Bristol Blue Glass

The company was inspired by the attack on the working class and the decimation of British manufacturing by the then Thatcher Government. The loss of skills in working people James saw as a huge threat to the future health and wealth of Britain. James was a multi faceted working Artist, creating art in many different media. He worked upon the principle that Artists should be self sufficient and not sponging, taking monies from hard working people, of all races and backgrounds. This was a controversial approach and caused him conflict with the ‘Bristol’ Art community at the time. To survive James had created work in Metal, Glass, Print, Photography & Sound. His work was speculative yet sold regularly in exhibitions in galleries both in Bristol and London. The company was set as an artistic installation for a single exhibition. It became obvious to James that Bristol Blue Glass as an entity itself, had longevity. James at the time had a working studio set upon the principles that he had learnt after extensive study of Ruskin, Morris and their craft industry. James also studied the Weimar republic 1923, their principles of design, function and production and also took from the concept of Warhol’s art factory.

Contrary to immediate impressions of a standard company, Bristol Blue Glass still adheres to these principals to this day. It is a three dimensional entity, built around the employees, who are encouraged to act, create, behave and think like Artists. Teaching them not only glass making skill but life skills, that translate across a wide spectrum. When members move on from the company, often it is to strike out on their own, this we encourage whole heartedly as we wish to promote the personal development of everyone we come into contact with. .

Creativity is the backbone of Bristol Blue Glass without it we fail, this is a unique concept and even though James is no longer here daily, his principals are still with us. When health permits he still teaches and makes ‘Art Glass’.

We are proud to say this, our current team of Hot glass Artists are lauded and respected globally, glass makers beat a path to our work shops to be trained by our Master Glass makers, these skills take over 10 years to perfect, Without making a fuss over the past 34 years Bristol Blue Glass has been the acme of British glass making training, selflessly teaching skills that were almost lost. The facility alone is a valuable asset to the wider Art community, as artists both working and not working in glass hire the studios and utilise our glass makers as their technicians to achieve their works. This is an aspect we will encourage to garner deeper relationships within the wider art community.

Stewart Hearn

As a recognised and accomplished glass artist Stewart is able to focus on limited edition and unique pieces which is what he enjoys making the most. In addition to this work, he produces glass for a range of clients and in various capacities.

Calum dawes

Sandra Balmer

Maria Bemelmans M.A.

Eileen Bass

Nour El Huda Awad

I am making a series of plates and bowls featuring the colours and patterns of birds. I managed to develop a crackled and water colour effects on glass.

Kitengela Hot Glass

Robin Bussell

I have been exploring the use of controlled matrices of stringers in warm glass fusing to provide permutations of colour, and refractive index, interactions as air is trapped during the firing, Recombining these sub units in symmetric patterns, then firing again, can create kaleidoscopic illusions of depth and compelling cadences of colour and shade.

I often embrace digital manufacture in my work, programming and making tools to aid my geometric compositions.

I also collaborate with artist Charlie Murphy on the electronic and technical side of a variety of glass and mixed media projects, most recently exhibited at the acclaimed show “The State Of Us” at the Lowry gallery.
As team Photonic Excitors we recently joined in with Br41n.io Linz virtual brain / computer interface hackathon and achieved third place with our 3D printed fibre optic EEG headset prototype.

C. A. Merriman

Experience the fusion of art and technology in Digital Harmony. Created using a drawing machine, computer-generated math-based SVG files, and sgraffito techniques with powdered glass, this piece is a study in precision and innovation. Each curve and contour isn’t just design—it’s the result of calculated movement, where digital tools shape glass in ways that traditional methods alone cannot. Digital Harmony is where craftsmanship meets code, where light and form interact in unexpected ways. Through this work, I explore the intersection of human intention and machine precision, pushing the limits of glass in the digital age.