Archives: Noticeboards

New Noticeboards and reviews

Rebecca Arday – From Life: Casting with Alginate – 7th, 14th, 21st, 28th July 2026

This is a live online class, taught over Zoom.

Learn to use alginate, an eco-friendly, affordable mould-making material, to create sculptural glass castings from life. Rebecca will demonstrate hand casting with the bucket method and face casting with the lay-up technique. You’ll create wax positives, refine them, and cast them into glass using a plaster-silica refractory mould.

Course price: £190.00

Learn to use alginate, a seaweed based, eco-friendly, skin-safe, economical mold making material, to create sculptural glass castings from life. Two styles of molds will be demonstrated: a bucket mold where the model is submerged (i.e., a hand), and a lay-up mold, where alginate is painted on and reinforced with plaster bandage (i.e., the face).

Alginate molds will then be used for creation of wax positives which can be manipulated if desired and ultimately cast into glass in a plaster-silica refractory mold. The course will cover the process from start to finish.
You can view more of Rebecca’s work here: https://www.rebeccaarday.com/

Skill Level
• Beginners are welcome, some experience with casting is helpful.

Course Summary
Discussions will include:
• Alginate Moldmaking
• Waxworking
• Hand-built Refractory Moldmaking
• Steaming
• Calculation of Glass
• Glass Selection
• Kiln Anatomy & Set-up for Firing
• Firing Schedule Theory
• Divesting
• Coldworking

Workshop Outcomes:
• 2 styles of single-use alginate molds
• 2 cast glass sculptures

Session Times
• Tuesday 7th July 2026 – 5.30 pm – 7.00 pm UK time (This session might be a little longer)
• Tuesday 14th July 2026 – 5.30 pm – 7.00 pm UK time (This session might be a little longer)
• Tuesday 21st July 2026 – 5.30 pm – 7.00 pm UK time (1.5 hours)
• Tuesday 28th July 2026 – 5.30 pm – 7.00 pm UK time (1.5 hours)

How it Works
• The course is made up of live and interactive online sessions using the Zoom platform. You will find the zoom link via the week chapters in the navigation panel.
• The artist will give a step-by-step tutorial with demonstrations, and you will have ample opportunity to ask them questions during the live class
• Each week they will demonstrate a technique for you to try between sessions
• A member of the Glass School team will also be in the Zoom class to assist you
• Mix with the artist and other students on our dedicated community page, open for the duration of the course. Then join our exclusive Glass School UK Online Glass Community Facebook group to continue to mix with those who have attended any of our online masterclasses
• A materials list is provided in the course navigation panel, so you can purchase what you need to create your pieces during the course. You don’t need absolutely everything on this list to be successful, the artist will discuss different ways to reach our technical goals.

All live online masterclass sessions are recorded, so if you cannot attend the live sessions or access your studio at certain times, you can watch the sessions back. These will be available for up to four weeks after the final session. Recordings cannot be downloaded or shared and by joining you agree to being recorded.

These recordings will be available in the course navigation panel.
• You will need a computer, tablet, or phone with a camera and microphone in order to join the online classroom. If you are unfamiliar with using Zoom then please take some time to look at our guide, available in the navigation panel.
• You should have a reliable internet connection, fast enough to make video calls or stream videos
• Please read the Student Participation Agreement
• Ensure that you have checked the materials list and purchased any materials you may require
• A pen and paper to take any notes.
• We restrict the class size to 30 people
• We teach using Bullseye Glass (CoE90)

Contact: Glass School
Email: info@glass-school.co.uk
Book your place

Free Engraving Blanks-offered to any diamond point engravers in the South of England

A unique opportunity for diamond point engravers.

Jason Savidge is offering a generous donation of high-quality, unengraved glassware from the collection of his late father, John Savidge, a skilled and respected glass engraver.

What’s available:

Premium engraving blanks (including Dartington & Orrefors pieces)
Tankards, goblets, plates, wine decanters, jewellery boxes, and more

Additional opportunity:
Engravers are also welcome to take a selection of John Savidge’s finished but unsold engraved pieces, with the option to sell them and retain a commission.

