Kilncare Ltd – Euro-fuser Kiln for Sale

Kiln Type: Kilncare Ltd – Euro-fuser

Collection only – Located at Ravenswood Village, Crowthorne, RG45 6BQ

Dimensions:
– Height (floor to top, on legs) = 126cm
– Width (left to right) = 115cm main body, 128cm if include the side arm
– Depth (front to back) = 110cm, not including a small power box attached to the rear.

Kiln Specification:
– Voltage 230-400 Kw 10
– Phase 1+3+N Amps 42
– Type No Eurofuser  – Max Temp 950
– Serial No 338211 CE 09/11

Programmer: included – Cambridge ST315

See attached PDF for more details and images

Offers Open: ‘A Reasonable Donation’
Contact: Russell Ford
Email: Russell.ford@norwood.org.uk

British Biennale Press Release

Glass Art Society Announces Artists for the 2026 British Glass Biennale Flagship exhibition

28 August – October 2026, at The World of Glass, St. Helens

The British Glass Biennale is back in 2026 as part of the International Festival of Glass, presenting a diverse range of works from both established and emerging glass artists working across the UK.

Organised by the Glass Art Society (GAS), the British Glass Biennale has been a flagship exhibition within the glass art world for over 20 years, and is the largest selling event of contemporary glass art. Showcasing artists from across the UK, it attracts an international audience looking to discover contemporary developments within glass art, both in technique and subject matter.

‘The British Glass Biennale is a highlight of the glass art calendar’ says GAS Executive Director, Brandi Clark. ‘The exhibition provides an opportunity for both established artists, and those who are at the start of their artistic careers, to share their works and ideas with a national and international audience. It is a fantastic opportunity to learn about new techniques and concepts being explored by contemporary glass artists.’

Artists taking part in the British Glass Biennale were selected from almost 400 applications by a panel of jurors. Alongside international jurors Tami Landis and Jeff Sarmiento, was British glass artist Louis Thompson. With over 30 years experience in glass art, as well as a former winner of the Biennale Best in Show award, Louis, alongside his fellow jurors, brought a wealth of experience and knowledge to the panel.

Commenting on the process, Louis explained ‘The task of any juror is never easy. I was impressed by the diversity and volume of submissions, the standard of work was high in all disciplines and
demonstrated richness, depth, and the quality of British glass today. Working with my fellow jurors, we discussed, debated and expressed our views before agreeing to the final selection. The selected artists engage in a visual dialogue, creating a landscape, which showcases intent, skilland conceptual understanding.’

Artists selected to exhibit their work in the Biennale include Alison Kinnaird, Colin Reid, Phillipa Candy, Camilla Bridgewater, Bruno Romanelli, and Jeff Zimmer.

Opening to the public on Friday 28th August at The World of Glass, St Helens, UK, the exhibition will run until the end of October 2026.
A further two exhibitions are held as part of the International Festival of Glass and will run alongside the British Glass Biennale – the International GAS Member Exhibition, and the
International Bead and Jewellery Exhibition. A full list of selected artists will be available on the GAS website.

As the largest selling exhibition of contemporary glass in the UK, and with almost 200 artists represented across all three exhibitions, collectors, visitors, curators, and anyone with an interest in glass art will be able to see a range of styles, methods, and concepts from some of the leading glass artists working today.

About the British Glass Biennale
The British Glass Biennale is dedicated to showcasing the best in contemporary glass art in the UK. Held every two years, it provides a platform for artists to present innovative work and engage with a global audience. The Biennale is supported by a number of charities and organisations who provide awards for exhibiting artists. In 2026, these include the British Society of Master Glass Painters & The Worshipful Company of Glaziers, The Worshipful Company of Glass Sellers, the Guild of Glass Engravers, Bullseye UK, and Warm Glass UK.

About the International Festival of Glass 

The International Festival of Glass takes place in the UK every two years. In 2026, the venue for the Festival is The World of Glass, St Helens, UK. Taking place from the 28th – 31st August 2026, as well as the three exhibitions, visitors can expect to see live demonstrations, talks, activities, evening events, and community projects. The Festival acts as a hub for networking for artists, collectors, curators, and industry professionals. It is also a great opportunity for anyone with an interest in glass art to find out more about contemporary glass art.

About the Glass Art Society
The Glass Art Society (GAS) is an international, not for profit organisation with the mission to connect, inspire, and empower all facets of the global glass community. Along with other international events, such as the GAS Annual Conference and GAS Travel Programme, GAS is responsible for the management and development of the International Festival of Glass.

Contact
For further details or enquiries, please contact Jennifer Allison, GAS Events and Programme Manager: jennifer@glassart.org

Website: www.glassart.org/ifog/

3 day Intensive Stained Glass Course at Dukes in East Lothian, 5-7 August

Come and indulge your creativity with a 3-day stained-glass workshop (5th -7th August) with Award winning artist and Tutor Kate Henderson.

