Contemporary Glass Society: “New Horizons.” Exhibition at the Stourbridge Glass Museum

 Contemporary Glass Society: “New Horizons.”

Exhibition at the Stourbridge Glass Museum –

13th July to 17th November 2024

Following on from CGS’s very successful and popular 25th Anniversary exhibition at the Stourbridge Glass Museum in 2022, we are delighted to be invited back and are returning to the Museum with our new exhibition “New Horizons”.

New Horizons” runs for four months from 13th July to 17th November, 2024 and coincides with the Stourbridge based International Festival of Glass and Glass Biennale which takes place during the summer. The Stourbridge Glass Museum is an ideal venue to host this display of exemplary contemporary glass from CGS members and, alongside this stunning display of work, CGS is running supporting events including artist talks and an opportunity to meet some of the makers.

Meet the Makers on Saturday 24th August from 11.00am – 12.30pm.

Penny Carter     Totem Poles

Stourbridge Glass Museum opened in 2022 in the centre of the Stourbridge Glass Quarter.  This world class venue houses over 500 items from the internationally renowned Stourbridge Glass Collection, celebrating the heritage of glassmaking in both the local area and internationally.  In addition, the Museum also highlights the best in contemporary glass design,

The “New Horizons” exhibition will showcase both traditional methods of glass making along with modern techniques, all producing contemporary work that challenges and explores the boundaries of glass. All the work on show will be either be made especially for the exhibition or is work which has been made since 2022 but has not been previously exhibited. Consequently, “New Horizons” provides a unique opportunity to experience work never before seen in public.

A diverse range of glass making processes from hot glass, casting, kiln formed, pâte de verre, lampworking, neon, and stained glass will be represented by the following artists:

Anthony Amoako-Attah, Emma Baker, Philip Baldwin and Monica Guggisberg, Heike Brachlow, Sarah Brown, Karen Browning, Penny Carter, James Devereux, Catherine Dunstan, Fiaz Elson, Dominic Fondé, Richard Jackson, Verity Pulford, Susan Purser Hope, Laura Quinn, Tim Rawlinson, Opal Seabrook, Ruth Shelley, Angela Thwaites, and Brian Waugh.

  Tim Rawlinson        Trewyn Light

This cornucopia of glass work reflects the dynamism and sheer talent of contemporary glass in this country and demonstrates how glass makers continue to develop and challenge our understanding of glass as an artistic medium.

The Contemporary Glass Society “New Horizons” exhibition is an opportunity to view and experience the best of British contemporary glass artists and should not be missed!

We are grateful to the Golsoncott Foundation for a grant towards this exhibition.

“Thanks for the Memory”- CGS Members Exhibition Prize Winners Announced!

Winners have been announced from our live Exhibition at the International Festival of Glass.

Sponsored by Mark Holford and Alan J Poole

See available work Thanks For The Memory Available Postcards

Prize Winners

People’s Prize – Claire Hall, Remembering Devon

Best in Show – Nancy Sutcliffe, An Elephant never Forgets

Runner Up – Sue Purser Hope, Splash

 

 

 

Runner Up – Opal Seabrook, Snap Shot

Commended – Karen Lilley, Thank you for the venues and to the people who staffed them 2024

Alison Jardine, Star Gazing with Grandad

Helen Slater Stokes, Thank you Ruskin

Kate Jones, Green and Pleasant Land

Zara Johnson, Blooming Brilliant

We sold nearly half the postcards but there are still many wonderful ones left, which we hope to post on the website very soon.

View unsold postcards Thanks For The Memory Available Postcards

To buy any get in touch with admin@cgs.org.uk

 

CALL FOR GLASS ARTISTS NOW OPEN (7th October 2024)

“It’s In The Word”- the next CGS online gallery selling exhibition.

Now is your chance to enter our next exciting online CGS glass gallery exhibition! As with all our shows, it is available to glass artists from around the world. The only criteria is that you must be a CGS Member. It’s super quick and easy to sign up!

THEME:
“Words, words, words! All our lives we use words to express ourselves, to tell stories, to make deals, in love and in anger. We lie, we joke, we make promises and even thump our political soapbox. How do you use words in your work? Do you start with words in a title and take inspiration from them or actually write within your glass? Use words to tell us about it.”