Collection details:

Location: Devon (UK)
Collection required in person
Jason is happy to meet on 14th, 15th, or 16th June

Jason is based in Switzerland but visits Devon approximately every 6 weeks and can arrange handover during these times.

Contact:
Jason Savidge
Tel: +41 76 345 6292
UK: +44 7923 483566

If you are an engraver interested in this opportunity, please get in touch directly.

One Day Course: Stained Glass with Catherine Dunstan – Thursday 25th June 2026 – 10am – 4 pm (6 hours)

This is an in-person course at the Glass School studio.

Course price: £180.00

What you will learn
Come and learn the traditional craft of Stained Glass and make your own panel from scratch on this one day course with glass artist Catherine Dunstan.

This is a hands-on course where you’ll be introduced to many processes, including glass cutting, leading, soldering, cementing and polishing your piece.

You’ll get to choose from a large range of templates that will enable you to get a good grounding in the core skills, whilst also enabling you to finish your piece during the day, ready to take home and show off! Learn about different types of glass and choose from a wide range of colours and textures to suit your style.

You will be able to take your panel away with you on the day.

Skill Level and Essential Information:
This one-day course is suitable for beginners
Please wear closed-toed shoes and tie back long hair. Please wear clothes that you don’t mind getting dirty, or bring an apron. Due to the use of lead, it is recommended that pregnant women do not attend. Soldering flux derived from animal fat is necessary on this course, so regrettably, the course is not vegan.

Course Outcome
A 20cm x 15cm stained glass panel.

Timings
10 am – 4 pm (6 hours)

Location
This class will be conducted at our in person studio at the following address:

The Studio,
1 Westward Court
Westward Close
Wrington
Bristol
BS40 5JY

We cannot guarantee parking immediately outside the studio and rely on on-street parking on neighbouring roads. Therefore, a short five-minute walk is typically required. If this poses access issues, please get in touch with us before booking a class.

What to prepare
• Please wear appropriate clothing and closed-toe shoes.
• If you are attending a One Day Course. Please bring a packed lunch. Alternatively, there are shops and a pub serving lunches within walking distance of the studio.
• All materials are included and all the necessary tools are provided.
• Your booking information will be emailed to you before the course date.
• This in-person course will have up to 4 students.
• We teach using Bullseye Glass (CoE90).
• Students must be over 16 years old.

Book your place via the website
For more information contact: Glass School
Email: info@glass-school.co.uk

FABIAN ROSE at the POKESDOWN GALLERY

I’m sharing Pokesdown Gallery’s inugural exhibition with printmaker Sarah Humby. It’s during the Dorset Art Weeks (weekends only, or by arrangement). The opening is on Thursday evening, 21st May 6-8pm, CGS members welcome.

pokesdowngallery.co.uk
841 Christchurch Road, Bournemouth BH7 6AR

FABIAN ROSE at the POKESDOWN GALLERY

I’m sharing Pokesdown Gallery’s inugural exhibition with printmaker Sarah Humby. It’s during the Dorset Art Weeks (weekends only, or by arrangement). The opening is on Thursday evening, 21st May 6-8pm, CGS members welcome.

Kilncare Ltd – Euro-fuser Kiln for Sale

Kiln Type: Kilncare Ltd – Euro-fuser

Collection only – Located at Ravenswood Village, Crowthorne, RG45 6BQ

Dimensions:
– Height (floor to top, on legs) = 126cm
– Width (left to right) = 115cm main body, 128cm if include the side arm
– Depth (front to back) = 110cm, not including a small power box attached to the rear.

