My opus of unique works extends from jewelry to bowls, plates, clocks, and decorative objects to glass paintings that I made specially for my last exhibition.
I am planning to make more pictures in glass using the glass fused technique, and I will concentrate on making big pieces for home decor, like big plates and bowls in intricate and interesting shapes.
I have workshops and courses in my Amalgam glass studio all the time, where I am teaching my students glass fusion.
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Much of my latest work was produced in response to local (California) wildfires — loss, recovery, interconnectedness.
Since my first material was ceramics, I’m looking for ways to combine glass and ceramics in my work. I want each material to express itself while keeping its own unique qualities. Right now, I’m doing a lot of sketching and designing. I believe this approach helps me create higher quality work and use materials more efficiently. I find inspiration in literature, nature, architecture and music. I’m always open to new ideas and experimenting with different ways of working. I hope to take part in exhibitions and creative collaborations in the future
All my glass is made from Bullseye Glass, and each piece is unique. I have just finished my 5th exhibition as part of the Henley Arts Trail, and with the help of my parents, I am looking to exhibit more. First, I need to complete a long list of commissions from my show, which almost sold out.
I work in fused glass to create a variety of projects including pieces for the home and garden to bring light and colour into your space. Recent commissions have included:
– a triptych in wood and glass showing water, reeds and dragonflies
– glass flowers for display on a balcony
– a mirror surround reflecting the coast
I also create colourful jewellery from both art glass and recycled bottle glass.
I particularly enjoy capturing the finest of details of nature and interpretation them in glass.
Creating glass leaves withglass poders to create awesome „replica“ of ephemeral nature, as well as bowls and vessels for glass exhibitions
I originally trained as a painter and printmaker, but now work in a range of media. A while ago I became interested in ceramics and work that I can make in a kiln, which led me to enamelling and glass casting. Printmaking has been a constant thread in my work and I am interested in exploring glass and print..
Recent exhibitions include the Stanislav Libenský Award (Prague Gallery of Czech Glass, 2025–2026), Venice Glass Week, HUB, Design Biennale (2025), Mirage (London Glassblowing Gallery, 2025), Granite and Rainbow (Slade School of Fine Art, 2025), Spring Tide and BOUNDLESS (Mint Gallery, 2025–2024), Glass Beginnings (International Festival of Glass, 2024), and Colour Made Manifest (Pumphouse Gallery, London, 2024).
In 2026, Guile’s work was presented as part of the John Ruskin Prize at Trinity Buoy Wharf, London, where she was awarded Highly Commended, and she was also commended in the CGS Glass Sellers New Graduate Review (2024).
Her awards include the Charlotte Fraser Prize (RCA, 2023), a grant to attend Pilchuck Glass School (USA, 2023), and UCL funding including the CHE EDI Small Grant (2025) and Trellis and Beacon Bursaries (2020–2021). Her research has been published in Colour Made Manifest (2025) and Colour and Poetry (2023; 2025), and she has presented at the Society of Glass Technology Conference (2023) and UCL’s Colour and Poetry symposium.