TIMES:

Apply from – 7th Oct 2024
Deadline – 25th Oct 2024
Live – 4th Nov 2024
‘Meet The Makers’ Zoom Evening- 6th Nov 2024

….

HOW TO APPLY:

Head over to your MYCGS page.
Upload all your details and 1 image
.
FULL ADVICE CAN BE FOUND  HERE
.
Contact info@cgs.org.uk if you need help or have any questions.
.

CGS- Wednesday Night Talks for October: “Dot to Dot” with Helen Twigge-Molecey

On Wednesday, 23rd October at 7.30pm

.

.

Helen Twigge-Molecey is an award-winning artist and designer who enjoys working in different mediums – especially glass – and has a studio near Brighton, England. She is interested in how you can effect change through a positive experience and underpinning her work is a desire to make it beautiful, simple, accessible and fun.
With a background as a TV director, Helen’s interests are eclectic – from the hand-made to the industrial and the functional to the fantastic.  Her work ranges from toy and product design to conceptual art and large-scale public installations.
In her talk Helen will cover her fascination with fungi, exhibiting in Venice, building a studio, research projects, site specific installations, collaborations, kaleidoscopes, mentoring and more – not necessarily in that order but hopefully showing how it’s all interconnected and the dots join up.
.
How to join in?
CGS Members: Use the Zoom link and password in your E-bulletin
Non-members: Sign up HERE and then please email admin@cgs.org.uk stating you are a new member and would like the link/password.
As a CGS member, you will then have unlimited access to over 100 artist/specialist talks. Listen at your leisure.
.
.

Discovery Day at the Victoria and Albert Museum, London

Discovery Day at the Victoria and Albert Museum, London

Saturday, 7th December 10am to 5.15pm
LINK for tickets

Sponsored by

· the Victoria and Albert Museum https://www.vam.ac.uk/

· Pearsons Glass https://www.pearsons-glass.co.uk/

Be there and just be inspired!

The Contemporary Glass Society continues to expand horizons and take contemporary glass into the community through its iconic Discovery Days. CGS is the UK’s foremost organisation supporting both established glass artists and up-and-coming makers. Our mission and passion are to promote contemporary glass among the art world and wider public.

CGS returns to the Victoria and Albert Museum in London for its final event of 2024.
Come along to our Discovery Day which is open to all!   Join inspired glass artists and listen to their fascinating stories. Have time to meet and network with fellow makers and enthusiasts, explore the Museum’s winning galleries and be part of a memorable day.

DISCOVERY DAY PROGRAMME
on Saturday, 7th December, 2024

10.00am        Museum opens. Registration & coffee

10.30am        Welcome

10.45am        ” You gotta grind while the grit’s runnin ! ” by Theo Brooks

11.45am        “Like a Moth to a Flame: A Journey into Molten Glass   Sculpting”  by Laura Quinn   

12.45pm        Lunch & tour of galleries (1hr 30minutes)

2.15pm           “Unlimited Restrictions” by Opal Seabrook 

3.15pm           Tea and coffee and networking

4.00pm           “Glass Print and the Creative Journey – Layer by Layer” by James Cockerill   

5.00pm           Farewell

5.15pm           End of day

5.45pm           Museum closes

LOCATION:
The Hochhauser Auditorium, The Victoria and Albert Museum, Cromwell Rd, London SW7 2RLTel: 0207 9422000

TICKETS:

CGS members admission to the event is £45 including booking fee and morning and afternoon refreshments.

There are 20 student tickets at £30 including booking fee and morning and afternoon refreshments.

Non CGS members £55 including booking fee and morning and afternoon refreshments.

All the tickets sold out for last year’s event and there was a waiting list. SO……Book early before we start promoting the event to the general public!

