The Stained Glass Museum Spring online Talk Series – The Exceptional Art of Glass March 2024

Celebrating the fascinating material of glass, its industrial heritage, the skills and ingenuity of contemporary glass artists, and its place in our built environment.

A series of online talks (held via Zoom webinars) this spring to coincide with The Glass Heart exhibition at Two Temple Place, London, for which The Stained Glass Museum is a lending partner.

Tickets are £6.50/£5 Friends of SGM
https://stainedglassmuseum.com/toursandlectures

A spotlight on our glass heritage with National Glass Centre, Sunderland, St Helen’s World of Glass and Stourbridge Glass Museum
Wednesday 13 March, 7pm
Book Tickets

The Art of Glassblowing with Ayako Tani and Christopher Day
Wednesday 20 March, 7pm
Book Tickets

Architectural Glass: The Supreme Art with Andrew Moor
Wednesday 27 March, 7pm
Book Tickets

The Stained Glass Museum
South Triforium
Ely Cathedral
Ely
CB7 4DL

+44(0)1353 660347 www.stainedglassmuseum.com

M A K E R O P P O R T U N I T I E S Preparing to Sell Workshops, Spring Edition

Do you need to improve time management? Are you looking for advice on how to apply and take part in Craft Fairs? How to improve your visibility on Social Media? Ever wondered how AI could improve your business? ⁠

Join industry experts for Preparing to Sell Online to arm you with the tools to move your business forward. All times are GMT. ⁠

And you don’t even need to turn up as all the workshops are recorded and you receive a recording afterwards. ⁠

⭐️ 11am March 20th Time Management with Laura Jane.

⭐️ 11am March 27th Social Media Visibility : Grabbing Attention with Laura Jane.

⭐️ 11am April 3rd How to Harness the Power of AI to Help Your Business with Stacey Sheppard.

⭐️11am April 10th How to Prepare for Craft Fairs with Sarah James MBE⁠ from Find a Maker & Craft Festival⁠

Duration:  Approximately 1 hour each

Price: £15 per workshop

 

https://www.craftfestival.co.uk/MAKER-OPPORTUNITIES/Latest-News/

Many of our members now have excellent web profiles, with images and a few words about themselves and their work. But we still have some empty images and no words. PLEASE help us to fill the gaps!!

Please have a look at the CGS website page of Alexandra Mezo – Contemporary Glass Society (cgs.org.uk) to see how good it can look.

We use your web profiles and images to promote members through our social media channels, so it is really important that you complete your profile and have good images.We want you to tell everyone what you are doing and promote your work. Don’t forget you can use our Noticeboard  to spread the word about any Exhibition you are in, Open Studios or Workshops you are running, maybe something you want to sell.We know our website is visited regularly so don’t miss out.

Sculptural Slumping Masterclass

This 3-day course (10-12 May 2024) for intermediate/experienced kiln-formed glassmakers exploring a variety of ways to control movement in the kiln but other students will gain insights into novel glass forming processes. Students will be prompted to investigate their sculptural ideas and why movement is so important in their work. We’ll achieve this through a series of demos, visual presentations (explaining my own processes and other artists work) and two making projects.
Working with both float and Bullseye glass, three kiln forming techniques will be explained: ceramic slip cast moulds (like store bought slumpers but your own design); hardened fibre blanket moulds; carved refractory moulds. Extensive course notes with sample firing pro-grams are provided along with all mould-making materials. You’ll need to bring your own glass: 30 x 40cm 4mm sheet of float glass and the same sized piece of Bullseye glass
(equivalent in several pieces if preferred). These techniques are suitable for both fused and kiln cast work. Students will be given a short homework brief before the course to produce small models exploring movement through other materials.
Cost: £395 per person, includes mould-making materials and firings but students will bring their own glass.
Location: The Laurels, Goose Green, Gomshall, Surrey GU5 9LL.
Students: Maximum 4
Please email for more info or a booking form, studio@pettibone.co.uk

Folding, Falling, Forming: Sculptural Glass Slumping with Multiple Bends 26-28 April 2024

