In 2025 she partnered with artist Charlotte Birnbaum for the exhibition “The Theatre of the Dining Table – Glass for All Senses” at Gallery Glass, Stockholm, Sweden. Lagerbielke cooperated with Kosta Boda and the crafters at Kosta glassworks in creating blown and cut, as well as casted objects. Birnbaum’s work was made in assemblage technique. The design statement read: Inspired by the cultural history of the set table and the choreography of the meal itself, our project explores their potential today. The exhibition demonstrates encounters between nature and culture. Some of the objects are inspired by the environment and display the function of natural phenomena in the formation of cultural values. We worked with the key words toasting, tasting, decorating, conversing and collecting, and a mutual color scheme.
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My recent projects include the Folded Light series, which are small glass sculptural pieces that are both seductive and alluring. Additionally, my home design series titled “Spring” is a collection of the Australian colours during spring in the rural Barossa landscape at dusk, depicted in large colourful glass vases. Other glass artworks include “The Reconciliation Plate,” figurative works in glass and jewellery pendants.
Throughout my career, I have participated in national and international exhibitions, and my work is part of architectural spaces and collections, including hotels, offices, and other public and private buildings where glass engages in a dialogue with space and natural light.
My practice reflects the interplay between the natural world, storytelling and personal experience. I like to project this through an uncomplicated lens, often more figurative than abstract. I work with lampworked, fused and cast glass and with ceramics to create pieces with which I hope to evoke a sense of connection and enchantment. The materials naturally reflect light and shadow, and I like to experiment with guiding those aspects through the use of variations in colour and texture. I sometimes include interactive elements in my work such as projections and the inclusion of music or sounds. I am currently exploring traditions and rituals rooted in folklore which celebrate elements such as the changing of the seasons.
My work can be seen on Instagram:lizhuppertstainedglass
I also exhibit in various galleries and events as well as with the Herefordshire Guild of Craftsmen
Please see website adamdix.com for details.
My most recent collection is Reflections of a New England; a mixed media collection of fused glass and abstract acrylic paintings inspired by journeys around the states of New England in North America. Earlier works have been inspired by observing social mobility in Sri Lanka, and the natural landscape around the South West of England.
HALTglass is internationally recognised for its innovation and craftsmanship, delivering bespoke commissions and expert tuition across the UK, US, Europe, and Australia.
Recent highlights: Part of gold medal winning team at Chelsea Flower Show 2025 (The King’s Trust commission)
Guest lecturer at the V&A Museum
Architectural Glass Artist of the Year – The Worshipful Company of Glaziers
George and Evelyn Gee Prize for Craftsmanship Specialist training delivered for: The Queen Elizabeth Scholarship Trust
The King’s Trust
York Glaziers Trust
American Glass Guild