LINK for tickets

With thanks to our sponsor:

· the Victoria and Albert Museum https://www.vam.ac.uk/

· Pearsons Glass https://www.pearsons-glass.co.uk/

Speakers

” You gotta grind while the grit’s runnin! ” with Theo Brooks

Theo Brooks is a British Cypriot glass maker from London. His passion is creating contemporary reinventions of important ancient Cypriot artefacts as sculptures and installations, to represent his Cypriot culture and promote Cypriot arts. Alongside this, he blends his two cultures into the aesthetics of the objects, taking visual inspiration from growing up in south London. This connection to tradition, identity, ritual and history explored through such a challenging medium such as glass, gives a unique perspective on these cultural objects, which has not been investigated in depth before in glass.

Theo Brooks studied glass at the University for the Creative Arts, Farnham and gained his Masters in Fine Art from Bowling Green State University, Ohio, USA. He apprenticed in hot glass with Simon Moore, Smithbrook Glass Blowing Studio and Rothschild & Bickers Ltd, and studied glass cutting with Philip Baldwin and Monica Guggisberg, in Paris, France. Theo has work in permanent collections and has exhibited globally. He has also won scholarships to attend masterclasses at Penland School of Crafts, Corning Museum of Glass and the Toledo Museum of Glass.

The talk at the discovery day will be an insight into Theo’s journey of working with glass, alongside the ancient influences and objects from Cyprus. A dive into the ritualistic objects and iconography of Cyprus, and the different glass making techniques involved in creating his work from hot sculpting in the hot shop to lathe cutting in the cold shop.

“Like a Moth to a Flame: A Journey into Molten Glass Sculpting”
 
with Laura Quinn

Laura Quinn is an Irish glass artist based in Reading. She obtained a BA (hons) in Glass and in Art & Design History from the National College of Art and Design, Dublin and an MA in 3D Design Crafts from Arts University Plymouth in 2019. In 2022 she exhibited at Collect Open in London and has been selected for both the Ireland Glass Biennale and the British Glass Biennale.  Laura was the recipient of the Golden Fleece Award and RDS Craft Bursary in 2022, two of Ireland’s most prestigious arts awards. In the same year she was awarded funding from the Queen Elizabeth Scholarship Trust, becoming a QEST scholar. Her work has been acquired for Ulster Museum’s Public Collection, and the OPW’s Irish state Art Collection. Alongside her creative practice, she works as the Glass Technical Tutor at the University for the Creative Arts, UK.

Laura creates interactive sculptures using a combination of traditional glass making methods such as glassblowing and lampworking combined with digital technologies and alternative materials. The interactive sculptural forms she creates encourage close human engagement to challenge the perceived restraints of glass as being too fragile to touch. Based on theorist Michael Polanyi’s writings on tacit knowledge, her work explores what silent knowledge of the material the viewer can obtain through sight and touch. She designs and creates her work so that it is modular; it is often composed of hundreds of meticulously handmade glass components combined with flexible materials to create moveable, durable frameworks. This interface is vital in creating pieces that garner a close human-material relationship.

Laura’s artist talk will introduce her glassmaking journey covering both the technical and conceptual developments. She will discuss the highs and lows along the way and share with the audience a little part of the magic world she is honoured to be a part of.

“Unlimited Restrictions” with Opal Seabrook

I love storytelling, creating beautiful artworks with an interesting or even dark back story, and using what people have called my quirky character to make people smile. I believe art is good for the soul and for mental well-being, and I try to bring art into as many people’s lives as possible.

Following a visit to Scotland many years ago, I discovered traditional stained glass making and fell – quite accidentally – into the wonders of glass art which quickly drew me in and began my journey into the art world. Since my introductions into glass and throughout my journey I have often been told about restrictions – what can’t be done in stained glass, what can’t be done in fused glass, etc – without being given reasons. This encouraged me to test, trial, and develop methods to bypass them.

During my talk I will take you on my journey, looking at how I work as sustainably as possible, engineering and developing new techniques to mitigate the restrictions in the glass, the glassmaking and in perceptions. I will give you a glimpse into how my first year as a full-time glass is going, and where I see the future taking me.

“Glass Print and the Creative Journey – Layer by Layer”

with James Cockerill

For the past 13 years, I have dedicated myself to building my studio and establishing my career as a glass artist. My primary medium is glass, which I transform into visual narratives using silk screen printing, traditional glass paints, and enamels.