An extension to the Sculptural Slumping Masterclass, this course focuses on creating complex glass forms through a sequence of kiln firings that gently bend the glass in several stages. Students will complete two projects over three days using sheet glass and a range
of studio props (ceramic and refractory) following the steps needed to make dynamic, flowing sculptures through harnessing the forces of gravity and heat. Primarily using Lisa’s studio props, you’ll explore inventive ways to employ ad hoc props to hold or guide glass including wire, kiln furniture and fibre blanket.
A comprehensive visual presentation detailing the making of a selection of Lisa’s previous work, will give a fresh perspective to a range of manipulation techniques. Temperatures and annealing strategies will be discussed. Participants will become more confident devising firing programs that leave room for spontaneous and surprising results.
Students are asked to bring a researched concept (sketches or other media) to discuss for future work. Together we will trouble shoot your ideas, imagining kiln set-up scenarios to achieve your ideas. A handout will summarise the core concepts and firing programs covered in the demos and presentation. All kiln-based materials are provided but students will bring their own glass. Bullseye glass will be used for this course but the methodologies you’ll learn apply to any type of glass.
Cost: £375 per person, includes mould-making materials and firings but students will bring their own glass.
Students: Maximum 4
Location: The Laurels, Goose Green, Gomshall, Surrey GU5 9LL
Please email for more info or a booking form, studio@pettibone.co.uk

Living Rooms, Solo Show

This exhibition will bring Kira’s works into the living world, showcasing how they can breathe life into any room and how easily they can transfer to almost any setting. Each aspect of her work is meticulously planned, and yet encompasses a sense of freedom and wonder, they are a fantastic complement to any ‘living’ room.

Whether you are seeking to complete your family space, work space or a combination, Kira’s creations, both 2D and 3D, are a brilliant accent and can also become a playful, wondrous focal point.

Show run: Monday 26th February – Saturday 2nd March 2024

Opening times: Monday – Friday, 11am – 7pm, Saturday 10am – 6pm

Venue: 67 York Street, London, W1H 1QA

FLATBED KILN FOR SALE

MANUFACTURER – Uterm, Sweden
16 AMP – 10KW – 400 VOLTS
Can be run single or three phase.
The kiln is in excellent condition and has been serviced regularly.

EXTERNAL MEASUREMENTS
Length 158cm (inc struts & fan) x depth 90cm (inc handle & hinges) x 125cm height.
Base height 86cm.
INTERNAL MEASUREMENTS
Length 106cm x depth 55cm x 22cm deep.
Takes 2 x 50cm x 50cm bats (included in sale)

Also included in sale
CONTROLLER – Bentrup TC 405/30 (instructions included)
Fixed with a Systemair Cooling System (instructions included)

Collection from Wem near Shrewsbury, Shropshire

CGS Members Discounts with our Trade Partners

CGS is grateful to our trade partners for their amazing discounts for CGS members. Visit their websites for further details.

 

 

Kilncare FK6 Glass Kiln

Kilncare FK6 Flatbed Glass kiln for sale. In excellent condition. This really is like a new kiln. Complete with range of kiln shelves, ST315 Stafford Controller. Internal measurements 1050mm x 1050mm x 265mm. On frame with castors for ease of movement. RRP £9000 selling for £4000. Collection from Carlisle. Kiln is located on the ground floor , tail lift or ramp required to load.

Work Placement Awards- Lever Award and Ashton Hill Awards 2024

The work placement awards for 2024 have now been launched. Deadline for both the 15 week Ashton Hill Award, and 30 week Lever Award is noon 27 March 2024. Interviews will take place on 17 May 2024.

The work placement awards offer funded work placements to emerging stained glass artists and conservators. The Ashton Hill gives the successful candidate access to a training and skills fund of £750 and £5,775 (£385 per week). The Lever Award offers a training and skills fund of £1,000 and £11,550 (£385 per week).

http://glazierscompany.org.uk/award-for-excellence-and-ashton-hill-awards/

THE WORSHIPFUL COMPANY OF GLAZIERS AND PAINTERS OF GLASS

THE ASHTON HILL AWARD 2024

This 15-week work placement in a noted studio/studios of national or international repute is open to a recent graduate, a promising trainee, or other individual interested in broadening his or her experience in stained glass, with a view to making a career in this field. It is open to those interested in becoming a stained glass conservator or stained glass artist. Students and practitioners from other conservation/arts disciplines are invited to apply. Applications are invited from individuals within five years of completion of their initial training in/introduction to the craft.

