I have been trying to push the glass to its limits and making new experiments with it since I have started working with this medium.I think of wastes as an artistic material,the presence of something residual and processes of things that happened or have been.I recycle paper to make hand made paper and then I produce hand-made glass paper which I called it “Flexible glass sheet”which is simply paper,covered by glass frits and powder. I fold my one dimensional flexible glass sheet into three dimensional forms.Ppaer which is an organic material burns (death) and from its ashes my glass forms born The use of sand as molding material is also symbolically refers to the cycle of life and re-creation, re-generation and re generation. I try to express what different materials have in common or in contrast with each other and how they react when they are back to their origin. I use glass to explain the consistency, Fragility, mortality, immortality and subtleness of human being, life and the nature.
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My work at present is focused on the concept that we are so genetically programmed to connect with nature that we experience satisfaction when we strip the seeds from a stem of grass. Recent exhibitions include
Glisten and Shine: Glass. Cartwright Hall Art Gallery, Bradford – Sept 2017-April 2018 Bradford Open 2019, Cartwright Hall Art Gallery, Bradford Feb-May 2019 Sole Exhibition, Cliffe Caste Glasshouse, Cliffe Castle Museum, Keighley, March 2019 Saltaire Festival Open Gardens and Sculpture Trail Sept 2017, 2018 & 2019
I exclusively do cold work with float glass, using various techniques of etching, engraving, bevelling, polishing, colouring and bonding. Some of these I have developped myself. Every piece is unique.
Nature, myth an magic have always been central to my work and Dragons are still my signature pieces. I am further developing pieces describing creatures from the natural word, particularly Birds, Wild Flowers and – at the moment – incredible aquatic creatures.
I teach classes to one or two students at a time.
Sandy moved to Cornwall permanently five years ago and works from her studio near Looe. She works directly with the glass responding to the light, patterns and ever-changing palette of the Cornish coastline. She enjoys working with colour, but also texture and relief formed by the layering of different glasses and various fusing techniques.
Sandy savours every aspect of glass and create freestanding and wall art together with a range of fused glass jewellery and gift items.
Over the past couple of years I have been lucky enough to work on a project called Rivers of the World with Thames Festival Trust and the British Council, teaching primary and secondary school age children about their river and the river in another country using art as a platform. Some schools were able to learn about glass too, we had a lot of fun and produced a fantastic exhibition that has toured many countries. I am also a board member of CGS and am the editor of the Graduate Review. I want to help others to develop their career in glass and find opportunities and support for new makers through CGS.
For my glass landscapes I use an amalgamation of transparent and opalescent sheet glass, hand-made rolled glass, frits (small ‘bits’) and powdered glass. I look for chemical reactions between certain colours which gives an unpredictability to the outcome. I build the artworks in layers which then have several firings followed by cold-working to remove the ‘shiny’ aspect of glass. I feel this reveals an extra depth to detail and colour, leaving a weathered texture.
Recent exhibitions:
Bath Art Fair March 2019
Windsor Contemporary Art Fair November 2019
Bath Art Fair March 2020
Secret Severn Art Fair September 2020
Open Art Exhibition – Ludlow November 2020