I have focused not just on mastering my craft but also on discovering and refining my artistic voice. This journey has been filled with both challenges and triumphs, and it has been influenced by my interactions with the materials I use and other artists I’ve engaged with.

I’ll be talking about my creative processes and how I have navigated the path to finding my unique voice in the art world. I’ll share insights into the techniques of silk screen printing on glass and the use of photo montages to create layered works. Additionally, I will discuss the pivotal moments and key influences that have shaped my artistic thinking.

LINK for tickets

 

Glass Discovery Day at the Victoria and Albert Museum, London

Saturday, 7th December 10am to 5.15pm

Be there and just be inspired!

Tickets

The Contemporary Glass Society continues to expand horizons and take contemporary glass into the community through its iconic Discovery Days. CGS is the UK’s foremost organisation supporting both established glass artists and up-and-coming makers. Our mission and passion are to promote contemporary glass among the art world and wider public.

CGS returns to the Victoria and Albert Museum in London for its final event of 2024.
Come along to our Discovery Day which is open to all! Join inspired glass artists and listen to their fascinating stories. Have time to meet and network with fellow makers and enthusiasts, explore the Museum’s winning galleries and be part of a memorable day.

DISCOVERY DAY PROGRAMME on Saturday, 7th December, 2024

10.00am Museum opens. Registration & coffee

10.30am Welcome

10.45am ” You gotta grind while the grit’s runnin ! ” by Theo Brooks

11.45am “Like a Moth to a Flame: A Journey into Molten Glass Sculpting”
by Laura Quinn

12.45pm Lunch & tour of galleries (1hr 30minutes)

2.15pm “Unlimited Restrictions” by Opal Seabrook

3.15pm Tea and coffee and networking

4.00pm “Glass Print and the Creative Journey – Layer by Layer” by James Cockerill

5.00pm Farewell

5.15pm End of day

5.45pm Museum closes

LOCATION:
The Hochhauser Auditorium, The Victoria and Albert Museum, Cromwell Rd, London SW7 2RL-  Tel: 0207 9422000

 

Start preparing for the next CGS online glass exhibition!!

CALL FOR GLASS ARTISTS OPEN FROM 7TH OCT 2024

“It’s In The Word”

Now is your chance to enter our next exciting online CGS glass gallery exhibition! As with all our shows, it is available to glass artists from around the world. The only criteria is that you must be a CGS Member. It’s super quick and easy to sign up!

THEME:

Words, words, words! All our lives we use words to express ourselves, to tell stories, to make deals, in love and in anger. We lie, we joke, we make promises and even thump our political soapbox. How do you use words in your work? Do you start with words in a title and take inspiration from them or actually write within your glass? Use words to tell us about it.

TIMES:

Apply from – 7th Oct
Deadline – 25th Oct
Live – 4th Nov
‘Meet The Makers’ Zoom Evening- 6th Nov

….

HOW TO APPLY:

Head over to your MYCGS
Upload all your details and 1 image
NEED HELP WITH IMAGE UPLOAD? ADVICE HERE
.
.
.
Contact info@cgs.org.uk if you need help or have any questions.
.
.
.
.
.

“PATTERNS: COMPOSITION AND DESIGN”- do take a look at our new online glass selling exhibition.

Live – 2nd September 4th November

“A pattern is an arrangement of lines or shapes, especially a design in which the same shape is repeated at regular intervals over a surface. Patterns exist all around us. We can find a pattern in the trees, in passing cars, ice crystals, in our thought processes or in our clothes. A pattern is also an arithmetic sequence, regularity in the world, in human-made design or in abstract ideas.”

What does pattern mean to CGS glass artists. And how do they express it in their work – see their compositions.

54 CGS members share their work with us.

There will be a: MEET THE MAKERS evening, for all artists taking part in “Patterns: Composition and Design.”

This will take place on ZOOM – event on Wednesday September 11th at 7.30pm U.K. time.

 

Contact info@cgs.org.uk if you have any questions about the show or participation in shows.

CGS announces the winners of the Glass Sellers’ / CGS Graduate Prize and New Graduate Review 2024

The Glass Sellers’ & Contemporary Glass Society Graduate GLASS PRIZE and NEW GRADUATE REVIEW 2024.

