Emma Martin

My current work represents my emotions and mental health experience, through colour, texture, and form. The work highlights different sides of my personality using glass colours to describe aspects of my mental health and emotions. The glass texture signifies uncomfortable feelings through rough, matt qualities in contrast to more positive feelings that are glossy and smooth. They are formed into small, delicate spirals and curves. In the darker pieces, the spirals represent a downward spiral; on the lighter side the path leading from outer consciousness to the inner soul.

Poonam Chatlani

Poonam Chatlani has been working with glass for more than 10 years. She uses various techniques such as fusing, slumping, pate de Verre, and glass casting.
She has been awarded several national and international awards.
Poonam’s cultural heritage guides her work, reflected in the fusion of elements and forms found in nature and the human body. His inspiration comes from his ethnic roots in India, where the human figure is the main motif.

Carol

So far only completed a couple of projects mainly coasters and small bowls, ultimately I would like to concentrate on wall art.

Createcic

Siobhan Healy (Healy Arts)

We are working internationally to celebrate and enjoy heritage crafts within contemporary society.

Theo Brooks

Recently showed at the 2022 GAS conference at the Tacoma museum of Glass and this year will be showing again at the British glass biennale.

Sarah Brookman

So far I have been intent on discovering and mastering the various techniques imperative to successful outcomes.
Light refracted and reflected by glass colours is the main intrigue. Melted glass moves in its own way and I would like to harness and encourage this recognition in the pieces.

Georgia Redpath (Redpath Glass)

My work focuses on pattern and structure in two and three dimensions, from the microscopic scale, through to the environmental. I’m currently a doctoral candidate at the University of Wolverhampton, exploring the potential of a modular approach to moulds and making in kiln cast glass.

Wynn Gardner

Kiln work, Commissions

Tulin Bedri

I have recently completed an MA in Glass in Swansea and come from a background in print-making. I am interested in creating texture on glass using kiln forming techniques, acid etch and sandblast. Referencing the natural world; sand, sea and water I explore themes around ‘roots’ and ‘rootlessness’ in my work.