Archives: Artists

-Through the Arch – Fused Glass Art-
After purchasing my kiln four years ago, I have never looked back, practising my glass fusing skills in my art studio in the garden.
Glass is such a lovely medium to work in, with its vibrant colour, and light-emitting qualities, not to mention the varied textures that one can achieve with every piece. I like working with both Bullseye and Float glass depending upon the nature of the project.
I really love the challenge of the many and varied commissions I have ben asked to make; my current one being the most challenging – a huge pair of windows either side of a front door, which will be made in six panels depicting a tree with a wild flower meadow beside.
My aim for the near future is to open my studio to visitors running some one-day/half-day courses so that others may enjoy the beauty of glass art too. But first we need to build a purpose-built studio, due to be completed this summer.
To date I have made a variety of items ranging from lamp sconces, sculptures, windows, tiles, splash-backs and coasters to bowls, candle holders, wall plaques, garden frieze and window panels. I have had many commissions, which have comprised wall art, windows, tiles, wall-art plaques and bowls, and these have helped to fund my consumable purchases. I also exhibit at local craft fairs and exhibitions, including the Bucks County Show and Herts County Show.

contemporary fine art glass sculptures

Peter’s sculpture uses bonded glass to explore the relationship of light and form.They vary in size from presentation pieces to outdoor works over 2 metres in height. His sculpture is represented by Gallerry Different, London W1 and is showing currently at Mall Galleries London SW1.

Beveridge works primarily in kiln-formed and surface-decorated glass. She frequently employs traditional printing techniques using the plasticity of glass to explore the recurring themes within her work: time, memory, absence and displacement. Aesthetically, she draws inspiration from architectural finishes and details, such as carved stonework or fragments of wallpaper.

My sculptures – purely abstract at one time – now often refer to elements taken from the earth or the sea.
These are recomposed by my vision of them, and in turn are left open to the imagination of the viewer.
At once dynamic and fluid, yet fixed in a moment in time, they take on the shape and colour of memory.