CGS is very pleased to be joined once again by the Worshipful Company of Glass Sellers and Professor Mike Barnes to offer this exciting Prize & New Graduate Review 2024 to this year’s Graduates.

As part of our ambition to support emerging graduates at the beginning of what they hope is a long career in glass making, CGS offers an annual Graduate Prize and produces the New Graduate Review, featuring the work of some of the best of the UK’s glass art graduates emerging from British, Irish, Universities and Colleges. To enable CGS to do this we are grateful to receive funding and support from the Worshipful Company of Glass Sellers of London Charity Fund together with Professor Michael Barnes MC FRCP and our other sponsors, Creative Glass, Pearsons Glass, Warm Glass, Neues Glas and Alan J Poole.

The Worshipful Company of Glass Sellers’ is one of the Livery Companies of the City of London. Granted a royal charter by Charles II, today the role of the company is to stimulate interest in the many and varied aspects of glass and carry out charitable works, with special emphasis on education.

The judges had a long and arduous task in selecting the 4 Prize Winners; 4 Highly Commended, and the 9 Commended graduates to be included in the New Graduate Review 2024. This year there will be two First Prize’s plus two Runners Up.

New Graduate Review, 2024.The review will also be published as a supplement to the November issue of the international magazine NEUES GLAS – NEW GLASS: art & architecture and will be sent to all subscribers.

Glass Sellers’/ CGS 2024 Graduate Glass Prize and the graduates to be included in the

1st Prize – Helen Restorick – University for the Creative Arts, Farnham – MA

1st Prize –Lu Shi – BA Fashion Design in Knitwear, Central Saint Martin’s School of Art in University of The Arts London also working at Morley College

 

Runner Up – Bethan Yates – Royal College of Art, London MA

Runner Up – Sue Simmons – University of Sunderland BA

 

Highly Commended – Charis Constantinou – Swansea Collect of Art UWTSD

Highly Commended – Nancy Farrington – Swansea Collect of Art UWTSD

Highly Commended – Brynn Hill – University of Sunderland BA

Highly Commended – Sophie Longwill – Royal College of Art, London, MA

Commended – Matt Turner – Manchester School of Art, BA

Commended – Liz Waugh McManus – University of Sunderland PhD

Commended – Evan McKenna – National College of Art and Design. BA Ceramic & Glass

Commended – Maria Donnai – Hull College. BA in Fine Art

Commended – Kieran McQuillan – University for the Creative Arts, Farnham – BA

Commended – Kathleen James – University of Sunderland BA

Commended – Joanne O’Mahony – MTU Crawford College of Art and Design, Cork, Ireland. BA

Commended – Shonah Escombe – Forth Valley College BA

Commended – Jo Guile – Royal College of Art, London, MA

 

The selection panel comprised of Monette Larsen – artist, Professor Michael Barnes – glass collector/ CGS Trustee, Sarah L. Brown – glass artist/ CGS Trustee and Leigh Baildham from the Worshipful Company of Glass Sellers of London Charity Fund.

 

We are also grateful to Alan J. Poole for his tireless work in tracking down all glass students graduating in 2024 and encouraging them to apply for the Prize.

 

“During a challenging time in higher education with an ever-dwindling number of courses related to glass, it is a delight to see the continuing strong set of entries this year. The inspiration and imagination shown demonstrated the thought that had been applied to all work submitted. As ever, the task for the judges was made harder by the wide diversity of style and design of the glass work. In an unprecedented decision, it was resolved that two First Prizes would be awarded this year. The reason behind this decision was that the judges wanted to recognise two very different kinds of work using glass embracing the fashion world, along with the more traditional form of studio glass. So much promise for the future!” Leigh Baildham WCOGS.

“It was a pleasure to be a judge for the Graduate Prize again. The quality of the entries always amazes me, especially at these difficult times for glass. This year was especially tricky, as we had difficulty deciding between the eventual winners with two such different approaches. In the end, the decision to award two First Prizes seemed fair and reflects the high quality of those two entries with such different styles of glass. Well done to them both! And well done to everyone who entered. I really hope that some of you will pursue a career in glass. What you have achieved so far shows that if you choose to, you have a future in this exciting industry”. Michael Barnes CGS Treasurer and Collector.

