Archives: Artists

My work focuses on mental health, and how particular emotions manifest in the brain. My most recent exhibition The Chemistry of Emotion, looked at the chemical structure of mood effecting Neuro Transmitters.

I am fascinated by the nature of glass, and its manipulation using both hot glass techniques and kiln forming. My current research focuses on uniting glassblowing and ladle casting to create intriguing spaces within cast glass.

Heike’s sculptures explore the interaction of colour, form and light in glass solids. Heike aims to make forms capable of transformation, ideally in several different ways. Her works can change depending on the viewing angle, when set into motion, and in different light conditions. Her current series of work is based on a concept called D-form: A three-dimensional form is created by joining the edges of two flat shapes with the same perimeter length. Outcomes are wildly different depending on the point at which the shapes are joined. The resulting abstract sculptures do not have a base, and can be displayed in different orientations.

I make glass that transforms experiences of trauma into objects of healing, with a particular focus on women’s experiences and motherhood.  As a breastfeeding counsellor, I work with a wide range of women who have had life-changing experiences around birth, infant loss, breastfeeding trauma and more.  I pioneered a unique process to infuse breastmilk into molten glass, through which I make a range of highly personal pieces that embody healing.

My current work explores flow patterns in glass and has been developed during my Masters Degree. Glass is a fascinating material with unique properties. I approach my work in a methodical and scientific way to push these properties to the full. By learning about and controlling the viscosity of glass, I have been able to create novel and intriguing patterns. These patterns of flow were initially inspired by blood flow in the human body but have move beyond this to inform flow in a variety of contexts both in the natural world and human psychology. I want to find beauty in the finished piece, and I want to invoke engagement with the viewer.