The inspiration for my work comes from my experiences in life, looking at a garden, listening to music or a poem, looking at fireworks or a landscape, or even the holes in the ground or prints on a pavement or road all give me ideas.
My latest project was on the environment, my piece was called the melting of the ice caps, it has been sold
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Worshipful Company of Glaziers & Painters of Glass 2022 Stevens commission winner.
Although stained glass served as my initial and most direct way to use glass creatively, my fascination with three-dimensional glass has been a constant passion and is the focus of my personal practice.
The current format of my work is massively rewarding, as I am progressively enhancing the scale and complexity of each completed glass work in combination with materials commonly found in industrial settings. Utilising my broad skill set, I have begun fabricating systems that facilitate the transition from static glass works to automated installations, whether placed in gallery or exterior spaces.
My glass work is self-funded, with every aspect of the making process executed myself following my own design brief. Please get in touch regarding my availability to exhibit my work, opportunities for commissioned work or collaborative projects.
The majority of my designs are minimalist in nature, while the techniques are decidedly not.
The Every Drop Counts bowls are fired five times and each display a unique design. The first firing involves creating a glass blank by scoring, breaking and firing two pieces of sheet glass. The second step involves creating a distinctive kiln-carving design using fiber blanket. The next two firings involve building up the edge and crest of the “wave” of the bowls edge. After the fourth firing the bowl goes through a lengthy edge grinding and polishing process. In the final firing the piece is slumped into a mold to create its shape.
In the past year I have begun to engage in processes which involve creating elemental designs and textures using sifted glass powders. You can see this technique used in my Moment In Time wall castings collection, as well as in the small ice cube. Thin layers of organic glass powder creations are sifted and capped between pieces of sheet glass to create a layering effect. The wall pieces are 7-8 layers thick, while the ice cube is nine layers thick. Each piece has design layers, as well as clear layers to create a sense of depth.
Using my glass blowing experience, I have developed a process for glass blowing with recycled bottles. I start with a red-hot bottle preheated in an electric kiln. Using my innovative tooling I precisely grasp it without damage and further heat and shape it in the glory hole. Using glass blowing techniques I transform the rigid glass containers into highly reflective organic shapes. The viewer will have a new appreciation and perspective experiencing upcycled glass bottles as sculptural art and may rethink everyday actions taken in this throwaway society.