Chlapowski, Teresa

As a former knitwear designer, fusing allows me to create forms which have a textile, flowing quality. Sand casting gives me a deeper, more mysterious, alchemic medium to pour into layers, creating more primitive sculptural forms. My vessels express my previous textile background and love of patterns and colours, whilst in the more sculptural pieces I focus on emotions or moments trapped in time which the viewer can make their own.

Somers, Anne

I am a member of the Lunesdale Studio Trail which takes place annually in May/June and comprises 20 artists working in a variety of materials opening their studios to the public. I also take part in local craft fairs, sell my work at a number of outlets including the local tourist information centres, I undertake commissions and made the annual awards for The Lancashire Environment Fund for several years. I am available to run taster courses for groups such as GCSE students, libraries and artitsts groups.

Desrues, Armel

Arrowsmith-Brown, Victoria

Artworks Nancy Goodens

My work explores the colour and texture of glass fusing materials and techniques in a painterly way, an intuitive response to an image or drawing, further enhanced by the surprises created during the glass firing process. Favourite inspirational locations include South Devon, West Cornwall, Dorset and the South Downs.

Scott, Anne

After working with a kiln that is 6in by 6in is hard to do everything I want, but I’m ready to try whatever I can fit in it. Lots of failures but pleased with what comes out ok. I am now a student at the University of Sunderland based at the National Glass Centre in my second year of BA (Hons) Artist Designer Maker – Glass and Ceramics. And have purchased a bigger kiln to do my work due to lockdown. So I am now able to experiment more with kiln glass.

Bowden, Julie

Running mindful glass fusing sessions and makers shop

Prestedge Hunter, Jane

Pozniakow, Aurora

My current work explores the idea of combining sculptural pieces that could also have a practical use in the garden or outdoor spaces and how nature and we respond together.

Avgoloupi, Maria

I use traditional techniques when making Stained Glass. My work is often based on natural themes with a mix of metals and objects. I love seeing the
juxtaposition between these two. Painting usually takes central stage on my work.