Kiln Specification:
– Voltage 230-400 Kw 10
– Phase 1+3+N Amps 42
– Type No Eurofuser  – Max Temp 950
– Serial No 338211 CE 09/11

Programmer: included – Cambridge ST315

See attached PDF for more details and images

Offers Open: ‘A Reasonable Donation’
Contact: Russell Ford
Email: Russell.ford@norwood.org.uk

British Biennale Press Release

Glass Art Society Announces Artists for the 2026 British Glass Biennale Flagship exhibition

28 August – October 2026, at The World of Glass, St. Helens

The British Glass Biennale is back in 2026 as part of the International Festival of Glass, presenting a diverse range of works from both established and emerging glass artists working across the UK.

Organised by the Glass Art Society (GAS), the British Glass Biennale has been a flagship exhibition within the glass art world for over 20 years, and is the largest selling event of contemporary glass art. Showcasing artists from across the UK, it attracts an international audience looking to discover contemporary developments within glass art, both in technique and subject matter.

‘The British Glass Biennale is a highlight of the glass art calendar’ says GAS Executive Director, Brandi Clark. ‘The exhibition provides an opportunity for both established artists, and those who are at the start of their artistic careers, to share their works and ideas with a national and international audience. It is a fantastic opportunity to learn about new techniques and concepts being explored by contemporary glass artists.’

Artists taking part in the British Glass Biennale were selected from almost 400 applications by a panel of jurors. Alongside international jurors Tami Landis and Jeff Sarmiento, was British glass artist Louis Thompson. With over 30 years experience in glass art, as well as a former winner of the Biennale Best in Show award, Louis, alongside his fellow jurors, brought a wealth of experience and knowledge to the panel.

Commenting on the process, Louis explained ‘The task of any juror is never easy. I was impressed by the diversity and volume of submissions, the standard of work was high in all disciplines and
demonstrated richness, depth, and the quality of British glass today. Working with my fellow jurors, we discussed, debated and expressed our views before agreeing to the final selection. The selected artists engage in a visual dialogue, creating a landscape, which showcases intent, skilland conceptual understanding.’

Artists selected to exhibit their work in the Biennale include Alison Kinnaird, Colin Reid, Phillipa Candy, Camilla Bridgewater, Bruno Romanelli, and Jeff Zimmer.

Opening to the public on Friday 28th August at The World of Glass, St Helens, UK, the exhibition will run until the end of October 2026.
A further two exhibitions are held as part of the International Festival of Glass and will run alongside the British Glass Biennale – the International GAS Member Exhibition, and the
International Bead and Jewellery Exhibition. A full list of selected artists will be available on the GAS website.

As the largest selling exhibition of contemporary glass in the UK, and with almost 200 artists represented across all three exhibitions, collectors, visitors, curators, and anyone with an interest in glass art will be able to see a range of styles, methods, and concepts from some of the leading glass artists working today.

About the British Glass Biennale
The British Glass Biennale is dedicated to showcasing the best in contemporary glass art in the UK. Held every two years, it provides a platform for artists to present innovative work and engage with a global audience. The Biennale is supported by a number of charities and organisations who provide awards for exhibiting artists. In 2026, these include the British Society of Master Glass Painters & The Worshipful Company of Glaziers, The Worshipful Company of Glass Sellers, the Guild of Glass Engravers, Bullseye UK, and Warm Glass UK.

About the International Festival of Glass 

The International Festival of Glass takes place in the UK every two years. In 2026, the venue for the Festival is The World of Glass, St Helens, UK. Taking place from the 28th – 31st August 2026, as well as the three exhibitions, visitors can expect to see live demonstrations, talks, activities, evening events, and community projects. The Festival acts as a hub for networking for artists, collectors, curators, and industry professionals. It is also a great opportunity for anyone with an interest in glass art to find out more about contemporary glass art.

About the Glass Art Society
The Glass Art Society (GAS) is an international, not for profit organisation with the mission to connect, inspire, and empower all facets of the global glass community. Along with other international events, such as the GAS Annual Conference and GAS Travel Programme, GAS is responsible for the management and development of the International Festival of Glass.