This workshop will include time for you to experiment with techniques of glass painting, enamels and silver stain, an opportunity for you to develop a series of painterly marks or traditional images on glass. Then using lead along with a range of coloured glass create a stained-glass panel around 50cm x 40cm. This could be a fantastic opportunity to gain experience a new skill and create something beautiful for your home. Designs/templates can be supplied but I am also happy to guide you to create your own design to complete within the time frame of the course.

  • The course runs from 5-7 August.
  • All materials and use of specialist equipment is included in the course fee.
  • Course limited to six participants with no previous glass experience is needed.
  • A 10% (£450) discount is available for an early bird discount until the 31 May

See my website for further details: www.katehenderson.co.uk

Jianyong Guo – Chinese Traditional Inner Painting: Contemporary Innovation – Lecture & Workshop

On 25 April 2026, Manchester Museum were delighted to welcome Professor Jianyong Guo, an internationally renowned glass artist, for a special lecture and hands‑on workshop exploring the contemporary innovation of traditional Chinese snuff bottle inner painting.

In his lecture, Professor Guo shared the history, technical challenges and exquisite craftsmanship of traditional Chinese snuff bottle inner painting. He explained how he has revitalised this ancient art by integrating it into contemporary glass sculpture, merging his own sculptural and painting languages directly into glass forms, bringing new creative life to traditional heritage.

‘This lecture is based on my PhD research completed at the University of Sunderland in 2016. I will continue to promote this creative approach and hope to offer some inspiration to more glass art creators’. Jianyong Guo, 25/4/2026

See the attached PDF for further information.

‘Moss for a Bed’ Opening at Ruthin Craft Centre, North Wales – 4th July 2026

Ruthin Craft Centre, the award-winning Centre for the Applied Arts, is proud to announce the opening of the exhibition, titled:

‘Moss for a Bed’ – A Solo Exhibition by Verity Pulford, runs from 4th July – 20th Sept 2026.

The exhibition brings together her signature ethereal glasswork with new porcelain works, shaped by Verity’s enduring fascination with nature.

“My work is inspired by the complexity of life, particularly the intricate structures and growth patterns found in nature. I am drawn to cryptogamic plants such as lichen, moss, and algae, as well as fungi, and the textures and forms of marine creatures, invertebrates, and coral. I am influenced by how being in nature—and observing it closely—makes me feel. How in both this experience and through the experience of making I find a place of quiet, safety and solace. I often explore ideas of magical realism, creating hybrid forms inspired by, or combining, different plants and organisms”

Verity Pulford is based in Eryrys, North Wales. She recently won the Gold Medal for Craft and Design at The National Eisteddfod of Wales, 2025. Her work is sold in leading galleries, exhibited internationally and collected by private and public institutions. She is a QEST Scholar, part of the Homo Faber Guide and member of the Guild of Makers of Wales. Verity has exhibited at Collect – the leading art fair for collectable contemporary craft and the British Glass Biennale on several occasions.

Verity has been awarded Arts Council of Wales grants for three major projects and WAI funding for a residency at the renowned Chihuly’s Pilchuck Art School in Seattle. She has also completed a funded residency at North Lands Creative Glass Studio in Caithness. Verity has undertaken several projects in healthcare including Walton Centre Liverpool and Betsi Cadwaladr sites.

Please contact Ruthin Craft Centre for more information on the talks and educational programme linked to the show.
Ruthin Craft Centre The Centre for the Applied Arts, Park Road, Ruthin, Denbighshire LL15 1BB. Contact: +44 (0)1824 774801 Email: ruthincraftcentre@dll.co.uk

Free Admission – Free On-Site Parking
Opening Hours: Tuesday – Sunday, 10am – 5.30pm

International Festival of Glass CGS Exhibition

International Festival of Glass 2026
The CGS Exhibition

‘A Cabinet of Curiosities’

Call for Entries is open!

The Contemporary Glass Society (CGS) is delighted to announce that we will be holding an exhibition at The International Festival of Glass this year at The World of Glass, St Helens.

The theme is “A Cabinet of Curiosities”, and this is an open call to all CGS members!

Start thinking of what you could make to be a part of our Cabinet of Curiosities!

We invite you to embrace curiosity, experimentation, process-led exploration, and storytelling—whether entirely factual or imaginatively fictional—within your glass pieces. The work will be available for sale, and for the first time in our IFOG exhibitions, we will be able to display 3D objects as well as 2D works!

This exhibition is a sequel to our much-loved Postcard Exhibitions, previously held in Stourbridge. With the new location and format, we are thrilled to open this popular opportunity to everyone at any stage of their making and using any glass technique.

Please note: Unlike previous years, this will be a selected show due to limitations on the number of works we can display. But be assured that we are keen to show work from makers at all stages of their glassmaking career and in a wide range of techniques.

