We design and create using various techniques including stained glass, fused and kiln formed.
Our studio includes a Glass Gallery where our work can be viewed and purchased directly or it can be purchased from our website. We also accept commissions for our stained glass work.
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Learning new techniques on line with Catherine Dunstan, Colour Blooming and spending time in the hot shop at the Glass Hub continuing to explore glass blowing techniques.
We design and create using various techniques including stained glass, fused and kiln formed.
Our studio includes a Glass Gallery where our work can be viewed and purchased directly or it can be purchased from our website. We also accept commissions for our stained glass work.
Moulds were created of her hands and feet and I want them to look like they are pressed against the glass and about to move. This is the start of a long journey working with this idea
2023- Selected work-“REFLEJADAS”- EUCD-Uruguay
2023- Awarded work- NCI- Uruguay
2022- Selected work- “VIDRIO UY”-FADU- Uruguay
2022- Selected work-“BIAVI”-Cartago Museum-Costa Rica
2022- Selected work-MAVA Museum -Spain
2022- Selected work- “ORDINARY TO EXTRAORDINARY” online exhibition CGS
2021- Selected work -” SUMMER ” online exhibition CGS
2021- Selected work-”OLD WORK-NEW PERSPECTIVE” online exhibition CGS
2021- Selected work- “TEXTURES/ HOW DO YOU FEEL?”online exhibition CGS
2019 – Awarded work – APPU- Uruguay
2018 – Awarded work – APPU- Uruguay
2017 – Selected work-online exhibition CGS
2017- Selected work -WTA -Uruguay
2017 – Selected work -HOTEL SPLENDOR -Uruguay
I am learning.
My most recent recent collection is based on exploring grief, loss and memento mori. The inevitability of death, coupled with the recent global pandemic have illustrated painfully for many including me that life is fleeting and death is certain.
I have stablished a new enterprise of glass fusing courses working at taster and beginner levels across the West Midlands.
Glass is a material like no other. It is only enlived by light, is imagined as fragile but takes great heat to change it. For me it the ideal media to show invisiable concepts such as emotions, or tell stories or express concerns in new unexpected ways. My work is as diverse, images gather in my subconcious & link together to form unexpected connections reflecting themes that interest me – science, technology, space, botany – to things that trouble me – emotional trauma, mental health, ecology & fractures in society.
I work directly in the flame with borosilicate glass (more commonly known by the ‘Pyrex’ tradename.) I have a diverse, but often science & fantasy led, portfolio of work. I am currently experimenting with plasma sculptures where I create hollow forms which are filled with rare gases that are energised by high voltages to create moving ribbons of light inside. Along with an ever popular range of dip pens, marbles & pendants I am also working on new sculptural figurative work around mental health issues, and expanding my sculptures from wall hangings to garden displays
I am currently working with broken and reconstructed glass fragments and light projection.