Contact
For further details or enquiries, please contact Jennifer Allison, GAS Events and Programme Manager: jennifer@glassart.org

Website: www.glassart.org/ifog/

3 day Intensive Stained Glass Course at Dukes in East Lothian, 5-7 August

Come and indulge your creativity with a 3-day stained-glass workshop (5th -7th August) with Award winning artist and Tutor Kate Henderson.

This workshop will include time for you to experiment with techniques of glass painting, enamels and silver stain, an opportunity for you to develop a series of painterly marks or traditional images on glass. Then using lead along with a range of coloured glass create a stained-glass panel around 50cm x 40cm. This could be a fantastic opportunity to gain experience a new skill and create something beautiful for your home. Designs/templates can be supplied but I am also happy to guide you to create your own design to complete within the time frame of the course.

  • The course runs from 5-7 August.
  • All materials and use of specialist equipment is included in the course fee.
  • Course limited to six participants with no previous glass experience is needed.
  • A 10% (£450) discount is available for an early bird discount until the 31 May

See my website for further details: www.katehenderson.co.uk

Jianyong Guo – Chinese Traditional Inner Painting: Contemporary Innovation – Lecture & Workshop

On 25 April 2026, Manchester Museum were delighted to welcome Professor Jianyong Guo, an internationally renowned glass artist, for a special lecture and hands‑on workshop exploring the contemporary innovation of traditional Chinese snuff bottle inner painting.

In his lecture, Professor Guo shared the history, technical challenges and exquisite craftsmanship of traditional Chinese snuff bottle inner painting. He explained how he has revitalised this ancient art by integrating it into contemporary glass sculpture, merging his own sculptural and painting languages directly into glass forms, bringing new creative life to traditional heritage.

‘This lecture is based on my PhD research completed at the University of Sunderland in 2016. I will continue to promote this creative approach and hope to offer some inspiration to more glass art creators’. Jianyong Guo, 25/4/2026

See the attached PDF for further information.

‘Moss for a Bed’ Opening at Ruthin Craft Centre, North Wales – 4th July 2026

Ruthin Craft Centre, the award-winning Centre for the Applied Arts, is proud to announce the opening of the exhibition, titled:

‘Moss for a Bed’ – A Solo Exhibition by Verity Pulford, runs from 4th July – 20th Sept 2026.

The exhibition brings together her signature ethereal glasswork with new porcelain works, shaped by Verity’s enduring fascination with nature.

“My work is inspired by the complexity of life, particularly the intricate structures and growth patterns found in nature. I am drawn to cryptogamic plants such as lichen, moss, and algae, as well as fungi, and the textures and forms of marine creatures, invertebrates, and coral. I am influenced by how being in nature—and observing it closely—makes me feel. How in both this experience and through the experience of making I find a place of quiet, safety and solace. I often explore ideas of magical realism, creating hybrid forms inspired by, or combining, different plants and organisms”

Verity Pulford is based in Eryrys, North Wales. She recently won the Gold Medal for Craft and Design at The National Eisteddfod of Wales, 2025. Her work is sold in leading galleries, exhibited internationally and collected by private and public institutions. She is a QEST Scholar, part of the Homo Faber Guide and member of the Guild of Makers of Wales. Verity has exhibited at Collect – the leading art fair for collectable contemporary craft and the British Glass Biennale on several occasions.

Verity has been awarded Arts Council of Wales grants for three major projects and WAI funding for a residency at the renowned Chihuly’s Pilchuck Art School in Seattle. She has also completed a funded residency at North Lands Creative Glass Studio in Caithness. Verity has undertaken several projects in healthcare including Walton Centre Liverpool and Betsi Cadwaladr sites.

Please contact Ruthin Craft Centre for more information on the talks and educational programme linked to the show.
Ruthin Craft Centre The Centre for the Applied Arts, Park Road, Ruthin, Denbighshire LL15 1BB. Contact: +44 (0)1824 774801 Email: ruthincraftcentre@dll.co.uk

Free Admission – Free On-Site Parking
Opening Hours: Tuesday – Sunday, 10am – 5.30pm