ELIGIBILITY:

Candidates must be resident or employed in the United Kingdom in order to be eligible. While good basic manual dexterity and a background knowledge of stained glass is essential, glass conservation or painting experience is not considered as important as an active interest and commitment to the subject, and a willingness to learn, although preference during shortlisting will be given to those with a demonstrable commitment to the medium. The award winner will be required to present proof of acceptable HSE blood lead levels before entering a studio placement – this is not required at interview/selection stage, however.

THE OFFER:

· 15 weeks of fully funded work experience in a leading national or international stained glass studio. A total sum of £5,775 is given to the successful candidate, or, £385 per week. This is available to assist in meeting the cost of subsistence, travel, and rent during the 15 week placement. Normally the subsistence payments are made by the clerk’s office in two tranches, one at the start of the placement and one half way through the award.

· Access to an individually tailored training fund of £750, which is to be used to cover the direct costs of training courses or obtaining tools. Examples may include conferences, specialist memberships, obtaining qualifications, enrolling on short courses. This fund is designed to give the candidate access to resources that enhance their skills and CV. A ‘Training Menu’ will be provided to the successful candidate in order to spark their ideas.

· On completion of the award, the candidate will be offered membership to the livery company, and will be invited to be a Freeman. This is an exceptional and prestigious honour, and is designed to forge a long-lasting link between the award holder and the Worshipful Company of Glaziers.

· Only on completion of the full award can the candidate claim to have attained an Ashton Hill Award. During the award, the successful candidate will be referred to as a Livery Trainee. At the end of the award, the award winner will be expected to provide an illustrated portfolio and fully up-to-date CV for circulation within the Glaziers Company, and for his/her own records. This is an invaluable opportunity also to advertise your credentials to specialists in the industry. This portfolio should be image-rich, and outline what you have achieved as a result of participating in this training award. Portfolios are useful tools for obtaining work in the industry, and the candidate can obtain free feedback and editorial advice on their portfolio in order to enhance their prospects of employment.

HOW TO ENTER

Candidates must submit a CV, together with an abridged portfolio (no more than ten images with accompanying text). Information must also be provided on the questionnaire (see below). These documents must be accompanied by a confidential report on the quality of the candidate’s work and potential from his/her course tutor (a reference) or an established stained glass artist or conservator who knows the applicant. If you do not know of any suitable person, please email the awards coordinator to discuss. The confidential report should be emailed directly to the awards coordinator, and should not be seen or sent by the applicant.

Entries should be sent by email to The Awards Coordinator, Dr Marie Groll award@worshipfulglaziers.co.uk. Postal applications will not be accepted. Completed applications should not be received later than noon on 27 March 2023. Extensions to this deadline will not be permitted. Please contain images within a document rather than emailing individual images – failure to do so will result in the application being rejected. Word document format, rather than PDF, is preferred.

A short list will be drawn up from the entries received and short-listed candidates will be asked to attend an interview. The interview panel is composed of a minimum of three to five leading stained glass practitioners. You will be asked a series of questions during the interview in order to assess your potential, goals, and needs. Interviews will be conducted via Zoom video conferencing. You must prepare a PowerPoint presentation of your current portfolio (lasting no more than 5 minutes). This should include projects/examples of your practical work. The powerpoint should be image-rich. Be prepared to be asked questions about your work after the 5 minute presentation.

The interview is expected to take place on 17 May 2024. Alternative dates cannot be accommodated due to the need to assemble an expert committee of specialists, who, due to the nature of their own work, have limited availability.

The decision of the interviewing panel is final. It is unfortunately not possible to give applicants individual feedback.

NOTE: CANDIDATES MAY APPLY FOR BOTH THE LEVER AWARD AND THE ASHTON HILL AWARD.2024 Application Ashton Hill Award