Mola, David

Continuous motion is the basis of his creative pursuits.
The basis of everything is in constant change.
Everything becomes a continuous process of birth and continued destruction from which nothing escapes.

Meager, molly

I use flashed glass which can be etched, painted, stained, enamelled, sandblasted, engraved, adhered laminated. I have a number of exhibition pieces in galleries and on my website

Larsen, Monette

Drawing on the imagery and wonders in the living world around us, Monette examines the concept of beauty within nature exploring molecular structures, nanoscales and mathematics as the foundation for her work. Her current work is influenced by the underlying structures of corals: their shape, growth and movement in the sea.

Lock, Monica

I took part In Cheltenham Open Studios in June 2019, with great success.

Orson, John

No recent work.

Stockton, Morgan

Morley, Linda

Butcher, Julie

Cheek, Martin

2008 Four Seasons Mosaic. Bradstow School, Broadstairs, Kent, UK
2008 Turner to Dickens Flagship Walking Route: Turner Mosaics, Holy Trinity School, Margate, Kent, UK
2008 Turner to Dickens Flagship Walking Route: Dickens Mosaics, Upton School, Broadstairs, Kent, UK
2007 Oast House Mosaic. Bower Grove School, Maidstone, Kent, UK.
2007 Totem Pole tiled panels. South Borough Primary School, Maidstone, Kent, UK.
2006 Snake tiled Panel. South Borough Primary School, Maidstone, Kent, UK.
2006 Turner Triptych. Thanet Mencap, Cliftonville, Kent, UK.
2005 Four Seasons Paving Slabs & Sundial. Thanet Mind Garden Gate, Kent, UK.
2000 Canterbury Tales Mosaic: The Priest.St Augustine’s Abbey Canterbury, Kent, UK.
2000 Asaratron. Unswept floor for museum entrance.Roman Museum, Canterbury, Kent, UK.
1999 Cheeky Birds Tree of Life. Sheerness Library, Kent, UK.
1997 The Tale of Taliesin Mosaic. The Museum of Modern Art Wales, UK.
1996 Peace Mosaic to celebrate the anniversary of V.E. Day. National Army Museum, London, UK.

Trewhella, Sarah

Sarah uses the techniques of Patte de Verre, lost wax casting and fusing, to produce work derived from her interest in life and death cycles, the seasons and natural plant and animal forms. She has a fascination with the sinister side of nature and predatory creatures.