“It was lovely to see a very broad range of techniques represented throughout the applications. I wish them every success for the future. “Sarah Brown

 

“It was a delight to see such a variety of glass making techniques being explored in conjunction with a multitude of ideas in the entries. Not only from students in glass programs but also by graduates in other programs. I hope to see them all continue to push their skills and ideas in the future. I wish all the graduates’ success with their work.” Monette Larsen, Artist & Educator.

Helen Restorick – Joint Winner

 

Lu Shi , Glass Dress Joint Winner

 

All British and Irish students graduating from an accredited course in 2023 were eligible to enter.

 

Joint First Prize x 2 includes:

£500 in cash,

£100 Creative Glass UK vouchers,£50 Warm Glass voucher

Cover of the Graduate Review & two feature pages inside,

Two years’ C.G.S. Membership,

Alan J. Poole will provide a selection of glass related books, including ‘A Passion for Glass’,

A year’s free subscription to Neues Glas.

 

Two Runners Up both receive:

£50 vouchers from Pearsons Glass,

A year’s Membership to C.G.S.

A year’s free subscription to Neues Glas

 

C.G.S. received a total of 35 applications from sixteen colleges/universities, including Central St Martins, UAL, City of Glasgow College, Forth Valley College, Hull College, University of Wolverhampton, Manchester Metropolitan University, Morley College London, Arts University Plymouth, Royal College Of Art, London, University for the Creative Arts at Farnham, University Of Sunderland, University of Wales Trinity St David Swansea, National College of Art & Design Dublin, Crawford College of Art and Design part of MTU University, Cork, Ireland, Manchester School of Art.

 

The Contemporary Glass Society (CGS) is widely regarded as the foremost organisation in the UK for promoting, supporting and encouraging cutting edge contemporary glass and glass-makers within the wider art world. Website: www.cgs.org.uk

 

The Prize & Review were sponsored by

Pro. Michael Barnes MD FRCP, The Worshipful Company of Glass Sellers’ Charity Fund, Creative Glass, Pearsons Glass, Warm Glass, Neues Glas, New Glass Art & Architecture and Alan J Poole

 


COMPLETE YOUR MEMBERS’ PROFILE AND IMAGE UPLOAD

COMPLETE YOUR MEMBERS’ PROFILE

• Login to your account
• Click on My CGS on the top right hand https://www.cgs.org.uk/
• Complete your profile
• Here is a short description of each tab:
o Details: general information about you, please keep this up to date as it is used to mail out
the magazine Glass Network.
o Profile image: main image display on find a glass artist (this is required)
o Submit to an exhibition: submit to open exhibitions, this is where you take part in online
exhibitions.
o Images: upload your art work images, up to nine.
o Activities: additional information, tell us what technique you use, what area you work in, etc.
o Edit profile: here you can write about yourself and your work , this is required for you to
appear in FIND A GLASS ARTIST.
o Add notices: here you can add notices in the CGS noticeboard, sell equipment advertise
exhibitions etc. https://www.cgs.org.uk/noticeboard/
o Login settings: here you can change your password and email address
o Subscriptions: here you can manage your subscription
NEW – MEMBERS AREA – WEB FEATURE -When you are logged into the website, if you go to
the Resources tab you will find a Members Area tab. Here you can see videos of talks and useful
information.

WE’D ALSO STRONGLY RECOMMEND ADDING A PROFILE PHOTO OF YOURSELF OR PERHAPS YOU IN A STUDIO/WORKSHOP ENVIRONMENT!

THIS HELPS PUT A FACE TO A NAME!

.

PLEASE enure that the photograph quality is good enough! Not only will this increase your visibility but helps maintain a professional approach when people view your work.

.

You can also find more information in the MEMBERS AREA and RESOURCES

https://cgs.org.uk/wp-content/uploads/2020/10/CGS-Guidebook-for-New-website-2020-1-1.pdf

.

If you need help, please email Nicky at info@cgs.org.uk

.

.