Criteria for Selection
• You must be a member of the Contemporary Glass Society.
• Your work should fit the theme of the exhibition- Be curious, experimental, and intriguing.
• The work must be completed, with high-quality final photos for promotion and the accompanying online exhibition.
• A wide range of approaches and techniques is encouraged and will form part of the selection criteria.
• Pieces should retail within one of the following price categories- £85, £150, £200, £300, £400, or £500.
• The work must be for sale. This is a fundraising event:
o 50% of the sale price goes to the artist (or you may kindly donate this to CGS)
o 20% + VAT goes to The World of Glass
o The remaining amount is a donation towards CGS events, including our 30th Anniversary celebrations next year.
• Size limits:
o Depth no greater than 10cm
o Height and width no larger than 20cm x 10cm (these can be used in either orientation)
• Limited editions are welcome—only one piece is needed for the show, with the option for additional commissions once purchased.
• The work must be delivered between specific dates in July/August to Sarah Brown at her studio. Exact details will be confirmed once your spot is secured.

• Application fee: £15

Exhibition and Sale
• We will hold a launch event at The Festival for the sale of the pieces (time TBC), a fun way to meet other artists and select your favourites.
• Pieces will be affordable, and unsold works will be made available online after the show, giving those who cannot attend a chance to purchase them.
• There will be a Best in Show prize and a People’s Prize, announced at the end of the exhibition.
Images and Documentation
We would love to receive:
• Videos/photos of you making the work.
• High-quality images on a clear background of the final pieces
Have fun with your pieces! Think outside the box (within the size limits) and make something exciting to display alongside a wide range of artists.

Key Dates
• Open Call Launched: April 2026
• Applications Close: 21st June
• Delivery of Work: July/ August 2026 (date to be confirmed)
• Launch Event: During IFOG
• Exhibition Dates: 27th August – 31st October
• Launch Event: During IFOG – time TBC
• Sold/ Unsold Artwork sent: Sold artwork will go to the purchaser in November. Unsold Artwork will need collection arranged at a date TBC.

APPLICATION FORM

MORE INFO ABOUT IFOG 2026

Berlin: Trays of Wonder with Joseph Cavalieri

Learn fun and easy ways to add detailed images and patterns to your glass work. Joseph Cavalieri is excited to return for his fourth class, focusing on fusing and slumping trays with bold, colorful images. Starting with cutting glass, you will learning silk screening, penning, painting, and airbrushing enamels onto glass. Joseph will bring a variety of exciting silk screens for you to use. No prior painting or drawing experience is needed; you will learn how to trace images to bring your piece to life. Plan to make four or more final works during this four day workshop, plus many fired samples of all the techniques, and learn from Joseph’s popular art residency lecture, He will share tips he learned during his fifteen visiting artist residencies. These techniques apply to stained glass projects as well as fused glass projects. Joseph will discuss and bring samples of how to easily use these techniques with stained glass, but the focus of the class is fusing, slumping, and having fun.

Kiln-Formed Glass: The Sustainable Art of Repurposing with Julia Gonyou

Kiln-Formed Glass: The Sustainable Art of Repurposing with Julia Gonyou

10-11 September 2026 (Thursday-Friday)

9.30am-4.30pm 2 days

Location: CGUK Glass Studio – Rochester, Kent

Please join us for an environmentally conscious new workshop focused on exploring the possibilities of sustainable kiln-formed glass, using recycled glass bottles, and float glass.

Participants will learn how to break down these materials and artistically repurpose the glass – without the use of moulds – into unique compositions using pattern, shape and script. You will explore techniques using expressive mark-making, textural objects and cut-outs to create distinctive relief work.

Explore this more streamlined and Eco-friendly approach to glass-making while building practical skills and creative confidence to support your future work.

Projects
Students will have the opportunity to create 3-4 projects, including sun-catchers, and free-standing panels to take home/collect after final firing.

Skill Level
Beginner/Intermediate

Further Information
More about Julia can be found here: www.juliagonyou.com

All class materials and necessary tools/equipment are provided.

Refreshments are included, but please bring your own packed lunch.

Participants must be 18+ years of age.

Workshops are held in our well-equipped studio above our retail centre, accessed via 2 flights of stairs, there is no lift.

NB. A waiting list will be in operation once the class is FULL – please email info@creativeglassshop.co.uk if you would like to be added.

Glasstress – The Modern Art Revolution in Venice

On April 1st, 2026, the international exhibition Glass Stress – The Evolution of Modern Art in Venice was inaugurated at the Tsinghua University Art Museum. This exhibition was organized by the School of Art of Tsinghua University, the Tsinghua University Art Museum, and the Berengo Studio in Italy, curated by associate professor Li Jing from the School of Art of Tsinghua University.

