explore the fascinating evolution of drinking glasses through history.

Key Details for the Exhibition:

What: “Raise A Glass | A Drinking Glass Exhibition”.
Where: Stourbridge Glass Museum, part of the Black Country’s historic Glass Quarter.
When: January 29 – June 26, 2026.
Theme: The evolution of drinking glasses, highlighting craftsmanship, design, and cultural trends.

FULL DETAILS HERE:   https://www.stourbridgeglassmuseum.org.uk/featured-exhibitions/

.

From the studio of the late Nancy Sutcliffe, in support of her JustGiving fundraiser for cancer research

From the studio of the late Nancy Sutcliffe, in support of her JustGiving fundraiser for cancer research:

Complete sandblasting kit for smaller items – Stanley 1.5hp 24l 8 bar compressor, Mattis bench- or table-top sand blasting cabinet, rubber gauntlets, sandblasting gun, 10kg of aluminium oxide sandblasting grit. Never used (well, we did fire up the compressor once just to check it was working). Total cost new around around £350; price for collection £175.

Complete hand engraving setup – Foredom Micromotor (the best) with two handpieces and several dozen burrs (diamond and carbine point and ball burrs, numerous stone, rubber and silicone polishing burrs). Total cost well over £1,250; price for collection £750.

Complete portable wheel engraving setup – Merker KMK1 (newly serviced, new starter solenoid) with seven-step round belt pulleys for adjusting from 540 to 3360 rpm, steel spindle, splashguard screen, drip bottle, funnel, drip tray, armrest pads, and a good collection of diamond and ceramic engraving wheels and polishing wheels. Reasonably portable, a great starter kit, excellent as a studio extra. Total cost when new above £3,000; price for collection £1,500.
Plus any reasonable offer for any or all of …

– three lesser handheld drills (one Dremel, dunno what the others are – some bits included, plus a vertical drill stand)
– a collection of glass cutting tools (inc A3 cutting mat, circle cutter, steel set square)
– a quantity of solid optical glass blanks, about 40 in total, most square cubes but also rectangular blocks and paperweight-type roundels
– around a dozen Dartington lead crystal free-blown bowls, all pre-owned

Enquiries to Dennis Jarrett, whatsapp 07538658384 or email dennisjarrett@duck.com

From the studio of the late Nancy Sutcliffe, in support of her JustGiving fundraiser for cancer research

From the studio of the late Nancy Sutcliffe, in support of her JustGiving fundraiser for cancer research:

Complete sandblasting kit for smaller items – Stanley 1.5hp 24l 8 bar compressor, Mattis bench- or table-top sand blasting cabinet, rubber gauntlets, sandblasting gun, 10kg of aluminium oxide sandblasting grit. Never used (well, we did fire up the compressor once just to check it was working). Total cost new around around £350; price for collection £175.

Complete hand engraving setup – Foredom Micromotor (the best) with two handpieces and several dozen burrs (diamond and carbine point and ball burrs, numerous stone, rubber and silicone polishing burrs). Total cost well over £1,250; price for collection £750.

Complete portable wheel engraving setup – Merker KMK1 (newly serviced, new starter solenoid) with seven-step round belt pulleys for adjusting from 540 to 3360 rpm, steel spindle, splashguard screen, drip bottle, funnel, drip tray, armrest pads, and a good collection of diamond and ceramic engraving wheels and polishing wheels. Reasonably portable, a great starter kit, excellent as a studio extra. Total cost when new above £3,000; price for collection £1,500.
Plus any reasonable offer for any or all of …

– three lesser handheld drills (one Dremel, dunno what the others are – some bits included, plus a vertical drill stand)
– a collection of glass cutting tools (inc A3 cutting mat, circle cutter, steel set square)
– a quantity of solid optical glass blanks, about 40 in total, most square cubes but also rectangular blocks and paperweight-type roundels
– around a dozen Dartington lead crystal free-blown bowls, all pre-owned

Enquiries to Dennis Jarrett, whatsapp 07538658384 or email dennisjarrett@duck.com

Corning Museum of Glass – Casting Symposium 1st – 3rd June 2026

The Studio of the Corning Museum of Glass proudly presents The Studio Casting Symposium, a premier gathering of internationally recognized artists and innovators working in cast glass who will share their expertise through live demonstrations, panel discussions, and in-depth lectures.

Exploring both the creative and technical dimensions of the medium, the symposium offers an unparalleled opportunity to engage with the leading voices shaping contemporary cast glass. Whether you are an established practitioner or newly exploring the field, this program promises to deepen technical knowledge, spark creative inquiry, and foster meaningful dialogue within a vibrant community of makers.

Scheduled immediately prior to the Glass Art Society (GAS) Conference, participants are encouraged to extend their stay in Corning—the heart of the glass world—for a full week of artistic and intellectual exchange.

Join us as we celebrate and explore the creative and technical possibilities of cast glass with these remarkable contributors.

Registration opens Monday, December 1, 2025 at 9 am ET. Space is limited, and we expect the symposium to sell out quickly.

FULL DETAILS HERE

.