It brought together over 60 works by 56 artists from 20 different countries (including 6 British artists). The artists, within the specific glass culture context of Venice, responded to the proposition of the transformation of traditional craftsmanship in the contemporary context, exploring new artistic expressions and possibilities of glass in the context of globalization and multiculturalism.

Glass has been closely related to the development of human civilization throughout the long history. Due to the ‘stress’ generated during its preparation and shaping, it exhibits unique technical properties and thus becomes an artistic medium capable of expressing aesthetics, symbols, and concepts. ‘Glasstress’ as a physical concept refers to the situation where the amorphous structure of glass is ‘frozen’ during its transition from the molten state to the solid state, thereby retaining the stress state within the material. On one hand, it has given rise to the unique production techniques of glass; on the other hand, it also constitutes the material basis for the fragility, tension, and potential danger of glass. In artistic works, this ‘critical state’ between stability and fragmentation is often transformed into resources with aesthetic tension and spiritual metaphor.

For a long time, glass art has been mostly regarded as merely a ‘decorative medium’, and the inherent properties of the material have often been overshadowed by artistic concepts. The core breakthrough of this ‘Glasstress’ exhibition lies in establishing the ‘active nature’ of glass materials – the transparency, brittleness, and stress marks of glass are no longer mere by-products in the production process, but rather ‘material grammar’ that participates in the generation of artistic meaning, deeply influencing the conceptual construction and emotional expression of the artists.

Exhibiting Artists:

Tony Cragg (UK),Josepha Gasch-Muche (Germany),Sean Scully (USA),Gu Liming (China),Ted Noten (Netherlands),Marta Klonowska (Poland),Dustin Yellin (USA),Thomas Schütte (Germany),Mimmo Paladino (Italy),Zhang Lei (China),Bai Ming (China),Maria Grazia Rosin (Italy),César Baldaccini (France),Fiona Banner (UK),Michael Joo (USA),Jaime Hayon
(Spain),Cornelia Parker (UK),Javier Pérez (Spain),Polly Apfelbaum
(USA),Mirosław Bałka (Poland),Loris Cecchini (Italy),Penny Byrne
(Australia),Charles Avery (UK),Laure Prouvost (France),Emilio Isgrò
(Italy),Erwin Wurm (Austria),Fariba Ferdosi (Iran),Koen Vanmechelen
(Belgium),Halim Al-Karim (Iraq), Judy Chicago (USA), Marya Kazoun
(Lebanon), Jimmie Durham (USA), María Magdalena Campos-Pons (USA),
Osaru Obaseki (Nigeria), Jaume Plensa (Spain), Marie-Louise Ekman
(Sweden), Arne Quinze (Belgium), Chila Kumari Singh Burman (UK),
Massimo Lunardon (Italy), Tony Oursler (USA), Anna Jermolaewa (Russia),
Qiu Zhijie (China), Wu Jian’an (China), Wael Shawky (Egypt), Ilya & Emilia Kabakov (Ukraine), Fred Wilson (USA), Karen LaMonte (USA), Monica Bonvicini (Italy), Mat Collishaw (UK), Joana Vasconcelos (Portugal), Hans Op de Beeck (Belgium), Vik Muniz (Brazil), Antonio Riello (Italy), Robert Wilson (USA), Pedro Friedeberg (Mexico ), Li Jing (China).

Click link below for PDF information

Glass Stress – The Evolution of Modern Art in Venice-Jianyong Guo & Dian Shi

Websites

Tsinghua University Art Museum

fondazioneberengo.org

(The text was compiled by Dr Jianyong Guo and Dr Dian Shi based on the exhibition’s promotional materials. All the figures in the text were provided by the organizing committee of this exhibition.)

Stained Glass Course (mixed ability)

Stained Glass (mixed ability) with Shelly Kitto

20th April to 6th July 2026

10am-12pm or 1pm – 3pm 10 weekly sessions every Monday (except 4 & 25 May)

Whether your aim is to create a beautiful piece of stained glass for your own enjoyment, to delight friends and family, or as an initial step into an art-based career, this class is the perfect choice. You will be taught traditional glass cutting and leading techniques from pattern design through to project completion. As you progress with your projects other skills may be introduced such as glass painting, Tiffany foiling technique and 3-D design.

Please note, there will be additional costs incurred by students during the course to cover basic tools and materials which are dependent on the project you choose to undertake; this will be discussed with your tutor during the first lesson.

Glass Cutting Tool Set

Projects:
· a 30cm-square leaded panel

· a further project(s) of the students choosing after tutor discussion/guidance

Skill Level

This class is mixed ability, suitable for the complete beginner as well as those wishing to continue their stained-glass journey.

You can read our terms and conditions for classes here.

NB. A waiting list will be in operation once the class is FULL – please email info@creativeglassshop.co.uk if you would like to be added.